Beginning in the 1910s, a combination of new ideas and technologies generated a proliferation of little magazines. These magazines made possible the revolutionary movement known as modernism. Little magazines promoted artistic and political movements ranging from Imagism, Futurism, Cubism, Surrealism, and Dada, to Anarchism, Socialism, Communism, and Feminism. Little magazines provided a stage for modernist innovations ranging from New Art and the New Music, to the New Negro and the New Woman. Little magazines championed individual liberties ranging from free verse, to free speech, and free love. Today, we are using the World Wide Web to produce a database dedicated to these important periodicals.
Butt (previously) interviews Didier Lestrade, former publisher of classic French gay zines and periodicals like Magazine (scanned archives) and Têtu. “Unlike many young fags today, we knew our gay history. We were learning all the time about all kinds of stuff and we were always eager to lean more…. It freaks me out to think how quickly we went from creating our own history to not caring about gay history anymore! It happened so fast. No one has even begun to collect and preserve all the material from the Paradise Garage, the Saint, etc., and now gay people don’t seem to even care.” [more inside]
The complete archive of International Times, which launched a revolution in underground publishing in the UK and paved the way for Oz (of the School Kids special fame) (previously) and a whole string of british underground zines, a heritage that Alan Moores new zine Dodgem Logic very much calls upon.
Hippie Atrocities and Beautiful Freaks -- Oz Magazine was, for a ten year run during the Sixties and Seventies, Australia's, and later England's, premier underground satire 'zine. Featuring contributions from (among others) Lenny Bruce and Germain Greere, and subject to two obscenity trials--one in Australia and another, more famous one following the editors' exile to England--it evolved, in its English incarnation, a wicked, witty and of course, thouroughly psychedelic design aesthetic. There are galleries of cover art here and here, and a Shockwave adaptation of the infamous School Kids issue here. [warning: some images NSFW.]
Creem Magazine is back. After an 8-year hiatus, the classic rock rag that launched the career of editor/author/Springsteen-worshipper Dave Marsh, elevated Lester Bangs to rockcrit boddhisatva status, and introduced me to the Velvet Underground and the Stooges is online and ready to roll the presses once more. Will they give a much-needed kick in the ass to a moribund field of journalism, or are they a bunch of old hippies cynically cashing in on Cameron Crowe's Almost Famous vibe? Don't forget to dig the scanned covers. Boy Howdy!