We are thrilled to announce the addition of NTT DOCOMO’s original set of 176 emoji to the MoMA collection. Developed under the supervision of Shigetaka Kurita and released for cell phones in 1999, these 12 x 12 pixel humble masterpieces of design planted the seeds for the explosive growth of a new visual language.
The Museum of Modern Art has digitized a HUGE amount of material from past exhibitions. The history goes all the way back to the founding of MOMA in 1929. Exhibition catalogs are available for download as pdfs!
New York Magazine on MoMA's identity politics and gender balance. Art Basel Miami Beach gender balance by the numbers. The White Review on gender balance in the London gallery scene. Georg Baselitz in Der Spiegel:
As always, the market is right. [...] Women simply don't pass the test. The market test, the value test. Women don't paint very well. It's a fact.Collectors still pay more for male artists. [previously]
Robert Gober's 40-year survey "The Heart is Not a Metaphor" is now on view at the MoMA, and it's a fantastic freakin' spectacle to the eye.
Ten years ago today saw the English launch of a quirky Japanese puzzler, a sleeper hit that would go down as one of the most endearing, original, and gleefully weird gaming stories of the 2000s: Katamari Damacy. Its fever-dream plot has the record-scratching, Freddie Mercury-esque King of All Cosmos destroy the stars in a drunken fugue, and you, the diminutive Prince, must restore them with the Katamari -- a magical sticky ball that snowballs through cluttered environments, rolling up paperclips, flowerpots, cows, buses, houses, skyscrapers, and continents into new constellations. It also boasts one of the most infectiously joyous soundtracks of all time -- an eccentric, richly produced, and incredibly catchy blend of funk, salsa, bossa nova, experimental electronica, J-Pop, swing, lounge, bamboo flute, hair metal, buoyant parade music, soaring children's choirs, Macintalk fanfares, and the finest theme song this side of Super Mario Bros. Called a consumerist critique by sculptor-turned-developer Keita Takahashi (who after one sequel moved on to Glitch, the supremely odd Noby Noby Boy, and playground design), the series has inspired much celebration and thought [2, 3] on its way from budget bin to MoMA exhibit. Look inside for essays, artwork, comics, lyrics, more music, hopes, dreams... my, the internet really is full of things. [more inside]
The Museum of Modern Art’s announcement on January 8 that it will indeed tear down Tod Williams and Billie Tsien’s American Folk Art Museum building of 1997–2001 felt like hearing that a relative or close friend had finally succumbed to an incurable disease. Even though the outcome had been expected, it was a shock nonetheless."MoMA Loses Face": Martin Filler decries the museum's expansion plan in the NYRB. [more inside]
Welcome to a tumblr of wonders. Special Collections, archives, and libraries have many wonderful items, but getting to them all can be a bit like trying to walk into Mordor, unless you have unlimited time and grants. But now, thanks to Tumblr, you too can explore collections around the world, and one of the best comes to us from the University of Iowa. Want a Hamlet quote on a miniature book that unfolds into a tiny Globe Theatre? Of course you do. Actual flying squirrels? Adventure with Alice! Get close to illuminations? Catch a glimpse of hipster frames circa 1504? More awesome librar* tumblrs inside. [more inside]
Last night, following the Museum of Modern Art's screen of Duran Duran: Unstaged, Simon Le Bon, John Taylor, Nick Rhodes, and Roger Taylor took the stage for a 30 minute long conversation and Q&A session with the audience. The session was streamed live online, and continues to be available for viewing via LiveStream and MoMA. The conversation ranges from appreciation for David Lynch to art directors and designers they have worked with to Peter Gabriel's recent So anniversary tour, to mention a few topics. [The sound for the video starts after the credits for the film stop. Do not panic.] [more inside]
Le Corbusier: An Atlas of Modern Landscapes runs from 15 June - 23 September 2013 at the Museum of Modern Art (MoMA) in New York City. It is the museum's first comprehensive exhibition on Le Corbusier (Charles-Édouard Jeanneret, 1887-1965), and is billed as "the largest exhibition ever produced in New York of [his] protean and influential oeuvre"; in 2014 it will travel to Madrid and Barcelona. Exhibition curator Jean-Louis Cohen, an architectural historian at New York University, gave a tour of the exhibition as part of the "Le Corbusier/New York" symposium at the Center for Architecture on June 8. World-Architects was in attendance, so here we present some insight into the exhibition, accompanied by highlights from the symposium at right.
Marguerite Humeau is an artist who has made reconstructions of extinct creatures' vocal tracts, extrapolating from extant species and fossil remains. The Extinction Orchestra. [more inside]
Last summer, the Museum of Modern Art took one of its best-known paintings off the wall, Jackson Pollock's One: Number 31, 1950, so that it could be conserved. They've been blogging about the process of restoring this dense, multi-layered work, including closeup photos that reveal an earlier restoration in the mid-60s before it came to MOMA.
Visitors to the Museum of Modern Art were surprised to see Tilda Swinton sleeping in a box today. The Maybe is a collaboration of Swinton and Cornelia Parker originally shown in 1995. Her appearance at MoMa is seven years in the making and will be repeated throughout the year with no announced schedule.
Louise Bourgeois; The Complete Prints & Books will document every print and illustrated book created by Louise Bourgeois, ultimately comprising some 3,500 entries. Entries will be added to the site once a year, according to theme. The majority of the works in the catalogue are in MoMA’s collection; others may not have been examined by MoMA cataloguers, and their documentation was gathered from various sources. Also, Louise Bourgeois Art 21
Last week, Kraftwerk announced eight concerts of eight full albums in eight days at the Museum of Modern Art. Each individual would be allotted a maximum of two tickets for one night. On Wednesday, tickets went on Sale at noon and due to the incredible demand, things went downhill immediately. ShowClix, the ticket retailer attributed it to server stress and at 1:21 PM announced that all eight shows had sold out. Many unhappy customers vented on ShowClix Facebook page. Today, Showclix CEO Joshua Dziabiak issued an apology for the "hours [you spent] in front of your computer watching a spinning wheel." Meanwhile, scalpers are peddling tickets for up to over $42,000, although some less expensive tickets may be available.
Marina Abramovic's 2010 MoMA exhibit, "The Artist Is Present" (previously) meets 1980s Sierra adventure games. (No word yet on whether the game has made anyone cry.) Thoughts from the creator.
The Responsive Eye. Brian De Palma's 1966 film (25 mins) of the opening night of New York MOMA's 'The Responsive Eye' exhibition on op art.
The Museum of Modern Art announced this week it would induct 23 digital-era typefaces into its permanent collection (Times coverage). But what do the designers of these fonts look like? Pics or it didn’t happen: first set; second.
Clio Visualizing History seeks to illustrate the unique role of visual images in American history. That history is rich with images taken by women, and of women. Frances Benjamin Johnston photographed a diverse sample of Americana from politicians to mine workers, socialites to factory women, and public institutions. She was a peer of many, including Gertrude Käsebier and the Allen sisters. [more inside]
As part of the current retrospective of her work at MoMA, Marina Abramović is performing "The Artist is Present," in which she sits in a chair at a table for the duration of the museum's opening hours and invites visitors to sit across from her for as long as they wish. Watch the performance live. Photographer Marco Anelli has been taking photos of the participants for the museum, noting the duration of their participation: 5 min., 10 min., 391 min. [via kottke] [more inside]
MoMA has acquired the @ symbol into its collection, and provides a short history on @ to accompany the announcement. [more inside]
The artvideos of Pipilotti Rist: You Called Me Jacky::I'm A victim of this song (wicked game)::I'm not the girl who misses much::Sexy Sad I::Lullaby (swan)::Transposicion ::Be Nice To Me (Flatten 04)::Rist discusses Pour Your Body Out at MOMA
The Museum of Modern Art began working in late 2007 to renovate its Web site substantially for the first time since 2002. It knew that it wouldn’t be just updating a few pieces — it would be entering a whole new era. Earlier this month, the new site launched, and is an almost complete reconstruction of how the museum presents itself online. It features livelier images from its collection and exhibitions, increased use of video and the new interactive calendars and maps.
Explore painter Vincent Van Gogh's "nocturnal interiors and landscapes, which often combine with other longstanding themes of his art -- peasant life, sowers, wheatfields, and the encroachment of modernity on the rural scene." View "paintings, drawings, and letters from all periods of his career, as well as examples of the rich literary sources that influenced his work." Also includes audio commentary.flash. via [more inside]
Home Delivery: Fabricating the Modern Dwelling comprises a selective survey of prefabrication in architecture, represented by a timeline, and a building project of contemporary prefabricated homes on the MoMA west lot that is available until October 20th. [more inside]
The Nokia Morph concept phone is currently featured in The Museum of Modern Art “Design and The Elastic Mind” exhibition (warning: flash interface). This 'self-cleaning' shape-shifting mobile follows Nokia's other recent phone concept, the environmentally-friendly Remade, unveiled at Mobile World Congress earlier this month.
Design and the Elastic Mind is a MOMA exhibit of cool objects, gadgets, websites and ideas. Some personal favorites are The PainStation, The Religious Helmet, Body Modification for Love, The Minutine Space and Lightweeds.
NYC's Museum of Modern Art hosts a Georges Seurat exhibition that focuses on sketchbooks kept by the master of pointillisme. Page through each sketchbook, which is not possible to do at the actual exhibition. Also featured are photos of conservation efforts, including microscopic views of Seurat's technique, and a discussion of his subject matter. Requires Flash, pages may load slowly. Different sections of site not directly linkable because of Flash format-- sorry!
Martin Puryear : artist, Peace Corps alumni, MacArthur Foundation Award recipient. A retrospective of his artwork (1977-2007) opens at The Museum Of Modern Art today. Also online here.
DADA Hits the MOMA. DaDaism was an art movement that arose prior to the rubble of WW1 where the artists led a creative revolution that shaped the course of modern art by combining different mediums to create a message of protest and hope. The MOMA exhibit tells one story (scroll to data and select full program - req flash 7) and the New Yorker reaffirms the influence on art today. However, the real story is with Richard Huelsenbeck, the ring leader and founder of the DaDa movement An interview with him from December 1960 (45 mins mp3) explains the start - as one of the few German artists in protest to the war. My favourite part is where he tells of picking out the name DaDa from an encyclopedia at a cabaret.
When Artists Took Over the Asylum [NYT]: A 450 piece Dada exhibit opens Sunday at MoMA in New York. The collection features works from such Dada greats as Marcel Duchamp, Man Ray, Jean "Hans" Arp, Hannah Höch, and Baroness Elsa Von Freytag-Loringhoven.
Who Lost Gordon Bunshaft's Travertine House? 1) Widow of Lever House architect Gordon Bunshaft wills art filled modernist house (+ 2.4 East Hampton property) to The Museum of Modern Art (MOMA). MOMA takes art, sells modernist house to Martha Stewart. MS guts house, lets rot, transfers ownership to daughter who sells it. New owner tears down modernist house, left with 2.4 acres of waterfront property.
Little visual miracles. For more than forty years that most American of photographers, Chevalier in the Order of Arts and Letters Lee Friedlander, has recorded modern American urban life -- with its jumble of people, signs, buildings, and cars, and television sets. He likes to turn a common blunder of amateurs -- photographing something nearby with one's back to the sun -- into a leitmotif. His shadow plays the role of alter ego, sticking to the back of a woman's fur collar, clinging to a lamppost as a parade of drum majorettes passes by, reclining like a stuffed doll on a chair. Clever jigsaw puzzles, his pictures frequently reveal themselves to be laconic, austere poems to what Friedlander has termed "the American social landscape',' meaning mostly ordinary places and affairs. "Friedlander," an exhibition of more than 480 photographs and 25 books covering decades of work, runs at MoMA through Aug. 29, before traveling to Europe until 2007. More inside.
Respected arts reporter David D'Arcy has been dumped by NPR apparently in response to complaints by MoMA, who were unhappy with his recent coverage of the controversy surrounding Egon Schiele's Portrait of Wally. (D'Arcy's previous report here.) The portrait was stolen by the Nazis in 1939; since 1997 it has been on loan to MoMA from the Leopold Collection. The concerns and controversy surrounding the Nazis' looting of art, of course, continue to be thorny issues.
Thomas Demand is a photographer with an interesting working process. He starts with an image of a location, and then carefully reconstructs the location in his studio using cardboard and paper. His photographs of these reconstructions have an almost painterly quality, reminiscent of the work of Gerhard Richter. Demand has a mid-career retrospective opening at the MoMA. (NYT link, among others.)
MoMA Free Tomorrow for New York MeFi Readers! Well, everyone, actually. The Museum of Modern Art in New York reopens tomorrow and graciously offers a day of free entrance for all. Your chance to avoid the much-criticized $20 admission (views: con, pro-fessional, mayoral). Even good old free-admission Fridays bear the price tag of aggressive name-branding [paragraph 6] by an image-crazy donor (it's not charity anymore if it's advertising, folks, much less design-heady classiness-by-association). Some reports (scroll) from the press preview.
"Taryn Simon: The Innocents" Is an exhibition at MOMA's P.S.1 Contemporary Arts Center, of large color photographs of innocent men jailed for crimes they did not commit, exonerated by DNA evidence. For most of the photographs Ms. Simon posed each man at the scene of the arrest, the scene of the crime, the scene of misidentification or the scene of the alibi.
Art of the First Cities. An excellent online gallery courtesy of the Metropolitan Museum of Art focusing on the beginnings of urbanization that have led to the city as a heart of the Western world. More on the brick-and-mortar exhibit here and, as a special bonus, another great online exhibit of artifacts of the Greek world from the Penn Museum (available in Greek too!)
The Russian Avant-Garde Book is an online version of the MoMA exhibit, featuring 112 books originally published in Russia during the intensely creative period between 1910 and 1934, before Stalin outlawed any style but social realism. The site is separated into three chronological themes and includes examples of futurist works, constructivist graphic design, children's books, propaganda, photography and photomontage, revolutionary imagery, architecture and industry, war themes, folk art and judaica...
Artists Of Brücke: German Expressionist Prints is the first exhibition New York's MoMA has created exclusively for the web. It was designed by Second Story, whose web site contains a lot of other terrific stuff.[Needs Flash]
Family of Man Part 2 Many will remember Edward Steichen's (the first photo curator of the New York Museum of Modern Art besides being one of photography's greats) epic 1955 Family of Man exhibition for the MOMA and the ubiquitous book memorializing it. This is a worthy attempt at keeping that 50's spirit alive. PS all photos taken with Leica cameras, and for any Leica fanatics, take a peek at the just unveiled Leica M7 while you are at it.
What is a Print? is perhaps the coolest bit of informative interactive Flash work I have seen. Well explained, meaningful interaction (not just click and watch), clean, and the transitions aren't too slow. Nice. (Props to xplane for the link.)
What are you working on? Your office in an art gallery...
Mini-MOMA is all the wonder of a large US city Museum of Modern Art, crammed into tiny pixelated goodness. Mouseover the pieces to see titles and artist names. [via archinect]