Ladies and gentleman, by way of introduction, this is a film about trickery, fraud, about lies. Tell it by the fireside or in a marketplace or in a movie, almost any story is almost certainly some kind of lie. But not this time. This is a promise. For the next hour, everything you hear from us is really true and based on solid fact.Orson Welles' cinematic confidence scam, F for Fake, gets a new two disc Blu-Ray Criterion Collection release this year. Ben Sampson offers a visual analysis in two parts, breaking down the film's layers of paradoxes. [more inside]
Is Saving Mr. Banks, Disney's retelling of the events surrounding the adaptation of Mary Poppins a corporate, borderline-sexist spoonful of lies which throws author P. L. Travers under the bus?
Secret Weapons. "David Cronenberg's seldom seen 1972 made-for-TV movie, 'Secret Weapons'. It is six years into a future American civil war. A man has created a drug that enhances fighting skills. But will he give it to the theocratic government, or the rebels?" [Via]
It's like band camp, only with magic nerds.
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]