EC Comics and MAD Magazine cartoonist/editor died on tuesday at age 88. Al Feldstein's covers and artwork for EC Comics great Sci-Fi/Horror books are legendary. Sadly, his singular, clunky, thick, goofy style was phased out after a few years of classic work at EC in favor of the more modern, detailed artists in the stable as he took on more editorial and writing duties. He went on to turn a post Kurtzman MAD Magazine into a phenomenon as its editor.
The private collection of Jim & Gayle Halperin includes original EC comic book art, work by R. Crumb (such as the original Big Yum Yum book), Maxfield Parrish prints and a lot of other great stuff.
Here is the classic story "Batboy and Rubin" from Mad Magazine #8. (Another source.) And here is the story adapted to animation 57 years later on Batman: The Brave and the Bold.
In 1948, in the aftermath of the Second World War, with Europe still in ruins, three young Belgian comic strip artists, Joseph Gillain (aka Jijé), Maurice de Bevere (aka Morris) and André Franquin, crossed the Atlantic with the intention of settling in the US. All three would eventually return to Belgium, their hopes of working for Disney ultimately dashed by the turmoil of the McCarthy years. However, in the meantime they made the acquaintance of their colleagues of the Charles William Harvey Studio in New York, including a cosmopolitan young wit named René Goscinny. [more inside]
Longtime MAD magazine artist Al Jaffee (now 87 years old!) created the fold-in as a unique contribution to the MAD-style of satirical humor. Now the NYT has the comprehensive history online in interactive form.
No Tourists, No Artists. Tourists at Atlanta's Underground didn't realize they were working with an real live artist, but they were. Tom Richmond, Caricaturist Of The Year for 1998 and 1999, recipient of a Reuben Award in 2003 , one-time comic book creator, and frequent artistic contributor to Mad Magazine (movie parodies, mostly), supported his freelance work for almost 18 years by doing cartoons-for-hire in historic Underground Atlanta. Despite many efforts to "save" it, Underground continues to fade in popularity and the tourist traffic just dwindles on down, leaving folks like Tom no choice but to pack up their paints and leave. Tom's story makes for interesting insight into a job that most of us might take for tourist-trapping huckstery. (via Radical Georgia Moderate)