Steven Millhauser is an American Pulitzer Prize-winning fiction author known for his erudite, witty and surreal writing style that blends the magical and the real. Enjoy the full text of Eisenheim The Illusionist (pdf, 20 pages), the story that inspired the 2006 film The Illusionist. [more inside]
Leigh Bardugo writes haunting, Eastern-European inspired fairy tales (Previously) often highlighting the experience of women in a unfair world. Tor.com presents two new stories, the somber "The Too-Clever Fox" and the subversive "Little Knife."
Witchsona Week is a week for artists, doodlers, webcomicers, and more to draw themselves as witches.
Is Saving Mr. Banks, Disney's retelling of the events surrounding the adaptation of Mary Poppins a corporate, borderline-sexist spoonful of lies which throws author P. L. Travers under the bus?
Cecil Crowninshield, resident mystical defender of Salem Massachusetts, has put down his Lumurian Quartz topped wand and picked up the keyboard to help keep his neighbors informed of goings-on around town via a series of local news columns - Impress your date! - The Top Five Salem Sandwiches and the ghosts who stole them! - Magick On A Budgetk! When not writing his regular column, Cecil enjoys commenting on others. [via mefi projects]
Fall, Mortality, and the Machine: Tolkien and Technology From the beginnings of modern fantasy, in the work of Tolkien, technology has always been the enemy of the good life. But does it have to be that way?
The Rules of Magic. Every fantasy saga has its own rules for magic, and its own explanations for how the magical arts work. Where does magic come from? Who can use magic, and how? io9 has compiled a list of the rules of magic in 50 fantasy sagas. (jpg)
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]