Teeth of the Sea are a quartet of clean-cut young men from North London. They work in shops. Together, they make a near indescribable noise, a bit like Sketches of Spain-era Miles Davis recordings reimagined by slightly scary, 30-something metalheads with a thing for Euro-sleaze cinema, cheap lager, philosophy and noise rock. They are, genuinely, not like other bands. [more inside]
MILES BEYOND: the web's premier resource on the influential and inspirational electric music Miles Davis played from 1967 to 1991 [more inside]
John McLaughlin plays "Cherokee" backed up by the Carson-era Tonight Show Band (SLYT guitar porn) [more inside]
In the loosely related fields of planetary science and apocalyptic fiction, the phrase “minimum orbit intersection distance,” or MOID, describes the closest point of contact between the paths of two orbiting objects. Most vividly invoked whenever an asteroid encroaches on our corner of the solar system, that bit of jargon also has its aesthetic uses. Consider the coordinates of Neil Young and Miles Davis on the evenings of March 6 and 7, 1970, at the juncture of East Sixth Street and Second Avenue in Manhattan.Mapping the intersections of Miles Davis and Neil Young.
Trumpet Kings is a blog dedicated to videos of trumpeteers, mostly jazz but there are a few classical ones. On the companion youtube channel there are 184 videos. These are some of my favorite things: Wynton Marsalis - Riot, Dizzy Gillespie - trumpet battle, Maynard Ferguson - Round Midnight, Louis Armstrong - C'est Si Bon, Miles Davis - No Blues, Ray Anthony - Harlem Nocturne, Booker Little - Minor Mode Blues, Ingrid Jensen - Foxy Trot and Sergei Nakariakov - Bach's Air.
Miles Davis? Kanye West? The Beatles? Oh... you mean Muzak? Ike played it in the West Wing, NASA used it to soothe astronauts' anxiety. But it's not just your daddy's elevator music anymore.
George Russell, jazz's first theoretician, has released a new album to commemorate his 80th birthday. When Miles Davis remarked that he "wanted to learn all the changes," Russell responded by conceiving his Lydian Chromatic Concept. First published in 1953, the Concept resulted in the most influential album in jazz history. Today Russell turns 82.