At the end of November, 1979, this band was just a year and half old and had played fewer than 40 sets. They had a handful of embryonic songs influenced by Television and Magazine, and a 3-month old, 3-song EP with two decent songs. Then they went to London to play a bunch of gigs behind that EP, and in just 6 months, over 40 gigs, they exploded. They watched in the studio during the January 1980 recording of “Love Will Tear Us Apart,” wooing Joy Division’s producer Martin Hannett; appeared on TV that month with a song they had only played 4 times, and released a forgettable single at the end of February. Suddenly new songs poured out at a remarkable rate: ”Twilight”, “Things to make and Do,” “A Day Without Me”, ”Trevor” became ”Touch”, ”Silver Lining” transformed into a second single (produced by Hannett). They signed a record contract in March, and immediately began recording a stunning debut album. By the summer they had more songs: a psychedelic/sexual horror tune, and a hot new single. It all became
bloated and sucky commercial and atmospheric soon after, but for a while there, boy did they rock. [more inside]
Rock Scene magazine - scans of every page of all 54 issues from 1973-1982, featuring artists like Bowie, Queen Lou Reed, the Ramones, The New York Dolls, Blondie, Talking Heads, Willy DeVille, and more. (via Dangerous Minds)
You'd think news of a Creem Magazine retrospective book would be greeted with cries of glee. You'd be wrong. Occasional staff shutterbug Bob Matheu licensed rights to use the name of the beloved, iconoclastic Detroit rock zine years after it ceased to be relevant, but despite occasional "Creem is back" announcements, only produced a website. [more inside]
Stylus Magazine is closed. Home to some of the best writing about rockism, and Rasputin, slsking and The Stranger. Greatest hits/bluffer's guide here.