The anti-Communist Captain America was ret-conned into being a crazed history graduate student named William Burnside who had himself surgically altered and then dosed with a flawed version of the Super-Serum, which drove him insane to the point where he saw communist sympathizers everywhere. The subtext isn’t particularly thick here: the “Commie-Smasher” was a paranoid wannabe, whereas the real Captain America is the “living legend of WWII” waiting in suspended animation during the Second Red Scare, who emerges back onto the scene with the arrival of the New Frontier and the Great Society. - Why Captain America Is the Progressive-Era Superhero We Need.
What if, rather than fight supervillians, the students and teachers of Xavier's School For Gifted Youngsters decided to run an ad agency?
While some of Marvel's superheroes are busy fighting the forces of dry, aging skin, Publisher's Weekly wonders if Marvel's decision to release original graphic novels (OGN) after years of refusal is a game changer for the industry.
"The screenplay keeps so many balls in the air that everything feels lively and inventive and fun, even when the plot isn’t being forwarded, or especially when the plot isn’t being forwarded. " Todd Alcott, director, actor and screenwriter, is known for his exhaustive analysis of screenplays (previously, previously) turns his eye to the modern Superhero Genre with a complete break down of Marvel's The Avengers Part 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 / 16 / 17
Photographer Senen Llanos likes profiles and costumes, so why not combine them both with The Faces Of New York Comic Con 2012 Part 2. (via)
Not content with having re-imagined the Justice League, Cartoonist Dresden Codak reboots the X-Men with stranger mutations and more sci-fi backstory.
The Washington Post asks: Can Mutants And Humans Really Co-Exist? Metafilter's own Mightygodking responds.