Buzzfeed is currently coming under fire from various creators: Akilah Hughes claims that Buzzfeed plagiarised her videos, Gaby Dunn speaks up against the no-compete clause that led to 2 colleagues being fired for appearing in another websseries (response by Buzzfeed Motion Pictures head Ze Frank), and Kat Blaque talks about the exploitation of intellectual labour from marginalized people for Buzzfeed content.
How do you quantify the effects of things that don't happen to you? "The whole point of living in a culture is that much of the labor of perception and judgment is done for you, spread through media, and absorbed through an imperceptible process that has no single author." (previously; via)
Walt Disney - "An unprecedented look at the life and legacy of one of America's most enduring and influential storytellers -- Walt Disney."
Envisioning the American Dream is "a visual remix of the American Dream as pictured in Mid-Century media" that discusses topics such as Man and Machines, Vintage Advice for Cheaters, and Suburbia for Sale, amongst many others.
If it weren't for the 1976 Copyright Act, copyright on work would expire after 56 years - which would have meant that Kerouac's On The Road, the original 12 Angry Men, and Elvis's All Shook Up would be public domain by today.
For over 17 years Furtherfield gallery, London, has been working in practices that bridge arts, technology, and social change. As its physical and online territories expand to include a new 'Commons' lab space curator, director and critic Marc Garrett reflects on the gallery's rich history, arguing that art from beyond the mainstream exhibits an ever burgeoning oppositional agency. [prev-iously]
Patton Oswalt’s Letters to Both Sides - Oswalt addresses "all of the comedians in the room" and "all of the gatekeepers" at Montreal’s Just For Laughs 2012 about living in a living in a "post-Louie world".
Artist and film-maker, Hito Steyerl, asks us to stand shoulder to shoulder with our digital equivalents. Digital images are Things (like you and me) - a plethora of compressed, corrupted representations pushed and pulled through increasingly policed and capitalised information networks. If 80% of all internet traffic* is SPAM - a liberated excess withdrawn** from accepted channels of communication - perhaps it is in The Poor Image we find our closest kin? [more inside]
The Guggenheim Museum is claiming to be the first museum to begin issuing new exhibit catalogues as e-books for purchase. But even more exciting to the 20th century art history nerd, they've also partnered with the Internet Archive to offer free digitized versions of out-of-print catalogues going back to the 1930s. [more inside]
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
HUH. Magazine is a media platform with the latest, most relevant news from the worlds of art, fashion, design, music and film. Recent features include: Harvest by Haroshi: Skate and Destroy, artworks created with old worn, or snapped, skateboard decks | Disassembly, capturing relics of our past in a unique, dismantled and exposed form | Murakami at Versailles, knee-deep in controversy since its inception | and Darren's Great Big Camera, a short documentary about a camera that shoots on 14" x 36" negatives and measures 6ft. in length.
Museums build some pretty cool websites. To help people find them, use them, and give them props, the Museums and the Web conference has held an annual Best of the Web contest since 1997. This year's nominees are here. Just a sample: the MOMA on Bauhaus, the Center for New Media's Bracero History Archive, the Textile Museum of Canada's In Touch:Connecting Cloth, Culture, and Art, Perception Deception from The National Science and Technology Center of Australia, The Letters of Vincent Van Gogh from the Van Gogh Museum, the Smithsonian's Prehistoric Climate Change and Why it Matters Today, and more . If that doesn't wash out the remainder of your Friday, you can always dig into the past nominees.
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
It may be the worst police sketch ever: "The head is shaped like a rugby ball, the lips slide to one side, the nose is phallic, the ears are missing and the hair is having a very bad day." But it led to two arrests, and one television station, in order to protect the identities of the arrested, seemed to think it was a good idea to superimpose the illustration on top of the faces of the suspects.
Vague Terrain is a web based digital arts publication that showcases the creative practice of a variety of artists, musicians and scholars. Vague Terrain 13: citySCENE is their freshly launched project on urban representation that catalogs how cartography, infrastructure and locative media shape perception in the contemporary city. An example is Joyce Walks, a Google maps mashup which remaps routes from James Joyce's Ulysses to any city in the world, generating walking maps. [via mefi projects] [more inside]
In defense of suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
There There Square: The desire to own and name land and the pleasures of seeing from a distance color this personal survey of the history of mapmaking in the New World. There There Square takes a close look at the gestures of travelers, mapmakers, and saboteurs that determine how we read - and live within - the lines that define the United States. Jacqueline Goss is a videomaker and new media artist whose work explores muted personal and historical narratives and negotiates the slides and snags one encounters while moving between written and spoken communication. She currently teaches in the Film and Electronic Arts Department at Bard College. Winner of the 2007 Alpert Award for Film/Video from the Herb Alpert Foundation
I was going to share the many amazing videos that StSanders has uploaded to youtube featuring guitar gods like Van Halen and Santana shredding, since they have inexplicably only received scant mention on mefi so far. But StSanders' account has been suspended all all videos have been removed! [more inside]
The incredible works of Juan Francisco Casas, drawn using a Bic pen (some NSFW).
The Heeb 100 Heeb Magazine, you know that sometimes controversial magazine out of Jew York has recently released their list of the "100 people you need to know about" who also happen to be Jewish. Also, be sure to check out their reposting of an interview with art world honcho and big time heeb Zach Feuer.
"A paper around her neck said she was Ida, but Ida said nothing at all." So tells the story of the saddest, unluckiest girl that ever lived. [more inside]
Chema Madoz -- photos
Screenvader. Media and algorithms and home made music. [flash]
17 Minutes is a performance and video blog project by new media artist Chris Barr. It's about suicide. [MI]
NOISE is a global youth arts initiative (under 25s) that develops and profiles artists and their work across television, radio, in print and online. Requires Flash. [MI]
These are the cures. These are the illnesses. Guaranteed to cure what ails you. A look at the fantastic science of medicine, and the fantastic art of bodies afflicted.
The National Endowment for the Arts and the Library of Congress are putting 30 million newspaper pages online. The National Digital Newspaper Program "will create a national, digital resource of historically significant newspapers from all the states and U.S. territories published between 1836 and 1922." The goal is to have it done in 20 years; the LOC has a sample up now: The Stars and Stripes from 1918-1919.
Artnode: Contemporary Danish Art
Meet J. C. Leyendecker, the Golden Boy of American Illustration. He helped codify the modern image of Santa Claus. His Baby New Year covers for the Saturday Evening Post invented a pop culture icon. He was "the most out front closeted gay man of the twentieth century" - a hugely popular artist whose work was often clearly homoerotic. The young Norman Rockwell used to stalk him and once said, "Leyendecker was my god." In 1905, he created advertising's first male sex symbol, the Arrow Shirt Man, which "defined the ideal American male" for decades, got more fan mail than Valentino and inspired a 1923 Broadway play. A detailed, opinionated biography and 14 pages of gorgeous Post covers.
Before there was McSweeney's... Phyllis Johnson published 10 issues of Aspen, a multimedia magazine in a box to which the USPS denied second-class mail rates. After a few issues that stayed close to the ski resort in terms of theme, the magazine began bringing in guest editors and addressing cutting edge art and media, in New York, Britain, Asia, and the minds of cultural critics and psychedlic drug users. Andy Warhol participated in Issue 3 and the Fluxus movement dominated Issue 8. There were 10 issues in all, the first 9 of which are featured in this new web adaptation at Ubuweb. At the risk of only posting whenever Andrew Stafford unveils another cool web-native multimedia art project, I thought a lot of Metafiltrates would appreciate this interpretation of Aspen Magazine
For quite a few years now, Autonomedia has been putting out consistently challenging literature. From their books on art, culture and theory, to Graphic Novels by a member of The Fugs. Just browsing the titles will get your brain working.
Celebrating 40 years of Amnesty International, shine02 is a mixed-media project by various artists, and an "art initiative created to examine the aesthetics and the potential of the internet for international networking". Flash only.
A bunch of artists and designers were sent a small Flash file and told to change whatever they wanted, and send back the results. You get to see the mutations.
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures is one of the best readings on the interactions between artists, technology, and culture I've found so far. I found a quote here by Sir Isaiah Berlin which is very appropriate to my experience and perhaps those who search for sites like Metafilter:
Loneliness is not just the absence of others but far more living among people who do not understand what you are saying.