What do vintage ads for Beech-Nut, Q-Tips, and Eskimo Pie have in common with some of the earliest depictions of multiethnic babies in children's books? They were all the work of pioneering illustrator Gyo Fujikawa. [more inside]
Combining the voices of many struggles, peoples and nations, from LA to Chicago, Detroit to New Brunswick, Germany to Palestine, Phoenix to Greece, Nəxʷsƛ̕áy̕əm̕ , Tsalagi and Six Nations, to Anishinaabe and Mi’kmaq, and everywhere in between, the #NationHood Mixtape brings together an amazing array of hip-hop, spoken word, beats, ideas and sounds from artists across the world. [more inside]
"America?" he says. "I'll tell you about America. America is not all honey and roses the way they tell you. Truth is, 90 percent of the people there, you will find, they'll do the most stupid things, impulsive things. I know for a fact. At the same time, Americans are bighearted people, and the remaining 10 percent of them are smart. Bloody smart. That's why they rule the world." [more inside]
The next day, Sunday, I spent almost nine hours immersed in Robert Lepage’s marathon play, Lipsynch, at the Bluma Appel Theatre, which was part of Luminato. You tell people you’ve just spent nine hours watching a play conducted in four languages (with projected sur-titles) and they think you’ve undergone an endurance test, made a heroic sacrifice for art. On the contrary. There was no suffering(5 minutes of [enthusiastic] standing and clapping). The time flew by. It was like taking your brain on a luxurious cruise. Or spending the day in an art spa, basking in mind massages and sensory wraps. Maybe it was high art but the ascent was effortless: because Lepage did all the work for you, it was experienced as pure entertainment. [more inside]
Beyond Benetton and Betty Crocker: This Boston Globe article suggests a new age of multicultural marketing is upon us, with ethnically cagey Vin Diesel at the forefront. Instead of "United Nations"-style ads in which each actor is selected to represent a different group, the new style is towards ambiguity, as in the nonspecifically "ethnic" Barbies, or more casual, offhanded reference to race, as in the "Whassup?" Budweiser ads. Does this new "color-blindness" say anything about real social change, or is it just trendy hucksterism? Meanwhile, some very tired sexist chestnuts continue to appear in ads: despite her full time job and gleaming SUV, Mom still relies on classic brands to keep house and make dinner, still solely her responsibilities in TV-land. What gives?
Holden Caulfield expelled. This article makes a case that Catcher in the Rye is being pushed out of classrooms for more "multicultural" books. Since when does opening the doors to diversity mean excluding others?