If the sheer number of Leonard adaptations is remarkable, what is more remarkable still is how few of them are any good.
No one was more aware of, or blunt about, this disappointing onscreen record than Leonard himself. His first crime novel, The Big Bounce
, was twice adapted for film, in 1969 and 2004. Leonard memorably described the earlier effort as the “second-worst movie ever made”; it was not until he saw the 2004 version, he later said, that he knew what movie was the worst.
posted by Rustic Etruscan
on Jan 3, 2014 -
Youtube user Thepeterson puts together collections of the major radio hits, movies, video games, and technology of a given year. So why not take a time machine trip to the media landscape of : 1997
, and 2002
posted by The Whelk
on Apr 23, 2013 -
The secret allure of the spoiler. Think you don’t want to know the ending? Think again
"Is there a greater cultural sin than a good story spoiled? The accepted modern posture is that knowing too much beforehand about the plot of a novel, a play, a movie, even a TV series, ruins the magic of experiencing it for the first time — renders it damaged goods, not worth one’s time or money.[..]
It’s a given: Everyone hates spoilers. Except when they don’t. Two researchers in the psychology department of the University of California at San Diego recently decided to test whether we really hate spoilers, or just like to say we do. What they found surprised them: The majority of people apparently like having a story spoiled for them. In fact, we may enjoy spoiled stories even more than the unspoiled versions. Is it true? Do we secretly crave predigested plots the way some foodies sneak Big Macs when no one’s looking?"
Pdf link to study. [more inside]
posted by nooneyouknow
on Aug 29, 2012 -
Two and a half years ago, we explored the early history of Cartoon Network
... but it wasn't the only player in the youth television game.
As a matter of fact, Fred Seibert
-- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly
venerable forerunner: Nickelodeon
Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE
system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to the versatile orange "splat."
But starting tonight in response to popular demand, the network is looking back
with a summer programming block dedicated to the greatest hits of the 1990s
, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple
, and All That
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
Death to the spoiler police! Salon
's Mary Elizabeth Williams takes a stand against people who insist on spoiler alerts: "[O]nce a work enters the pop culture vernacular, it is not society's responsibility to provide you with earmuffs until you finally get around to experiencing it. ... But for the love of God, if you really don't want to know about a book/movie/television show, do the rest of the world a favor and stop hanging out in the online discussion groups about it." Via Roger Ebert
posted by mcwetboy
on May 20, 2010 -
137 Uncomfortable Plot Summaries
of a wide variety of movies, TV series and even a couple books, from varying points of view (whatever is the most uncomfortable). A treasure trove of pop culture redefinition.
posted by wendell
on Apr 14, 2009 -
Between the resounding reception of Knocked Up
and the anticipation of Superbad
(NSFW), this is looking to be the summer of Judd Apatow. So in celebration, I present to you Ms. Allison Jones
, the casting genius behind not just those two movies, but Arrested Development
, Freaks and Geeks
, and The Office
as well. (Also, Family Ties, the Golden Girls...) We thank you, Allison, for Pam-and-Jim
(Spoiler alert), for George-Michael Bluth
, and for Bill Haverchuck
. Oh yeah, and she cast Borat
posted by Navelgazer
on Jun 10, 2007 -
FBI 101 -- "Essentials for Writers," an "exciting and informative" interactive workshop for writers being offered to members of my union -- the Writers Guild of America, East - by the FBI Office of Public Affairs and FBI New York. ...
-- Very interesting account of a workshop the FBI puts on for writers in NY.
What's in it for the FBI? ...The only question we have for you is 'Will it show us in a good light?'" ...
posted by amberglow
on Jun 9, 2007 -
From the Liberation Journal
, Gregory Flanagan's "Libercratic" [?]
Misogyny on TV; Feminazi Propaganda:
Portrayals of amazon freaks denigrate and pervert females, attack feminine identity and incite in men a lust for sexual violence...
#4. Charlie's Angels (80s) ... Among the many barbaric and obscene shows, one featured women playing tackle football.
#18. Buffy, The Vampire Slayer (90s) ... the idiotic vampires are just the excuse--their real enemy is femininity.
#25. Xena: Warrior Princess (90s) ... Extreme, obscene violence that provokes in men an overwhelming, obsessive lust to rape and slaughter these bitches.
See also: Misogyny in the Movies
, etc etc.
They're out there
, folks. This man needs his ass kicked by a "girly girl" martial artist. Or maybe that's secretly what he wants?(Site hosted and LOTSA POPUPS by directNIC.com. For shame, dierctNIC!)
posted by Shane
on Feb 26, 2004 -
BFI presents screenonline
| The British Film Institute
announces the launch of screenonline
: "This new site features an unrivalled collection of archive film and television footage from the bfi
National Film and Television Archive.... [It] is the first time the bfi
has given the public access online to its comprehensive collection of film and television material, giving teachers, students and film enthusiasts an exceptional opportunity to investigate British history, culture and society through cinema. "
posted by jacknose
on Dec 1, 2003 -
"V" -- a science-fiction allegory for World War II -- may return to television.
NBC has commissioned a three-hour movie script from writer-director Kenneth Johnson (who was responsible for the excellent first miniseries, but not the second miniseries or the dreadful series) that promises "a metaphor for the new millennium." Will Johnson might tackle unilateralism and WMD? And might a letter-writing campaign be in order to encourage production?
posted by ed
on Jun 10, 2003 -
The toughest Chelonia to every grace the media.
Come on. Everyone had to love them at some point, with their pizzas and funny weapons. This
page has some interesting sketch art. This
one includes the complete cast of the cartoon and movies, with links to their career since said roles. This site
, my favorite, has the entire "Coming out of our Shells" tape for download. Remember the classic, Cowabunga?
posted by lazaruslong
on Dec 12, 2002 -
(NYT/reg. req) gets my vote for Stupidest Theory of the Day. Basically, he says that movies are more memorable and stay with us longer than TV shows. Huh?! He's kidding, right? (more inside).
posted by sassone
on Jun 3, 2002 -