SF/F legend Connie Willis pours a preview of a near-future version of the story of backstage back-stabbing, " All About Eve" with "All About Emily
" for Asimov's Science Fiction Magazine.
posted by The Whelk
on Apr 30, 2014 -
He invented or popularized
a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects
. [more inside]
posted by Paragon
on Feb 3, 2010 -
"No matter how good CGI
looks at first, it dates quickly...So I set the ridiculous goal of making a film
that would reinvent space without using CGI." Director Aronofsky tapped into the microphotography
work of Parks and Parks to bring a new look to special effects
in science fiction cinema.
posted by dhruva
on Feb 13, 2007 -