100 thoughts on Kafka's "Metamorphosis" to mark the 100th anniversary of its publication. (via) [more inside]
Gone With A Trace (pop-up audio warning): a 20-min. audio documentary about photographer Richard Misrach (previously) and the objects he finds along the US/Mexico border, which are then turned into musical instruments by Guillermo Galindo. There's an accompanying photo slide on cbc's The Current site.
The history of paper engineering in books, or the making of "pop-up books" didn't start as a way to entertain children, but in the search for more tools to educate adults, including some proto-computers from as early as the 13th century. Let Ellen G. K. Rubin, known also as The Popup Lady, regale and inform you at length, in either the form of a 50 minute presentation for the Smithsonian Libraries, or read through her website, where she has a timeline of movable books and see the glossary for definitions of the different movements as starting points. Or you can browse the Smithsonian's digital exhibition (the physical exhibition ended a few years ago). And of course, there's plenty more online. [more inside]
In literature, there are two key sorts of annotations: marginalia, or the notes jotted down in the margins by the reader, and additional information formally provided in expanded editions of a text, and you can find a bit of both online. Annotated Books Online is an on-line interactive archive of early modern annotated books, where researchers can share digitized documents and collaborate on translations. For insight into a single author's notes, Melville's Marginalia provides just that. For annotations with additional information, The Thoreau Reader provides context for Walden (linked previously), The Maine Woods, and other writings. Then there's the mostly annotated edition Ulysses, analysis of Joseph Conrad's Nostromo, and the thoroughly annotated US constitution (twentieth amendment linked previously). More marginalia and annotations inside. [more inside]
Metamorphosis. A short film retelling of Titian's Diana and Actaeon for The National Gallery, London, by Tell No One. [Possibly NSFW, Via]
"What happens if you repeatedly run Kafka's Metamorphosis through YouTube's auto-transcription? Structure emerges!" via Sean Roberts
The Ovid Collection Outstanding site devoted to the Metamorphoses, featuring the original Latin, five different English translations, and some foreign-language translations as well. Be sure to look at the page devoted to illustrations. Speaking of illustrations, The Ovid Project reproduces the plates from one seventeenth-century and one early eighteenth-century edition. For much more Ovid, see this German metapage.
"This is like someone handing you a camera before the first-ever picture was taken. You have no idea what the light will do and it's the same light that Moses read the Ten Commandments by." Farrell Eaves was heartbroken when his digital Nikon Coolpix fell into a New Mexico pond. Now he's grateful. He fished it out and dried it as best he could, and now it's a magical camera. Read more about the metamorphosis here (frames ahoy - click on "NEW !! Mr Eaves and his Magic Camera" in the upper left). I'm just this close to dunking mine in the tub.