Asian Horror Movies.com. 100's of free, streaming video, full movies, which have English subtitles. Index of titles updated regularly. Japanese, Korean, Thai. Includes a wide variety of films from an eccentric fantasy like 100% Wool to a psychological thriller like Angel Dust. [more inside]
posted by nickyskye on Jan 25, 2009 - 52 comments

In defense of suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless on Dec 29, 2008 - 172 comments

The Art of the Title Sequence [more inside]
posted by anastasiav on Dec 3, 2008 - 19 comments

Home Movies. A 1975 documentary by a young academic folklorist, exploring what it was that people were doing when they made home movies: remembering selectively, creating a "golden age." [more inside]
posted by Miko on Jul 21, 2008 - 20 comments

In 1974, Martin Scorsese interviewed his parents on film, prompting them to discuss their life together as well as their Sicilian ancestry. The resultant documentary was entitled Italianamerican. Parts 1, 2, 3, 4, 5. [Inspired by...]
posted by Neilopolis on Sep 4, 2007 - 16 comments

Fandom is, at the core, neither good or bad. It simply is. [+]
posted by FunkyHelix on Feb 16, 2005 - 17 comments

The Mitchell and Kenyon collection consists of 800 rolls of nitrate film documenting scenes of everyday life in England between 1900 and 1913. This extraordinary archive, now painstakingly restored by the British Film Institute, includes footage of trams, soup kitchens, factory gates, football matches, seaside holidays and much else besides. Here are some sample images and a short clip of workers at a Lancashire colliery, all astonishingly evocative and reminiscent (to me) of Philip Larkin's poem MCMXIV: 'The crowns of hats, the sun / On moustachioed archaic faces / Grinning as if it were all / An August Bank Holiday lark .. Never such innocence, / Never before or since .. Never such innocence again.'
posted by verstegan on Jan 7, 2005 - 7 comments

The Toronto International Film Festival begins Thursday. The 2004 program is one of the best they've had in years (certainly the best since the 90s). Planning on attending? If so, you may appreciate TIFF Reviews - "the online meeting place for fans of TIFF 2004". Since TIFF is the the largest film festival in the world, most attendees (myself included) find it very difficult to pick their films. Once the fest starts, members of the TIFF Reviews forum are encouraged to leave reviews of what they've been watching in the hopes that it'll help other people plan their 10 days in the dark.
posted by dobbs on Sep 4, 2004 - 9 comments

Forget translations. Spiderman gets remade, bottom-to-top, for the subcontinent.
posted by Tlogmer on Jun 21, 2004 - 17 comments

This column (NYT/reg. req) gets my vote for Stupidest Theory of the Day. Basically, he says that movies are more memorable and stay with us longer than TV shows. Huh?! He's kidding, right? (more inside).
posted by sassone on Jun 3, 2002 - 25 comments

Yeah, but will Madonna sing the theme as well as Shirley Bassey? In a surprising turn of events, it looks like the third Austin Powers movie will indeed get to use the name "Goldmember", a spoof of the 1964 007 flick named "Goldfinger" (follow-up to this thread).
posted by WolfDaddy on Apr 9, 2002 - 20 comments

French politicians polish cultural credentials. France's presidential hopefuls have begun pledging to defend the country's cherished culture, hoping to drum up support from artists worried that American films and music will steamroll finer French productions. This rhetoric makes it sound like American films are picking up guns to massacre poor defenseless French culture. Maybe American films are so successful because they give people something that the "finer French productions" don't, and if so, then is that such a horrible thing? After all, we are just giving the people what they want, right? And if that takes money away from more artsy productions, then whose fault is that anyway?
posted by epimorph on Apr 8, 2002 - 15 comments

Will a changing world change film? Will the Sept. 11th tragedy instill a new social or political significance to contempoary art? Does this mark the end of irony? How do you think these recent events are going to shape film, art and comedy?
posted by crog on Oct 4, 2001 - 21 comments