The home of late artist/illustrator Maurice Sendak may or may not become a museum. It may be more difficult to house a wild thing than it would seem. Controversy broils over Sendak's disputed legacy.
After Outside Over There, which is my favorite book of mine, a little girl wrote to me from Canada: “I like all of your books, why did you write this book, this is the first book I hate. I hate the babies in this book, why are they naked, I hope you die soon. Cordially…” ... I was so elated. It was so natural and spontaneous.... I should have written back, “Honey, I will; just hold your horses.”
Was there anything he had never been asked? He paused for a few moments and answered, “Well, that I’m gay.” "Maurice Sendak’s 80th year — which ended with his birthday earlier this summer and is being celebrated on Monday night with a benefit at the 92nd Street Y — was a tough one. He has been gripped by grief since the death of his longtime partner; a recent triple-bypass has temporarily left him too weak to work or take long walks with his dog; and he is plagued by Norman Rockwell. Or, to be more accurate, he is plagued by the question that has repeatedly been asked about Norman Rockwell: was he a great artist or a mere illustrator?"
When Maurice Martenot met Lev Sergeivich Termen in the early 1920's and heard his revolutionary new musical instrument the Theremin, he was inspired to create his own electroacoustic instrument , which he christened Ondes Martenot. Next year will mark the 80th anniversary of the first performance of this remarkable hybrid keyboard which, aside from its lovely and ethereal sound, is also aesthetically pleasing visually, with its handsome collection of multiple speakers. See and hear the instrument being played and explained in this video interview and demonstration by Jean Laurendeau, which closes with a lovely rendition of the theme from Star Trek. And, here's the instrument in use, live, alongside who else? Radiohead. [more inside]