Famous Monsters of Filmland, the legendary genre magazine edited by the late Forrest J Ackerman (previously), will be resurrected by comic publisher IDW.
posted by brundlefly on Dec 9, 2009 - 19 comments

The best films of the decade if the decade in question is 1900-1910.
posted by drezdn on Dec 8, 2009 - 13 comments

Digitalfilms, a blog by video/film editor Oliver Peters, serves primarily as a repository for his product reviews pertaining to nonlinear editing systems - including, but not limited to, Avid Media Composer and Apple Final Cut Pro... [more inside]
posted by Neilopolis on Dec 2, 2009 - 27 comments

Jerry Fielding (1922-1980) was one of cinema's most distinctive voices in the 1960s and especially '70s, the perfect musical complement to the films of Sam Peckinpah*, Michael Winner, Clint Eastwood and others. His scores are marked by modernism and intricate orchestrations but also a poetic beauty and intensity—an appropriate accompaniment to the decade's strange and often sad (but never sentimental) criminals and antiheroes, be they in westerns (The Wild Bunch) or crime films. He was, however, capable of numerous styles (he was a former Vegas bandleader), and wrote a great number of scores (from sticoms to dramas to sci-fi) for television. - Film Score Monthly [more inside]
posted by Joe Beese on Nov 13, 2009 - 2 comments

Last year, Spotify made news as a revelation in music availability, by providing ad-supported free access or paid subscriptions to more than 6 million streaming songs. This year, Sweden is the home to another streaming media landmark, with Voddler. Currently limited to Sweden but with goals of reaching the world, the streaming video-on-demand provider was well-received, but initial movie selection did not impress all. That should change, as Voddler recently expanded the potential list of movies when they signed The Walt Disney Company Ltd and Paramount Pictures, netting access to the Disney assets and the Paramount library. A deal with Sony may be forthcoming. [more inside]
posted by filthy light thief on Nov 12, 2009 - 22 comments

What's 51 years old and made of silicone with red food dye? The Blob, best known for it's work in The Blob, an independent film released in 1958, with Steve McQueen's second movie role (following Never Love a Stranger, which was released earlier that same year). The movie has been considered the definitive '50s film about a town that won't listen to the kids until it's too late (as noted in a review for the Criterion laserdisc release), with a super-catchy theme song (extended single version and b-side Saturday Night in Tiajuana) that was Burt Bacharach's third US hit song. (See more: theatrical trailer, full film on Veoh, full film as YouTube playlist) Times change, and so do monsters, and things got a bit wacky in the 1970s, with Beware! The Blob (aka Son of Blob; wiki, trailer, full film). The sequel played more to the slapstick comedy than the sci-fi/horror spectrum of things. Thirty years after the original, The Blob was remade in 1988 (wiki, trailer, full film), and is supposedly being re-created by Rob Zombie, though his statement about reviving The Blob without "the big red blobby thing" has people asking, then why remake The Blob? (previous blobby goodness) [more inside]
posted by filthy light thief on Nov 3, 2009 - 53 comments

Just Add New Zealanders — a compilation of short-form film, music videos, movie trailers, and interactive promos. Check out the locations section for photos of the world-class scenic beauty New Zealand is famous for.
posted by netbros on Oct 28, 2009 - 7 comments

While some might believe that Walt Disney had the first feature-length animated film with Snow White and the Seven Dwarves in 1937, the Disney film is the fourth animated feature-length film, and was two decades late for first place. The first two animated feature-length films were directed by an Italian in Argentia in 1917 and 1918, though all prints of those films are presumed lost or destroyed. The third animated full-length feature, Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed), came out the same year that the first two were lost to fire. This third animated film was a silhouette animation made by a German artist named Lotte Reiniger. The original negatives are considered lost, but a supposedly first-generation positive (from the camera negative) remains and the film has been restored from this stock (full film with limited subtitles, 5 minute preview with English subtitles and the full film viewable with Veoh plug-in). More information and videos inside. [more inside]
posted by filthy light thief on Oct 27, 2009 - 15 comments

Classic Cinema Online. A ton of old movies watchable in an embedded player.
posted by Turtles all the way down on Oct 26, 2009 - 9 comments

Eleanor Powell was born to dance. [more inside]
posted by Joe Beese on Oct 24, 2009 - 15 comments

In their heyday in the 1960s and '70s, "spaghetti westerns" redefined a genre. The Spaghetti Western Database has a Beginner's Guide to the Spaghetti Western, a tribute to Sergio Leone, and Top 20 viewing lists, including Quentin Tarantino's favorites. A Fistful of Pasta has its own Essential Top 20 and an article about Spaghetti Westerns and Politics. Shobary's Spaghetti Westerns has trailers and bloopers. [more inside]
posted by amyms on Oct 24, 2009 - 24 comments

A New York City film location scout (mentioned before, here and here) revisits the scenes of the movie Taxi Driver (1976) and compares them to what's there now. [more inside]
posted by monospace on Oct 15, 2009 - 28 comments

Matt Helm is a fictional character created by author Donald Hamilton. He is a U.S. government counter-agent—a man whose primary job is to kill or nullify enemy agents—not a spy or secret agent in the ordinary sense of the term as used in spy thrillers. ... The character appeared in 27 books over a 33-year period beginning in 1960... A movie series was made in the mid-to-late 1960s starring Dean Martin... the series bore no resemblance at all to the character, atmosphere, or themes of Hamilton's original books, nor to the hard-edged action of Bond. One reason was the attitude of the filmmakers that the only way to compete with the Bond films was to parody them. - Wikipedia (links may be mildly NSFW) [more inside]
posted by Joe Beese on Oct 14, 2009 - 17 comments

Early or not, Rotten Tomatoes brings us the 100 worst films of the decade.
posted by kittens for breakfast on Sep 28, 2009 - 229 comments

Hitchcock's first in 1925. Kubrick in 1957. Sturges in 1963. Bergman, Huston, Ophüls, and Wilder. Sound of Music in 1965. Willy Wonka in 1971. Also, Monty Python made their Fliegender Zirkus specials there in 1971 and 1972. Film history and all that. Sure. But to my mind, the best part of the Bavarian Film Studios is being able to go inside the actual submarine from Das Boot. Or you can ride on that flying dog thing from Neverending Story... if that's how you roll.
posted by Brosef K on Sep 17, 2009 - 9 comments

"I will not read your fucking script."
posted by Artw on Sep 11, 2009 - 416 comments

How does a director follow up the highest-grossing R-rated film of all time*? (*adjusted for inflation) He remakes a French classic - taking an international cast to a Caribbean nation ruled by a military dictatorship, where hurricanes, irascibility, other difficulties take him far over a budget already large enough to be shared by two studios. The result is his personal favorite among his films. But deceptive marketing and cute robots contribute to its making back less than half of its costs. (previously)
posted by Joe Beese on Sep 7, 2009 - 65 comments

The day after Kristallnacht, Hitler said: "It was necessary not to make propaganda for violence as such, but to explain certain matters of foreign policy to the German people in such a way, that the inner voice of the people all by itself gradually would call for violence." Towards that end, Goebbels commissioned and closely supervised the production of a propaganda documentary titled Der ewige Jude - "The Eternal Jew". Few if any of the inhabitants of the Łódź Ghetto who appear in its footage survived the war. [more inside]
posted by Joe Beese on Sep 1, 2009 - 11 comments

" There were lots of small children in the audience. I thought about asking one little girl if she had voted for the paddle, the rod or the cattle prod." In 1995, a company called Interfilm revolutionized the movie industry. Oh, no, wait, it didn't. Audiences at Mr. Payback, "the first interactive movie," pressed buttons on a joystick attached to their seat to vote on the actions of the characters on-screen -- for instance, what kind of physical abuse a captured thug should undergo. Despite the pedigree of director Bob Gale (writer/producer of Back to the Future) and co-star Christopher Lloyd, critics were not impressed. The company folded a week after releasing its third interfilm, "I'm Your Man," scored by Joe Jackson, which did, a few years Interfilm was the brainchild of "conceptualist" and guy-with-gigantic-glasses Bob Bejan (Dateline NBC interview), who now works at a next-generation, data-driven marketing agency that delivers strategic, multi-channeled communication solutions designed to cultivate and sustain relationships between brands and their audiences. Watch: Clips from "Mr. Payback." The making of "I'm Your Man." (warning: A. Whitney Brown.) Read: the New York Times on the 1998 DVD release of "I'm Your Man." Booklet copy from the "I'm Your Man" DVD.
posted by escabeche on Aug 31, 2009 - 43 comments

In the name of the Smith and Wesson and Glock.
posted by Brandon Blatcher on Jul 31, 2009 - 24 comments

Fox have offocially announced that Ridley Scott has officially signed on to direct the new 'Alien' prequel. He certainly did a great job on the original but can he match his previous truimph? Given the number of projects he has in gestation (heh) maybe any celebration is premature...
posted by Mintyblonde on Jul 31, 2009 - 166 comments

Pauline Kael called it "a huge, jerry-built, crumbling ruin of a movie". Roger Ebert called it "such a silly and stupid movie... our immediate reaction is pity". Few directors of Michelangelo Antonioni's stature have followed a film as acclaimed as Blowup (1966) with one as reviled as Zabriskie Point (1970). [more inside]
posted by Joe Beese on Jun 25, 2009 - 30 comments

Gorilla Men !!!
posted by onkelchrispy on Jun 15, 2009 - 8 comments

I've listened to dozens of film podcasts, but Left Field Cinema is the first that devotes its episodes only — or at least primarily — to movies worth discussing. I'm talking about Malick's Badlands. I'm talking about Tarkovsky's Solaris. I'm talking Kieslowski's Dekalog which gets a two-parter. I'm talking about Tarr's Werckmeister Harmonies. I'm talking Dominik's The Assassination of Jesse James by the Coward Robert Ford. At long last, I say.
posted by colinmarshall on Jun 12, 2009 - 38 comments

"Because the camera is so close to the character(s) being followed, we feel that we're physically attached to those characters, as if by an invisible guide wire, being towed through their world, sometimes keeping pace, other times losing them as they weave through hallways, down staircases or through smoke or fog." A video montage and essay by Matt Zoller Seitz. All shots are identified at the end; you may know more of them than you think. (via)
posted by maudlin on Jun 3, 2009 - 15 comments

I am Myra Breckinridge whom no man will ever possess. Clad only in garter belt and one dress shield, I held off the entire elite of the Trobriand Islanders, a race who possess no words for "why" or "because." Wielding a stone axe, I broke the arms, the limbs, the balls (nsfw) of their finest warriors, my beauty blinding them, as it does all men... [more inside]
posted by Joe Beese on Jun 1, 2009 - 20 comments

A creative New York couple and their wonderful, vintage photographs: pioneering filmmaker, Morris Engel, and award-winning photojournalist, Ruth Orkin, who is renowned for her iconic American Girl in Italy. [more inside]
posted by nickyskye on May 31, 2009 - 5 comments

Three years after the failure of his recklessly ambitious Marxist epic 1900, Bernardo Bertolucci returned to directing with La Luna - a story of opera and incest featuring a Golden Globe-nominated performance by Jill Clayburgh, then at the height of her late 70s fame. [Also appearing in small roles were Fred Gwynne and an up-and-coming Roberto Benigni.] Writing in The New York Times, Vincent Canby described it as "one of the most sublimely foolish movies ever made by a director of Mr. Bertolucci's acknowledged talents." Roger Ebert wrote, "Bertolucci has sprung his gourd this time." [more inside]
posted by Joe Beese on May 30, 2009 - 4 comments

Ruined Endings... because you fell asleep during the last part of that movie and you just want to know what happened, this site exists.
posted by not_on_display on May 29, 2009 - 39 comments

Hollywood Bloopers: 1936-1947 A couple of the years won't load for me, but the ones I can watch are fun.
posted by grumblebee on May 29, 2009 - 14 comments

The National Film Board of Canada's 5th annual online short film competition "Internet votes will decide the best film, and the winner will be announced at Cannes on May 21." NFB previously. [via Drawn!]
posted by mediareport on May 14, 2009 - 6 comments

One Hundred Years, One Hundred Scores. The Hollywood Reporter and a jury of film music experts select the 100 greatest film scores of all time. One of the jury is Dan Goldwasser, editor of Soundtrack.net, which publishers interviews with composers, reviews of soundtracks and keeps a valuable list of trailer music - for when a new trailer uses old film music and you can't quite remember where it's from. [more inside]
posted by crossoverman on Apr 30, 2009 - 60 comments

Wes Anderson: The Substance of Style. A video essay in five parts by Matt Zoller Seitz. (Links go to the text of the essay; click on the embedded video to view.) [via]
posted by Horace Rumpole on Apr 14, 2009 - 36 comments

...[Change of scene. We are looking out of a car window; it is raining, or has recently rained. Shops go by.] I treated myself to a taxi. I rode home through the city streets! There wasn't a street--there wasn't a building--that wasn't connected to some memory in my mind. There I was buying a suit with my father. There I was having an ice-cream soda after school. When I finally came in, Debby was home from work. And I told her everything about my dinner with André

And here is Sergio Leone and the Inside Fly Rule's meditation on the only possible other candidate for Best.Movie.Ever. [more inside]
posted by y2karl on Apr 3, 2009 - 52 comments

The Oscar-nominated "Mysterious Explorations of Jasper Morello" is an "adventurous tale of a navigator’s journey to save his ailing wife set in a beautiful world of Victorian science-fiction" and one the many fine film shorts and videos available to watch at shortof theweek.com - a site dedicated to "finding those few [video] gems amongst the enormous heap of garbage they're buried in..." [more inside]
posted by taz on Mar 9, 2009 - 7 comments

After 20 years in development, Watchmen has finally had it's premiere. The reviews--both geek and mainstream--have begun to trickle in. Is it a masterpiece or a disaster? Dave Gibbons likes what he's seen. Alan Moore still won't comment (well, about the movie, but he does go on.)
posted by empath on Feb 24, 2009 - 192 comments

Jimmy Page's lost soundtrack for Kenneth Anger's Lucifer Rising is worth checking out on a Saturday night (scroll down to the middle of the page to hear it). Droning and dark, it might have fit the completed film (NSFW) quite well if Anger hadn't fired Page before he finished the tracks. Anger, the legendary avant garde filmmaker and gossip, replaced Page with former Charles Manson associate and convicted killer Bobby Beausolei, who recorded the official soundtrack with a group of fellow prisoners called The Freedom Orchestra.
posted by Bookhouse on Feb 21, 2009 - 24 comments

It's Bad Movie Club night! You have until 9 GMT / 4 ET to procure #1: a Twitter account and #2: a copy of M. Night Shyamalan's critically misunderstood masterpiece, The Happening. Good luck!

Graham Linehan, of Father Ted and IT Crowd fame, will be your master of ceremonies, and there will be a second screening at midnight GMT / 7 ET, hosted by Phill Jupitus. But remember kids, piracy is stealing.
posted by goodnewsfortheinsane on Feb 13, 2009 - 32 comments

"The biggest problem with the metal bikini, was that it wasn’t metal. ——Not that metal would’ve been an improvement over what it was actually made of, which was kind of a hard plastic. Whatever it was, it didn’t adhere to one’s skin. MY skin. My young, soon to be popular, unlucky skin. SO, when I was relaxing leisurely against Jabba the Hutt’s gigantic, albiet grotesque stomach, my hard, plastic bikini bottom……….well, it had the tendency to make my now not so private privates quite public. Especially for the actor standing behind Jabba playing Bobba Fett—–I believe his name was Jeremy—–from where Bobba/Jeremy stood, so straight and tall and severe behind his mask——to put it simply and weirdly, Jeremy could see beyond my yawning, plastic bikini bottoms all the way to Florida."

- Carrie Fisher goes from writing the occasional book to daily blogging, from substance abuse to abusing punctuation
posted by crossoverman on Feb 3, 2009 - 66 comments

Asian Horror Movies.com. 100's of free, streaming video, full movies, which have English subtitles. Index of titles updated regularly. Japanese, Korean, Thai. Includes a wide variety of films from an eccentric fantasy like 100% Wool to a psychological thriller like Angel Dust. [more inside]
posted by nickyskye on Jan 25, 2009 - 52 comments

Mentioned here earlier in its beta form, Canada's National Film Board has released the bulk of its films online, for free, in the NFB Screening Room. With hundreds of films from the 1920s onwards, including groundbreaking work by animator Norman McLaren, documentaries, dramas, bizarre anti-smoking (or pro-smoking?) screeds and much, much more, it's a breathtaking trove of amazing film to be discovered from north of the 49th. [more inside]
posted by Shepherd on Jan 22, 2009 - 53 comments

An unexpected corollary of the modern marketing-and-distribution model is that films no longer have time to find their audience; that audience has to be identified and solicited well in advance. The Cobra - The New Yorker on the art and science of movie marketing.
posted by fearfulsymmetry on Jan 21, 2009 - 36 comments

The Village Voice and IndieWire have both put out their dueling film critic's polls this year, with Wall-E and Flight of the Red Balloon topping the lists, respectively. [Previously] [more inside]
posted by Weebot on Jan 4, 2009 - 16 comments

Moving Image Source is devoted to the history of film, television, and digital media. It features original articles by leading critics, authors, and scholars; a calendar that highlights major retrospectives, festivals, and gallery exhibitions at venues around the world; and a regularly updated guide to online research resources. [more inside]
posted by netbros on Dec 30, 2008 - 1 comment

In defense of suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless on Dec 29, 2008 - 172 comments

I work as a film location scout in New York City. My day is basically spent combing the streets for interesting and unique locations for feature films. In my travels, I often stumble across some pretty incredible sights, most of which are ignored every day by thousands of New Yorkers in too much of a rush to pay attention. As it happens, it's my job to pay attention, and I've started this blog to keep a record of what I see.
posted by grumblebee on Dec 26, 2008 - 44 comments

The Best Youtube Videos of Spanish Filmmaker Nacho Vigalondo (previously). [more inside]
posted by Staggering Jack on Dec 13, 2008 - 5 comments

The Art of the Title Sequence [more inside]
posted by anastasiav on Dec 3, 2008 - 19 comments

The British Academy of Film and Television Arts has started videotaping its events and making them available online. Highlights include in-depth video interviews with Guillermo Del Toro, Mike Leigh, Anthony Minghella, and the Coen brothers, as well as a lecture by Will Wright. If that's not enough, BAFTA's online archives include treasures like this 1962 Academy publication on the making of Lawrence of Arabia.
posted by yankeefog on Dec 2, 2008 - 6 comments

Blindspots is a continually-updated collection of movie reviews based around one very interesting concept -- how accessible they are to the visually impaired. [more inside]
posted by flatluigi on Nov 22, 2008 - 25 comments