Beneath glimmering chandeliers at an Art Deco movie house built into the side of a mountain, 150 silent-movie buffs sat wide-eyed as snippets from films lost decades ago lighted up the screen. Their quest: Name the film, or at least spot details that will advance the cause. The fans shouted clues as a piano player wearing an old-time parlor vest and a thick period mustache improvised jaunty scores. They scoured vintage magazines on their laptops, checked film databases on their tablets, and scrubbed their brains for odd bits of early 20th century cultural history. Every frame had the potential to unlock a secret.
Librarians in Japan upset after newspaper published names of books that novelist Haruki Murakami checked out as a teenager from his high school library. [Los Angeles Times] [more inside]
"Net migration from Mexico to the United States has come to a statistical standstill, stalling one of the most significant demographic trends of the last four decades." The full report from Pew Research Center. This interactive map [NY Times] puts America's many historical immigration trends in perspective. (previously).
Sotomayor, Kagan shift Supreme Court debates to the left. The liberal wing is no longer drowned out by Scalia and his fellow conservatives during oral arguments.
Paris Metro's cheaters say solidarity is the ticket. Scofflaws who jump the turnstiles or enter through the exits of the Paris public transit system have formed mutuelles des fraudeurs — insurance funds that pay the fine if they get caught.
Damon Winter is a photojournalist who has worked for The Dallas Morning News, The Los Angeles Times and now works for The New York Times. His work on a more sports-focused beat in Dallas lead to his update on athletes from the 1984 Los Angeles Olympics as part of the 2008 Olympics coverage. As a photographer with The New York Times, he won the 2009 Pulitzer Prize for feature photography, for his first time out on the road, covering campaigns (narrated slideshow, 3min 19sec). Currently, he is sharing his photos and writing from Port-au-Prince, Haiti, which are included in NY Times Lens Blog (prev. Lens Blog features: 1, 2, 3, 4, 5). If that's a bit heavy, check his photographers journal (narrated slide show, 2min 34sec) and his article on creating double-exposure juxtapositions from days or weeks of shooting large-form film. [more inside]
A Los Angeles Times article describes a Justice Department behavior rectifying years of "illegal discrimination against religious groups and their followers". Registration required. Found through the excellent How Appealing.
The Los Angeles Times goes multimedia. For the past few weeks, the LA Times has begun a significant push into offering video, audio, and interactive Flash on their website. One of the most interesting aspects is that the paper has moved one step beyond simply replaying AP Television clips as many sites have done; the LA Times writers are stand before the cameras and microphones themselves and report stories in a stuttering, non-hairsprayed, introverted demeanor that I find very refreshing, though so far I have gleaned very little additional information from it. When does (or can) this mode of journalism on the web rise above gimmickry or 'just because we can' and add value to a written article? Can video/tv news rise above mere spectacle?
Antidote to the Liberal Monotone: Blogging After reading MetaFilter for a while, I would assume that blogging ticks off all people, left and right, equally. Does exposure like this on a major Op-Ed page show that blogging is on the verge of becoming something big?