How did a funky R&B guitarist and singer get signed on to a spook-tacular music video? No, I'm not talking about Ray Parker Jr.'s very Halloween-appropriate music video for "The Other Woman", but his later video for the scary-funny movie, Ghostbusters. Screen Crush has the inside story on the making of Ghostbusters theme song video (alt source: Daily Motion). [more inside]
The Visual Effects of Mad Max: Fury Road - Visual effects supervisor Andrew Jackson said: “I’ve been joking recently about how the film has been promoted as being a live action stunt driven film - which it is, but also how there’s so little CGI in the film. The reality is that there’s 2000 VFX shots in the film. A very large number of those shots are very simple clean-ups and fixes and wire removals and painting out tire tracks from previous shots, but there are a big number of big VFX shots as well.” [more inside]
A short video showing how hand made hydraulic tiles (i.e. encaustic cement tiles, Cuban tiles, mosaicos hydraulica, etc.) are made (with a hydraulic press as opposed to heat) [more inside]
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
There have been countless words written about Stanley Kubrick’s visionary masterpiece 2001: A Space Odyssey — some good, some bad — but after 45 years, this superb book remains the only one you’ll ever really need. It is such a shame that this book is out-of-print. It is filled with everything you ever wanted to know about 2001. It leads off with Arthur C. Clarke’s short story “The Sentinel” and closes with a complete reprint of Stanley Kubrick’s interview with Playboy magazine. In between are profiles, interviews with technical advisors, effects secrets revealed, letters to Stanley from the moviegoing public, as well as reviews of the film, both good and bad. A fascinating snapshot of a moment in history when the world was caught off guard by a motion picture. Search your local used book stores, like I did. If you’re a Kubrick fan, it’s worth the effort.Long out of print, The Making Of Kubrick's 2001 (edited by Jerome Agel, known for his work coördinating McLuhan's The Medium Is The Massage and his coauthoring of Buckminister Fuller's I Seem To Be A Verb) is now available to read online, thanks to Cinephilia and Beyond.
In the tropics one must before everything keep calm. Some backstory on the making of Apocalypse Now, originally published June of 1977. [more inside]
Will we ever know what is real anymore? The making of the Matrix sequels. After these movies, will we ever be able to tell what is real or not on the small and large screen?