Ten years ago today, Cartoon Network aired a very special episode of
The Powerpuff Girls. Though nominally a harmless kids series about three adorable kindergarten superheroes,
creator Craig McCracken attracted an unexpectedly diverse audience (50% male, 25% adult) by sneaking in a surprising amount of
violence and
adult in-jokes -- and on that last point, this particular episode was king. Broadcast on the 37th anniversary of their debut on the
Ed Sullivan Show,
"Meet the Beat-Alls" was an extended and sophisticated metaphor for the rise and fall of The Beatles, cramming
more than forty song references and dozens of visual jokes into only ten minutes of animated allegory. Catch the original episode
here or read
the transcript, but for the
full effect,
watch this remarkable YouTube mash-up that splices the referenced song clips directly into the audio track and plasters the screen with helpful annotations. Want more PPG goodness? You can start with the special
"Powerpuff Girls Rule!!!" (
part 2), a sly, hyperkinetic celebration of the show's tenth anniversary directed by McCracken himself that features every character (and totally subverts an important one). But as far as weirdness goes, it's hard to top
Powerpuff Girls Doujinshi, a long-running fan-made webcomic which stars the trio alongside Dexter, Samurai Jack, Invader Zim, and
tons of other network icons in an unusually dark manga adventure. Oh, and don't forget
your plate of beans.
posted by Rhaomi
on Feb 9, 2011 -
82 comments
One of the most rhythmically solid, tastefully understated and (all too often) criminally underrated drummers in the history of rock music turned 70 today, and you'll forgive me if I couldn't let the day pass without a nod in his direction. You've probably heard of
him.
[more inside]
posted by flapjax at midnite
on Jul 7, 2010 -
98 comments
You Can't Catch Me, Music and Lyrics by Chuck Berry.
The Stones covered it. John Lennon was
sued (twice!) for
covering it and
appropriating the lyrics. If Iggy Pop and the Stooges were never sued for doing the same thing as "Come Together" in
1970, perhaps it's because nobody could understand what exactly he was saying,
not even the bands that took their names from the adapted lyrics. Perhaps JJ Cale was thinking of the chorus when he wrote
Call Me The Breeze in 1971. Finally, though Jonothan Richman's "Roadrunner" clearly took inspiration from the
Velvet Underground's Sister Ray and Bo Diddley's "
Road Runner"(
among other things), but,
as a Berry fan, you can hear Richman echoing the lyrics in the Spirit of 1956 going Faster Miles an Hour, with the radio on, tuned to Rock And Roll.
[more inside]
posted by Potomac Avenue
on Jun 19, 2010 -
43 comments
The Beatles Complete on Ukulele is a surreal collaboration between Roger and Dave, some ukuleles, 185 other artists (many yet unknown!), and The Beatles. New tune and essay every Tuesday through July 2012.
posted by carsonb
on May 24, 2010 -
19 comments
Showing Off is a series of videos, audio clips and articles in which noted music journalist and Frankie Goes to Hollywood mastermind Paul Morley explores various facets of music. Each month has a theme,
[warning: most links have autoplaying video] Michael Jackson,
Kraftwerk,
classical music,
disco,
The Beatles,
folk music,
The X Factor,
the Noughties,
the next big thing,
UK hip hop,
jazz, and
dance. Here is some of what's on offer:
MeFi faves Dan Le Sac and Scroobius Pip on hip hop,
These New Puritans' Jack Barnett, Johnny Marr on folk (parts
1,
2), but isn't all just interviews, there are also a lot of performances, e.g.
Michael Nyman and David McAlmont,
Badly Drawn Boy,
Susanna Wallumrød covers Thin Lizzy's Jailbreak, and
Cornershop cover Norwegian Wood.
posted by Kattullus
on Apr 26, 2010 -
8 comments
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing.
Part 1,
part 2,
part 3,
part 4,
part 5.
posted by Artw
on Mar 7, 2010 -
8 comments
Amazing to see how differently Shakespeare's work has been dealt with in music: there is Jerry Lee Lewis doing a
blues on Othello.
David Gilmour, former Pink Floyd lead singer, guitarist and songwriter, turned Sonnet 18 into a touchingly beautiful
ballad.
The Metal Shakespeare Company wrote a heavy metal song about Hamlet (III/1), "
To bleed or not to bleed".
And yes, there is Shakespeare rap, too: William Shatner (the very same!)
raps about Caesar and British rapper Akala thinks he is a
reincarnation of the bard.
Last but not least, the Beatles tried their luck at Shakespeare, too (no music this time): they did a
skit on the famous Pyramus and Thisbe scene from A Midsummer Night's Dream (very rare footage!).
posted by Matthias Rascher
on Sep 22, 2009 -
37 comments
British composer and TV presenter
Howard Goodall presents a documentary exploring the influences and theory behind the music of The Beatles, and the transformation of their sound over their recording career.
Part
1,
2,
3,
4,
5,
6 on Youtube.
But that's not all...
[more inside]
posted by Magnakai
on Sep 9, 2009 -
30 comments
You'd be forgiven for rolling your eyes as soon as you hear about
yet another Beatles box set reissue whatever, but the upcoming release of practically their entire catalog in the original
MONO MIXES is certainly cause for genuine celebration for anyone who cares to hear the Beatles' music in the audio format that they themselves signed off on. Once we hear for
ourselves, come
September 9, we'll see if we agree with producer George Martin: "You've never really heard Sgt Pepper until you've heard it in
mono."
posted by flapjax at midnite
on Aug 29, 2009 -
149 comments
185. "Revolution 9"
Shortly after recording "Revolution 9", John Lennon allegedly went around telling friends that his new song was the music of the future. Well, here we are, 40 years later, and I don’t see the pop charts filled with experimental song collages featuring recording engineers, chanting football crowds, mangled orchestras, and bizarre non-sequiturs. [...]
[more inside]
posted by swift
on Jan 20, 2009 -
116 comments
The Oriental Nightfish. A Chanukah/Christmas gift of sorts. "Listening to Linda proceed tunelessly through "Endless Days" (she "sings" the "song" the way that Ken Lay "protected employees" or Ryan Leaf "quarterbacked") is an experience to be treasured, if by treasured you mean buried in a chest by pirates."
posted by Xurando
on Dec 24, 2008 -
10 comments
Lennon and McCartney's Studio Reunion. On March 28, 1974, John Lennon was in a Burbank studio producing Harry Nilsson's "Pussy Cats" album when Paul McCartney dropped in. The room froze and remained silent until John said, "Valiant Paul McCartney, I presume?" Paul responded: "Sir Jasper Lennon, I presume?" The tension broken, a
jam session [Part 1] [Part 2] [Part 3] [Part 4] ensued featuring Lennon on guitar and vocals, McCartney on drums and vocals, Stevie Wonder on electric piano and vocals, Harry Nilsson on vocals, Jesse Ed Davis on guitar and Bobby Keys on saxophone. A
bootleg of the session has circulated under the title
"A Toot and a Snore in '74".
posted by New Frontier
on Mar 30, 2008 -
25 comments
Christs, Communists, & Rock 'n' Roll is an excellent introduction to a tradition of anti-rock writings and recordings by the Religious Right. In the 1960s, there was
David Noebel who wrote
Communism, Hypnotism, & the Beatles and
The Marxist Minstrels. In the early 1970s,
Reverend Riblett constructs a seven-foot cross out of rock music records and sets it aflame with gasoline. Michael Mills finds
hidden Satanic messages in Bow Wow Wow and the Grateful Dead, while Bob Larson valiantly
debates Mandy, a 13-year-old fan of the Cure. The motherlode is probably the
cassettes of John Todd, who traveled the fundamentalist circuit in the 1970s claiming to be a former witch and a member of the Illuminati, but that's just the tip of the iceberg. (more inside)
posted by jonp72
on Aug 20, 2007 -
31 comments
The Rutles: All You Need Is Cash may be the most elaborate parody of the Beatles ever constructed, including satirical tributes to the appearances on
the Ed Sullivan Show,
Yellow Submarine, and the
rooftop concert at Apple Records. Check out some other fine parodies who picked up where the Rutles left off:
The Mosquitoes on Gilligan's Island,
Chris and the Alphabeats on Sesame Street,
Letter B and
Hey Food by the Beetles, the
Be Sharps on the Simpsons,
A Hard Day's Night of the Living Dead by
the Zombeatles, Peter Cook & Dudley Moore's
L.S. Bumble Bee, the Powerpuff Girls Meet the Beat Alls (parts
1 and
2 with commentary by Mojo Jojo), Beatles spoofs in a
Polish sitcom and a
Bollywood musical, Beatallica sings
A Garage Dayz Nite, the Chasers'
I Am Thesaurus, and the Beatles
go bar mitzvah.
posted by jonp72
on Aug 6, 2007 -
45 comments
Cracked Pepper by ccc and ill chemist is a mash-up of The Beatles'
Sgt. Pepper's Lonely Hearts Club Band and an amazing array of songs you know. While not quite on par with the focus and sheer audacity of DangerMouse's
Grey Album, Cracked Pepper is a smart, rich, and rewarding listen. Available track by track or as a torrent.
See inside for tracks sampled.
posted by saguaro
on Jul 30, 2007 -
35 comments
I thought I'd seen pretty much every bit of performance footage (whether live or lip-synched) featuring the Beatles, but lately I discovered some clips on YouKnowWhere that I hadn't seen before, and I'd wager there's more than a few folks out in MefiLand who've also missed these: a proto-psychedelic promo clip for
Rain, and another promo clip for
Hey Bulldog, and finally, this rarity, an alternate take of the promo clip for
Hello Goodbye. Just for good measure, here's the more familiar (but still
somewhat obscure)
version.
posted by flapjax at midnite
on Jun 7, 2007 -
43 comments
Introduced to Western culture by the Beatles in their single
Norwegian Wood, the
sitar has featured prominently in North Indian classical music for centuries. Princeton-based computer scientist Ajay Kapur updates the instrument with his
ESitar, an audio and video controller that uses
gesture input (PDF) and
machine learning algorithms to facilitate joining the computer with Ajay in his sitar performance. Undergraduate engineering students at the University of Pennsylvania work from the other direction, building
RAVI-bot, an
award-winning, self-playing
robotic sitar (YouTube) programmed to generate music from classical
Raga scales and melodies all on its own. For those in the Philadelphia area, be sure to check out a live performance of RAVI-bot at the local
Klein Art Gallery.
posted by Blazecock Pileon
on Apr 19, 2007 -
32 comments
