"First of all, we almost had no battle at all. For budgetary reasons we came very, very close to having all the action take place off-screen, the way plays have handled battle scenes for a few thousand years." - How the epic battle at the heart of the latest episode of Game of Thrones,
Blackwater, written by George R. R. Martin and
directed by Neil Marshall, came to be.
Mentor relationships in Game of Thrones (and Mad Men).
The National's Lannister song. And, perhaps sriking closest of all to the central themes of the show, Jezebel plays
Game of Thrones: Marry, Fuck, Kill.
posted by Artw
on May 31, 2012 -
124 comments
At first glance, the new inside-the-CIA Showtime series
Homeland looks like a cynical socio-political potboiler -- an attempt to exploit fears of a terrorist attack on American soil by Muslim extremists. In reality, the
critically acclaimed show, about an anti-terrorism agent (Claire Danes) tracking a U.S. Marine war hero (Damian Lewis) who may now be working for what's left of Al Qaeda, is thoughtful and emotionally complex despite its airplane-thriller trappings. That's why showrunners Howard Gordon and his buddy Alex Gansa gave an interview to
Mother Jones, a self-described "news organization that specializes in investigative, political, and social justice reporting." Reflecting on lessons they learned in the trenches of
24, they
talk about Homeland's self-aware approach to paranoia as entertainment, and how "dangerous and politically incendiary" a TV show can be .
posted by Joey Bagels
on Nov 8, 2011 -
67 comments
From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with
March of Time: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often
tackled subjects and themes that audiences weren’t used to seeing —
foreign affairs,
social trends, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.”
(Previous two links have autoplaying video.) By 1937, the short films were being seen by as many as 26 million people every month and
may have helped steer public opinion on numerous issues,
including (
eventually) America’s
entry to WWII. Video samples are available at
Time.com, the
March of Time Facebook page and the entire collection is available online,
(free registration required) at
HBO Archives. [more inside]
posted by zarq
on Aug 22, 2011 -
8 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
Actor, Playwright, Artist, Comedian, Magician, "Man of A Thousand Voices" (including Mighty Mouse,) "Beloved Herring Maven"
Mr. Ira Stadlen (Stage name: "
Captain" Allen Swift) has
passed away at the age of 87. Throughout his career, Mr. Stadler voiced characters in more than 30,000 television and radio commercials, as well as cartoons such as
Underdog,
Tom and Jerry and
Diver Dan, but some might remember him most as the man who saved
Howdy Doody. His nephew
has posted a remembrance on his blog, which includes a link to a "novelty 45" mp3 recording of Swift's
"Are You Lonesome Tonight."
[more inside]
posted by zarq
on Apr 28, 2010 -
13 comments
"What if America wasn't America?" That was the question posed by a series of ads broadcast in the wake of the September 11th attacks, ads which depicted a dystopian America bereft of liberty:
Library -
Diner -
Church. Together with more positive ads like
Remember Freedom and
I Am an American, they encouraged frightened viewers to cherish their freedoms and defend against division and prejudice in the face of terrorism (
seven years previously). The campaign was the work of the
Ad Council, a non-profit agency that employs the creative muscle of volunteer advertisers to raise awareness for social issues of national importance. Founded during WWII as the War Advertising Council, the organization has been behind
some of the most memorable public service campaigns in American history, including
Rosie the Riveter,
Smokey the Bear,
McGruff the Crime Dog, and
the Crash Test Dummies. And the Council is still at it today, producing striking, funny, and above all
effective PSAs on everything from
student invention to
global warming to
arts education to
community service.
Additional resources:
A-to-Z index of Ad Council campaigns -
Campaigns organized by category -
Award-winning campaigns -
PSA Central: A free download directory of TV, radio, and print PSAs
(registration req'd) -
An exhaustive history of the Ad Council [46-page PDF] -
YouTube channel -
Vimeo channel -
Twitter feed
posted by Rhaomi
on Sep 11, 2009 -
69 comments
"
Lost is a far more ambitious piece of media, which uses the entire web as its canvas and its entire audience as its creators. I'd suggest this piece of work -
Lost, when viewed in its entirety - is truly new."
posted by lunit
on Jun 2, 2008 -
99 comments
NOISE is a global youth arts initiative (under 25s) that develops and profiles artists and their work across television, radio, in print and online. Requires Flash. [MI]
posted by sjvilla79
on Nov 15, 2005 -
3 comments
The Parents Television Council has released their list of the top 10 worst shows for family viewing. The Fox network led the way with six of the ten shows, Family Guy, American Dad, The War at Home, The O.C., That 70s Show and Arrested Devlopment. The PTC also released a top-nine list of shows that are family friendly (they claim they couldn't find a 10th show to complete the list), leading the way is Three Wishes and Extreme Makeover: Home Edition. They also accuse Fox of being deceptive with their marketing of their Sunday night lineup, and using cartoons to pedal the "filth" to children.
posted by SirOmega
on Oct 19, 2005 -
56 comments
TiVo saved? After a grim 4Q04 conference call, focusing on bells and whistles for which there's little evidence of customer demand, it's now reported that TiVo is on the verge of striking a deal with Comcast to integrate TiVo software and services into Comcast's integrated tuner-DVRs. TiVo needs this deal very, very badly...
posted by MattD
on Mar 15, 2005 -
29 comments
Reflections On Our Media of Communication. Traditional news media vs. the internet. Are people really abandoning TV, paper, and radio news? Does the 'net really offer the best in free-press? The ever lovable Fred thinks so, and he's not afraid to tell you why.
posted by eas98
on Apr 22, 2004 -
14 comments
State of the Media Report 2004 by
journalism.org, which seeks to improve news coverage in a more neutral fashion than those who cry bias from the left and right. The group offers advice for
average citizens and
others. The report focuses mainly on US media and identifies
eight trends.
The content analyses finds that
newspapers have more lifestyle news than in the past, but less government and foreign affairs, even with wars abroad. More front page articles about issues, less on crime and disasters.
Network news was heavy on foreign affairs, government, accidents, disaster, crime and health care. The
cable networks had a lot of politics and Iraq stuff, but also a lot more celebrity/entertainment/lifestyle stuff than the big four.
Local TV news treats crime as topic A.
The
magazine audience is aging, and total pages are declining, but some, like The Economist and the New Yorker, have found success in niches.
Internet journalism is "still largely material from old media rather than something original." And it's still text-y. But it is clearly the
future of journalism. But don't pronounce the dinosaurs dead yet. Radio once ruled, and in a way it still does: 94 percent still tune in to
radio news at least once a week.
posted by Slagman
on Apr 1, 2004 -
7 comments
From the Asia Times — "The more commercial television news you watch, the more wrong you are likely to be about key elements of the Iraq War and its aftermath, according to a major new study released in Washington on Thursday." [more inside]
posted by grrarrgh00
on Oct 3, 2003 -
44 comments
Half an hour, two years ago.
[If the link won't work for you, copy it and open it with Quicktime. High bandwidth required.]
posted by Asparagirl
on Sep 11, 2003 -
26 comments
Superseding the mainstream media, or "quirky parasites"? Less of interest here than the IraqFilter context itself - which amounts to the question "Is blogging to Gulf II what TV was to Vietnam and cable was to Gulf I?" - is an established medium caught in the act of visibly sizing up this comer, this new kid on the block, this parvenu we know as "blogging."
Is it a valid new medium of reportage, fit to take its place alongside print and broadcast? Or is it merely parasitic, interstitial, even marginal? Inquiring minds want to know. (Note O'Donnell's hedges and his final & bizarrely misplaced condescension: "Maybe Allbritton will start a trend - bloggers no longer dependent on the mainstream for their material." WTF?)
posted by adamgreenfield
on Apr 1, 2003 -
12 comments
The Information War: "Every few minutes, another burst of satellite imagery and Internet information impacts among an interactive global audience. Ambushed by info, U.S. military commanders confident in their overwhelming firepower are increasingly expressing concern that the 'velocity of information' is spinning out of their control." [more inside]
posted by poopy
on Mar 30, 2003 -
20 comments
The War is about to Start and for those of us without a TV we are part of a grand experiment to see if we can be as well informed. According to
this Reuters article, Radio had World War II, Television had Vietnam, Cable TV had the Gulf War and now, the Internet may have the U.S. war with Iraq...reporters and producers with wireless laptops and handheld digital cameras will
file reports from battlefields and military installations. Cameras are at key locations for live feeds 24 hours a day. Interactive, 3-D maps will update troop movements, casualties and weapons used. ''You're combining the speed of television with the depth of print,'' says Mitch Gelman, executive producer of CNN.com. ''This could define how future wars are covered.'' (more inside)
posted by stbalbach
on Mar 19, 2003 -
19 comments
That's whack. CNN Headline News general manager Rolando Santos told the San Francisco Chronicle this week that he's looking to mix "the lingo of our people" -- words like "whack" and "ill" -- into newscasts to attract young people.
posted by pizzasub
on Oct 3, 2002 -
54 comments
