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13 posts tagged with losangeles and film. (View popular tags)
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And the truth of the matter is Arnold and I are old. I mean, really old.

True Lies is a 1994 action comedy film directed by James Cameron and starring Arnold Schwarzenegger, Jamie Lee Curtis, and Tom Arnold. The film was a huge hit, and is noteworthy in that it featured visual special effects considered impossible only a few years prior. It's been 20 years since it was released. Time for a revisit, then. [SPOILERS if you haven't seen this movie.] [more inside]
posted by joseph conrad is fully awesome on Jul 18, 2014 - 95 comments

"There are specific instructions when Isaac Hayes comes on."

Wattstax [SLYT] is a 1973 documentary film about the 1972 Wattstax music festival, held at the Los Angeles Memorial Coliseum to commemorate the seventh anniversary of the Watts riots. Featuring performances by Isaac Hayes, Albert King, Rufus and Carla Thomas, The Staple Singers, The Emotions, The Bar-Kays, and other greats of soul, R&B, and gospel, Wattstax also incorporates relatively unknown comic Richard Pryor's musings on life for black Americans in 1972, "man-and-woman-on-the-street" interviews, and audience footage. [NSFW] [more inside]
posted by Room 641-A on Jul 3, 2014 - 23 comments

La-La Land

Vintage Los Angeles is Alison Martino's YouTube channel featuring a look back at Los Angeles during the 40s, 50s, 60s, and 70s. There's an accompanying blog and a facebook page, too.
posted by Room 641-A on Feb 5, 2014 - 10 comments

The Light that will Be

After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
posted by timshel on Feb 3, 2014 - 71 comments

Strike that, reverse it

Auxiliofaux is the photography Tumblr of Richard Auxilio, a Los Angeles-based photog whose current project is symmetrical double exposures.
posted by klangklangston on Feb 4, 2013 - 9 comments

Barbet Schroeder's "Barfly"

Roger Ebert on the set of Barfly. [more inside]
posted by Egg Shen on Sep 14, 2012 - 21 comments

Michael Mann's "Heat"

Although [Michael] Mann has said he was inspired by a true story from Chicago in the late 1960s, the film is no gritty realist number about desperate thievery. Rather, HEAT is a high-gloss creature of its time, utilizing the classic "duel between cop and robber"... to thematize lifestyle issues in the mid-1990s. Specifically I argue that, for all its slickness and emphasis on style and personality, HEAT is a film about work and its increasing personal costs. For the characters in HEAT, work provides excitement* and challenge, but it ultimately excludes any emotional life outside of the demands of the job. *That's the shootout scene
posted by Trurl on Nov 21, 2011 - 108 comments

William Friedkin's "To Live and Die in L.A."

After 25 years I revisited To Live and Die In L.A. (1985), William Friedkin's cynical, fatalistic, hardboiled and high-energy crime noir about corruption and survival in the city of no angels. The script is literate, the characters are believable, the performances are brutally honest, the unpredictable twists keep coming, the action never stops, and the car chase is shot for real without any fake process. (spoilers)
posted by Trurl on Nov 4, 2011 - 60 comments

Alex Cox's "Repo Man"

Alex Cox: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
posted by Trurl on Oct 31, 2011 - 92 comments

Lautner on Film

A short compilation of John Lautner houses featured in films. [more inside]
posted by xod on Jul 22, 2011 - 6 comments

How Chinatown Falsifies History and Why Dragnet Is Like Ozu

Los Angeles Plays Itself is a dazzling cinematic essay by the filmmaker Thom Andersen about how the city of Los Angeles is portrayed in films. Watch it now on YouTube: Part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12 [more inside]
posted by jonp72 on Feb 5, 2011 - 36 comments

Paper shadows

Please enjoy one of collage artist Lewis Klahr's haptic, romantic meditations on materiality and mortality, False Aging, and a look at his process.
posted by Ambrosia Voyeur on Aug 23, 2010 - 2 comments

Through All the Lousy Luck

I first read "Ask the Dust" in 1971 when I was doing research for "Chinatown". I was concerned about the way people really sounded when they talked, and I was dissatisfied with everything else I had read that was written during the '30s. I wanted the real thing, as Henry James would say. When I picked up Fante's "Ask the Dust," I just knew that was the way those kids talked to each other—the rhythms, cadences, racism.
Robert Towne on adapting John Fante's novel for the big screen. More inside.
posted by matteo on Mar 4, 2006 - 17 comments

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