Twenty years ago tonight, id Software uploaded Doom
to an FTP server at the University of Wisconsin-Madison and completely changed the video gaming industry. [more inside]
posted by Pope Guilty
on Dec 9, 2013 -
The George Eastman House
is producing a series of nicely produced videos, each about 10 minutes long, demonstrating every major technological development in photographic process
with guidance from historians, curators, and artists and illustrated by objects from their collection. There are more to come, but you can start now with The Dageurrotype
, The Collodion Process
, The Albumen Print
, The Woodburytype
, The Platium Print
, and The Gelatin Silver Print
posted by Miko
on May 5, 2013 -
Makers: Women Who Make America
is a sweeping 3-hour documentary of the movement for women's equality in the last half of the twentieth century. Airing this month on US public television, it's accompanied by an online archive of videos
of interviews with individual women in leadership across a variety of fields. Leaders and activists, celebrities and pioneers, and everyday women retell the story of their awakening, organizing, and world-changing efforts.
posted by Miko
on Feb 28, 2013 -
Kirby Ferguson's fourth and final installment of Everything is a Remix
: System Failure
has been released. (Also on YouTube.)
It covers intellectual property rights, the derivative nature of creativity, patents and copyright. Transcript
. [more inside]
posted by zarq
on Feb 17, 2012 -
is a film
by Jen Siebel Newsom about the images, representations and media constructions that shape American society in a harmful way for women. It explores the under-representation of women in positions of power and influence that result. Shorter trailer here
. [more inside]
posted by cashman
on Oct 5, 2011 -
From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with March of Time
: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often tackled subjects and themes that audiences weren’t used to seeing
— foreign affairs
, social trends
, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.” (Previous two links have autoplaying video.)
By 1937, the short films were being seen by as many as 26 million people every month and may have helped steer public opinion on numerous issues,
) America’s entry to WWII
. Video samples are available at Time.com,
the March of Time Facebook page
and the entire collection is available online, (free registration required)
at HBO Archives. [more inside]
posted by zarq
on Aug 22, 2011 -
Two and a half years ago, we explored the early history of Cartoon Network
... but it wasn't the only player in the youth television game.
As a matter of fact, Fred Seibert
-- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly
venerable forerunner: Nickelodeon
Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE
system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to the versatile orange "splat."
But starting tonight in response to popular demand, the network is looking back
with a summer programming block dedicated to the greatest hits of the 1990s
, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple
, and All That
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
In an effort to preserve the rich story behind this landmark film, CONELRAD has spent the last two years thoroughly researching DUCK AND COVER's production history as well as its initial public reception in 1952. Interviews were conducted with living participants involved in the making of the film as well as surviving family members of those key players who had passed away. In the course of our research, CONELRAD also uncovered a wealth of archival material that leaves no doubt that a tremendous amount of thought went into the making of this nine minute motion picture that has been the subject of so much dismissive ridicule over the years. (More CONELRAD goodness previously)
posted by Trurl
on Jun 19, 2011 -
is a media platform with the latest, most relevant news from the worlds of art, fashion, design, music and film. Recent features include: Harvest by Haroshi: Skate and Destroy
, artworks created with old worn, or snapped, skateboard decks | Disassembly
, capturing relics of our past in a unique, dismantled and exposed form | Murakami at Versailles
, knee-deep in controversy since its inception | and Darren's Great Big Camera
, a short documentary
about a camera that shoots on 14" x 36" negatives and measures 6ft. in length.
posted by netbros
on Jun 1, 2011 -
A new documentary by a Swedish-based Italian filmmaker examines how media mogul turned two-time president Silvio Berlusconi's 30-year grip on Italian television has shaped the country, its politics, its culture and society. Erik Gandini's Videocracy
, which screens at the Venice Film Festival, starts 30 years ago, when Berlusconi introduced a quiz show whose female contestants stripped for the camera, and charts 30 years of showgirls, celebrities, reality TV shows and Berlusconi's rise to political power, and interviews characters of the system, including a talentless but fame-hungry TV contestant, a fascist-sympathising media fixer, and a paparazzo/extortionist turned celebrity. More details here
and (with a trailer) here
. [more inside]
posted by acb
on Sep 5, 2009 -
" There were lots of small children in the audience. I thought about asking one little girl if she had voted for the paddle, the rod or the cattle prod."
In 1995, a company called Interfilm
revolutionized the movie industry. Oh, no, wait, it didn't
. Audiences at Mr. Payback, "the first interactive movie," pressed buttons on a joystick attached to their seat to vote on the actions of the characters on-screen -- for instance, what kind of physical abuse a captured thug should undergo. Despite the pedigree of director Bob Gale (writer/producer of Back to the Future
) and co-star Christopher Lloyd, critics were not impressed.
The company folded a week after releasing its third interfilm, "I'm Your Man," scored by Joe Jackson, which did, a few years Interfilm was the brainchild of "conceptualist" and guy-with-gigantic-glasses Bob Bejan (Dateline NBC interview
), who now works at a next-generation, data-driven marketing agency that delivers strategic, multi-channeled communication solutions designed to cultivate and sustain relationships between brands and their audiences.
Watch: Clips from "Mr. Payback."
The making of "I'm Your Man."
(warning: A. Whitney Brown.) Read: the New York Times on the 1998 DVD release of "I'm Your Man." Booklet copy from the "I'm Your Man" DVD.
posted by escabeche
on Aug 31, 2009 -
: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless
on Dec 29, 2008 -
Free Movies, Documentaries, Cartoons, TV-Shows, Music & Comedy
- 100% handpicked content chosen to inform, educate, shock and entertain you. Most of the old films and cartoons are in public domain: "when a work's copyright or patent restrictions expire, it enters the public domain and may be used by anyone for any purpose." The newer media is probably not in public domain, they are just freely available for some unknown reason. Tomorrow they could be gone.
posted by crunchland
on Sep 18, 2006 -
The Image Culture
- a discussion of the history, manipulation, desensitization and supplanting of language skills by the ubiquity of images. And no, there are no pretty pictures.
posted by peacay
on Nov 19, 2005 -
"Movies: They're worth it!"
In a move to educate those darn thieving kids and their evil P2P file-sharing networks which are used to trade ripped movies, the MPAA has launched a public service campaign
to explain, in layman's terms, why violating their copyrights is wrong. …Yes, these are the same people who have just brought us an entire summer of bloated sequels, shameless celebrity vehicles and uninspired hack-work. Respect!
posted by Down10
on Aug 3, 2003 -