Kirby Ferguson's fourth and final installment of
Everything is a Remix:
System Failure has been released. (Also on
YouTube.) It covers intellectual property rights, the derivative nature of creativity, patents and copyright.
Transcript.
[more inside]
posted by zarq
on Feb 17, 2012 -
5 comments
From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with
March of Time: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often
tackled subjects and themes that audiences weren’t used to seeing —
foreign affairs,
social trends, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.”
(Previous two links have autoplaying video.) By 1937, the short films were being seen by as many as 26 million people every month and
may have helped steer public opinion on numerous issues,
including (
eventually) America’s
entry to WWII. Video samples are available at
Time.com, the
March of Time Facebook page and the entire collection is available online,
(free registration required) at
HBO Archives. [more inside]
posted by zarq
on Aug 22, 2011 -
8 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
In an effort to preserve the rich story behind this landmark film, CONELRAD has spent the last two years thoroughly researching DUCK AND COVER's production history as well as its initial public reception in 1952. Interviews were conducted with living participants involved in the making of the film as well as surviving family members of those key players who had passed away. In the course of our research, CONELRAD also uncovered a wealth of archival material that leaves no doubt that a tremendous amount of thought went into the making of this nine minute motion picture that has been the subject of so much dismissive ridicule over the years. (More CONELRAD goodness previously)
posted by Trurl
on Jun 19, 2011 -
12 comments
" There were lots of small children in the audience. I thought about asking one little girl if she had voted for the paddle, the rod or the cattle prod." In 1995, a company called
Interfilm revolutionized the movie industry.
Oh, no, wait, it didn't. Audiences at Mr. Payback, "the first interactive movie," pressed buttons on a joystick attached to their seat to vote on the actions of the characters on-screen -- for instance, what kind of physical abuse a captured thug should undergo. Despite the pedigree of director Bob Gale (writer/producer of
Back to the Future) and co-star Christopher Lloyd,
critics were not impressed. The company folded a week after releasing its third interfilm, "I'm Your Man," scored by Joe Jackson, which did, a few years Interfilm was the brainchild of "conceptualist" and guy-with-gigantic-glasses Bob Bejan (
Dateline NBC interview), who now works at a
next-generation, data-driven marketing agency that delivers strategic, multi-channeled communication solutions designed to cultivate and sustain relationships between brands and their audiences. Watch:
Clips from "Mr. Payback."
The making of "I'm Your Man." (warning: A. Whitney Brown.) Read: the New York Times
on the 1998 DVD release of "I'm Your Man." Booklet copy from the "I'm Your Man" DVD.
posted by escabeche
on Aug 31, 2009 -
43 comments
In defense of
suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless
on Dec 29, 2008 -
172 comments
FBI 101 -- "Essentials for Writers," an "exciting and informative" interactive workshop for writers being offered to members of my union -- the Writers Guild of America, East - by the FBI Office of Public Affairs and FBI New York. ... -- Very interesting account of a workshop the FBI puts on for writers in NY.
What's in it for the FBI?
...The only question we have for you is 'Will it show us in a good light?'" ...
posted by amberglow
on Jun 9, 2007 -
13 comments
Memorializing Hypereality maybe it is not always something 'new' that bears fruit but rather actually understanding something said before. Especially if we don't listen carefully the first time.
posted by hard rain
on Sep 12, 2006 -
12 comments
"Movies: They're worth it!" In a move to educate those darn thieving kids and their evil P2P file-sharing networks which are used to trade ripped movies, the MPAA has launched a
public service campaign to explain, in layman's terms, why violating their copyrights is wrong. …Yes, these are the same people who have just brought us an entire summer of bloated sequels, shameless celebrity vehicles and uninspired hack-work. Respect!
posted by Down10
on Aug 3, 2003 -
81 comments
