A guy told me one time, "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner."Michael Mann's Heat was released 20 years ago today. [more inside]
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
Was climate science the real reason the strategic dynamos on the UVA board wanted president Teresa Sullivan gone? The fund manager behind the coup is "very, very angry" that I would even ask… In a three-part series (1, 2, 3) of muckraking blog posts, journalist Moe Tkacik investigates the possibility that the failed ouster of President Teresa Sullivan from the University of Virginia (previously) might have been motivated not by vague conflicts over Internet-based distance learning, as had been speculated — but instead by global-warming-denial politics, with the coup plotters on the Board opposing Sullivan over the hire of climate scientist Michael Mann (previously).
Michael Mann's "Thief" is a film of style, substance, and violently felt emotion, all wrapped up in one of the most intelligent thrillers I've seen. - Roger Ebert [more inside]
Although [Michael] Mann has said he was inspired by a true story from Chicago in the late 1960s, the film is no gritty realist number about desperate thievery. Rather, HEAT is a high-gloss creature of its time, utilizing the classic "duel between cop and robber"... to thematize lifestyle issues in the mid-1990s. Specifically I argue that, for all its slickness and emphasis on style and personality, HEAT is a film about work and its increasing personal costs. For the characters in HEAT, work provides excitement* and challenge, but it ultimately excludes any emotional life outside of the demands of the job. *That's the shootout scene
'The Conversations is a monthly feature in which Jason Bellamy and Ed Howard discuss a wide range of cinematic subjects: critical analyses of films, filmmaker overviews, and more. Readers should expect to encounter spoilers.' Including: Passion of the Christ vs. The Last Temptation of Christ, Mulholland Dr., Pixar, and others.
David Milch, creator of Deadwood, John From Cincinnati, and NYPD Blue reads from Luck, his Michael Mann-directed upcoming show for HBO. Following the reading there's a Q&A. (mp3)
Climate change researcher MichaeMann has had his work subpoenaed by Virginia Attorney General Ken "Cooch" Cuccinelli. The subpoena "relates to data and other materials that Dr. Mann presented in seeking awards/grants (pdf) while in the Commonwealth of Virginia. Mann has previously been investigated by Penn State, his current employer, for issues related to the hacked CRU emails, and cleared of wrongdoing. A representative from the Union of Concerned Scientists calls this action "a witch hunt."
The North Hollywood Bank Job. part two part three part four . Inspired by this famous (and NSFW) scene from Heat, on Feb. 28, 1997, Larry Eugene Phillips, Jr. and Emil Matasareanu attempted to rob a Bank of America in North Hollywood, CA using body armor, automatic weapons and barbiturates. This documentary uses news footage, recreations, interviews, computer animation and a cheesy narrator to explain the chaotic hour that followed. There are some violent images. [more inside]