Koyaanisqatsi
posted on May 10, 2008 - View this thread

Counting in groups of 12 the first performer claps on 1,2,3,5,6,8,10 and 11. The second performer starts by clapping the same pattern but gradually shifts the pattern one step to the right. You are playing Steve Reich's clapping music. If you are serious you will want to study the score - and perhaps a watch a performance). If you are happen to be Evelyn Glennie you can have a go at both parts at once. - those slightly less more mortal are likely to end up like this.
posted on Jan 14, 2008 - View this thread

"“If the book were to be published as it is in its present edited form, I may never write another story, that’s how closely, God Forbid, some of those stories are to my sense of regaining my health and mental well-being.” The New York Times reported today that Raymond Carver's widow, Tess Gallagher, is pushing to republish the stories in Carver's acclaimed 1981 breakout collection, "What We Talk About When We Talk About Love," in their original, unedited form.
posted on Oct 17, 2007 - View this thread

Philip Glass on SNL, Mr. Glass composed for Sesame Street: 1, 2, 3, sounds a bit like North Star if you ask me. Bonus: 1+1. For the uninitiated
posted on Aug 6, 2007 - View this thread

However interesting your life is, it probably pales in comparison to Moondog. A homeless, blind composer who transcribed in braille, he went from a career as a street corner musician in New York, to sitting in Carnegie Hall for rehersals at the invitation of Artur Rodzinski, he was invited to Germany and wrote a symphony for four conductors: "The Overtone Tree", he was covered by Janis Joplin and worked with Julie Andrews. (mi)
posted on Aug 29, 2006 - View this thread

MNMLST POETRY is an essay by Bob Grumman about a strand of poetry that he claims is "unacclaimed but flourishing". Here are poems in this vein by Aram Saroyan (2), jwcurry, LeRoy Gorman, bpNichol, Michael Basinski, John M. Bennett, Karl Young, John Martone, Ian Hamilton Finlay and finally some mathemaku by Bob Grumman, the essay's author.
posted on Jun 8, 2005 - View this thread

For over a decade, reclusive Berliners Mark Ernestus and Moritz von Oswald have published a distinctive style of minimalist techno through Basic Channel and several other labels based out of their record store. In 1996, they expanded into dub with Burial Mix, a series of 10"s featuring long-lost reggae vocalists. (They've also begun reissuing out-of-print releases by NYC's Wackies.) Although their vinyl-centric releases have always been relatively underground, they may soon be reaching a wider audience thanks to a domestic (US) release of their latest CD comp by Asphodel. Also see the latest issue of The Wire for a new quasi-interview.
posted on Oct 3, 2003 - View this thread