Ten years ago today, LOST premiered on ABC. EOnline posts an interview with Damon Lindelof, about the show's legacy. [more inside]
Finding the Next Lost: What Is an “Operational Theme” and Why Don’t I Have One? by Javier Grillo–Marxuach (Previously)
How To End It All - Vince Gilligan (Breaking Bad), Alan Ball (Six Feet Under and True Blood) and Damon Lindelof and Carlton Cuse (Lost) talk about making television in this goldening age, wrestling with expectations, and the very difficult, quasi-existential task of ending it all. Explaining The Sopranos' final scene
Credits mashups or remixes are a Youtube meme with a simple concept: create a intro sequence for one show using the music and style of another show's credits. Some drastically change the story or tone of a series, some play up similarities between two shows, some provide a more glossy intro for shows that originally relied on a title card or an unpopular credits sequence, and some just seem to happen because people really like "Ballad of Serenity." [more inside]
Perhaps the most dangerous effect of the Big Crunch mentality has been to make television creators think of themselves as auteurs, to convince them that in spite of the massive interference with their work, they can somehow create a work of aesthetic integrity and sociological insight even if they don’t know where it’s going. Well, sometimes you get lucky, but more often, the result is disaster, and the effort spent toward that failure is redirected from where it would be better put: creating great trash. An essay on the challenges and pitfalls of writing serialized TV plots from The American Reader. [more inside]
Tweets of Anarchy and Replying with the Enemy: A look at television showrunners' Twitter feeds by Myles McNutt.
TV serials, says Richard Beck, self-consciously set out from the very beginning to get us to take them seriously. From Hill Street Blues to The West Wing to The Sopranos and The Wire, how the television series convinced us that it was art — and now, why Lost's achievement of success via casual genre mixing and narrative derangement might signal that there's no future creative ground left within the old limits of serial drama.
On the cusp of the long-awaited series finale of Lost, people are understandably confused. Fortunately there are plenty of ways to catch up, from the fan compendium Lostpedia to the 2-hour ABC recap tonight at 7:00 EST to YouTube summaries of Seasons 1-5 from ABC (in 8:15) and from costumed fans (in five minutes). As for longtime fans, why not reminisce by revisiting the show's infamous bookends -- the artfully inscrutable scenes which introduce or conclude each season? Look inside for these and more, along with a cavalcade of interesting fan videos and other fun stuff. [Warning: Spoilers (for everything but the series finale) inside] [more inside]
Here, There Be Spoilers: As "L O S T" Ends, Creators Explain How They Did It, What’s Going On. (Previously on MeFi)
Caltech physicist Sean Carroll recently tweeted that he was meeting up with Lost producers Damon Lindelof and Carlton Cuse. This was posted to the forums at Lostpedia, prompting immediate spoiler complaints ... so Carroll signs up and drops in to the thread to clear up the confusion, also offering some of his thoughts on the use of time travel in the show and referencing a longer blog post he wrote shortly before the start of the final season.
At ComiCon 2009, comedian Paul Scheer stood up during the LOST panel and introduced Damon, Carlton, and a Polar Bear, a painting on black velvet of the two head writers/executive producers of LOST with a friendly polar bear, as well as a website that turned into an almost five month scavenger hunt/Fan appreciation event, where fans were given the opportunity to purchase 16 LOST-inspired posters commissioned by artists such as Daniel Danger, Dan McCarthy and Olly Moss. The hub page, which has been updating with clues since the beginning of August, has brought out fans from Tokyo, Argentina, Arizona, Honolulu, New York, Los Angeles, San Francisco and Glasgow to events where the URL to purchase these prints (300 limited editions, less than 200 for sale) has been given out. LOSTArgs has been following the action since the beginning. Tomorrow, the LOST Underground Art project wraps up with the reveal of the 16th poster (rumored to be a Season 6 spoiler), at the Gallery 1988 art show in Los Angeles.
"Lost is a far more ambitious piece of media, which uses the entire web as its canvas and its entire audience as its creators. I'd suggest this piece of work - Lost, when viewed in its entirety - is truly new."
While watching LOST, did you ever think, "Boy, what this show needs is an 80's-style theme song?" If so, you're in luck.
ABC Streams full episodes of Lost, Alias, Desperate Housewives and Commmander in Chief for free in May via flash.
My Favorite Wasteland. "Need more reasons to stay home? You could probably find them sitting in the row behind you. Many members of the contemporary movie audience, only marginally socialized, would have made a misanthrope of Gandhi... Grownups who do choose to remain at home with the remote--and I often count myself among them, not a TV enthusiast exactly, but certainly a sympathist--have no reason to apologize. TV can now teach Hollywood something about smarts." [via]
Not Lost After All Given recent posts proving and disproving various meanings of the ongoing numbers references on the television program Lost, I figured that some of you would be interested that a person over on Flickr seems to have a much better explanation: they're simply geographic coordinates.
Numbers Theory on LOST OK I admit it - I took the bait on the LOST numbers theory only to find this genius made the whole thing up in ten minutes. Does anyone have a Neiman Marcus chocolate chip cookie recipe?
Oceanic Air cancels all its flights after the disappearance of Flight 815. Another website related to the Lost television series, similar to Drive Shaft or the classic What Badgers Eat.