87 posts tagged with music and folk (View popular tags)

Stan Kelly-Bootle began his career as a member of the earliest wave of computer programmers, who wrote prolifically about a wide range of computing issues. Back in his home town though, he's probably best known for his contributions to a lexicon of local slang, Lern Yerself Scouse, and for his canonical and not-so-canonical contributions to the British folk repertoire.
posted on May 12, 2008 - View this thread

Folk/acoustic Friday: braving infatuation, heartbreak, pregnancy, Thatcherism, corporate drudgery and bad 90s hair, these artists come bearing gifts.
posted on Apr 11, 2008 - View this thread

Frank Newsome leads the congregation at the Little David Church in Hayside, Va. Old Regular Baptists, they sing the way people sang when they first came to the American colonies: without instruments or notation, and following their leader line by line. It's called lined-out hymnody, and people outside the southern Appalachian Mountains rarely hear it. One of the songs Newsome sings at services is a hymn about longing for heaven, called "Beulah Land."
posted on Apr 8, 2008 - View this thread

Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.
posted on Apr 2, 2008 - View this thread

First, and foremost, here is La Caíta - El Pájaro Negro. Could there be singing anymore heartfelt than this ? I wonder. And here she is, in an ancillary role, with the Amaya family. Also, from Spain, here is Tchavolo Schmitt, Dorado Schmitt & Hono Winterstein - Kali Sara & Tchavolo swing. From Romania, here are Taraf de Haïdouks and, from them, here is Taraf de Haïdouks and of them, here is Balada Conducatorolui - Nicolae Neacsu. From the Thar of Rajasthan, here is the very charismatic Talab Khan Barna, and here, from Egypt, is Bambi Saidi. And let the etymological connection between Egypt and gypsy be noted here and now, by the way.

All of these are. of course, excerpts from Latcho Drom.
posted on Mar 20, 2008 - View this thread

God's Pottery is described on their website as "a Christian acoustic duo formed to spread the Word while addressing the issues facing today's Youth and the Spiritual Community at large." But actually, they're one of the funniest new up and coming musical comedy acts, already nominated for an ECNY award in Best Musical Comedy Act. They workshop with the audience to get to know them better and sing songs about Pre-Marital Sex (The Pants Come Off, When The Ring Goes On), Alcoholism (Jesus I Need a Drink!), and they're always playing for Team Jesus. They went to the "Eden-berg" Fringe Festival and even stayed in character when interviewed by ITV2, because they are that good.
posted on Mar 6, 2008 - View this thread

Jean Ritchie, Mother of folk music. Abigail and Balis Ritchie of Viper, Perry County, Kentucky had 14 children, and Jean was the youngest...
posted on Mar 2, 2008 - View this thread

And here we have a couple of YouTube productions, screensaverish animations of photos and lyrics to the original recordings: Robert Petway - Catfish Blues and Tommy McClennan - It's Hard To Be Lonesome. This is mostly about Petway and Catfish Blues but you can't mention Petway without mentioning McClennan, as they ran together in their time and as both did versions of Catfish, a song canonical in Delta Blues, recorded and performed by nearly everyone--Muddy Waters - Rolling Stone, for example. Petway just happens to be the first person to record Catfish, and quite possibly the person who wrote it and certainly. to my mind, at least, the person who nailed it... in the uptempo version at the very least.
posted on Feb 28, 2008 - View this thread

Jeffrey Lewis brings you The Complete History of Punk Rock and Its Development on the Lower East Side (1950-1975) in eight and a half minutes.
posted on Feb 27, 2008 - View this thread

Having worked as a philosophy teacher in a Scottish primary school and a domestic and child abuse worker with Scottish Women's Aid, perhaps it comes as little surprise that Karine Polwart's music often dwells on the darker side of life.
posted on Feb 19, 2008 - View this thread

"If Communists liked what we did, that was their good luck," said Lee Hays, founding member of the Almanac Singers. A fascinating portrait of one of the linchpins of the politically engaged folk movement of the '40s and '50s. Hays sang beside the more celebrated (and, on one important day in Bob Dylan history, infamous) Pete Seeger on such classic Almanac albums as Talking Union. [Listen here.]
posted on Feb 18, 2008 - View this thread

In 1900 they were everywhere. Singing on street corners, in front of circus entrances, or just moving down the dusty roads of the South, playing anywhere a crowd might be cajoled into donating a dime to the cause. To survive they played any request--ballads, popular tunes, white hillbilly music, hymns, and the newly emerged blues. Songsters were the first folk musicians to be "professional" ...Most songsters faded into the past. A few waxed recordings, leaving a tempting glance into their world--and many questions. Such is the case with Richard "Rabbit" Brown, one of the most celebrated songsters and the only one from New Orleans to record.
Times ain't Like They Used To Be: Richard "Rabbit" Brown, New Orleans Songster--so, James Alley Blues is the song most everyone names as Brown's greatest and, now, you can play it online here.
posted on Feb 7, 2008 - View this thread

Not exactly breaking news, but still:
The Late Allen Ginsberg and Beck in Conversation
Related YouTuber: Beck on the late Allen Ginsberg
To complete the circle: Jackass by the South Austin Jug Band.
posted on Feb 5, 2008 - View this thread

In more or less chonological appearance, here are examples of one of our very own still extant national musical treasures:
Ramblin' Jack Elliott - Talking Merchant Marine
Ramblin' Jack Elliott - San Francisco Bay Blues
Ramblin' Jack Elliott - Salt Pork West Virginia
And here, from SXSW 2006, is Ramblin' Jack Elliott & Billy Bragg - The Ballad of Pretty Boy Floyd
Also from SXSW 2006, Jack Elliott & Marty Stuart - Engine 143
From last year, here is Ramblin' Jack Elliott - Old Shep
and Ramblin' Jack Elliott - South Coast
And from last week's Bill Graham's Birthday Bash, here is
Phil Lesh, Jackie Greene & Ramblin' Jack Elliott - Friend of The Devil
posted on Jan 20, 2008 - View this thread

Doc Watson: his warm and unprepossessing voice and rolling guitar stylings (both flatpicking and fingerpicking) are treasures of American music. The following video clips will be a treat for any Watson fan, but especially for guitar players: they feature closeup shots of Doc's left hand fretwork as well as insets of his right hand picking. So, without further ado: Deep River Blues, Blue Railroad Train, Black Mountain Rag and Bluebell.
posted on Jan 20, 2008 - View this thread

Everything you want to know about Irish traditional music played on flute, including a guide to the instrument, a guide to styles and a rather comprehensive collection of the best Irish traditional flute videos on the web. And if you like these, perhaps you'd like to learn how to play too.
posted on Dec 18, 2007 - View this thread

Here is Naomia Wise from The Max Hunter Folksong Collection. Folk songs, more or less, sung by real folks, collected in Arkansas by Max Hunter between 1956 and 1976. On a related tip, here is Historic Music--recorded popular music from the 1920s, with a large selection devoted to music from the First World War. And here, from Manufacturing Memory: American Popular Music in the 1930's, are the Popular Music Jukebox 1930-1934 and the Popular Music Jukebox 1935-1939 to complete this day's vintage musical Americana experience.
The Max Hunter songs are in RealAudio. Realplayer haters can use Real Alternative aka Media Player Classic.
posted on Nov 27, 2007 - View this thread

The Imagined Village [promoting an album too but plenty of interesting free stuff] Several luminaries of a now more globalised British music scene reinterpret the folk heritage and pose questions about a modern English identity. There's Benjamin Zephaniah's version of Tam Lyn and a retelling of Hard Times in Old England; even our American cousins get in on the act, for instance remixes like Doghouse Riley's doo-wop Cold Hailey Rainy Night. There's also a few thinky pieces explaining what it's all about.
posted on Nov 17, 2007 - View this thread

Hill Billie Blues by Uncle Dave Macon and his Fruit Jar Drinkers is under 1924 at Honking Duck. You could search that by title as well. Or you can look up by Artist as in Al Hopkins & His Buckle Busters.
Need I mention all are in RealAudio ? Hate Realplayer ? Well, as noted before, fight the power and use Real Alternative aka Media Player Classic instead. It's not exactly my favorite style of interface but they certainly do afford a large selection.
posted on Nov 5, 2007 - View this thread

Each of the following MySpace Music pages features bios and/or photos and/or videos and/or miscellaneous related materials and/or up to four songs by each of the following Old Time, Traditional, Appalachian folk (and related) artists: Lowe Stokes, Clarence Ashley, Charlie Poole, Gid Tanner and the Skillet Lickers, Roanoke Jug Band, Roscoe Holcomb, Hobart Smith, The Weems String Band, Burnet & Rutherford, Bascom Lamar Lunsford, John Masters, Dock Boggs, Tampa Joe & Macon Ed, William Stepp, Buddy Thomas, Buell Kazee, Isidore Soucy, John Salyer, Cousin Emmy, Luther Strong, Elizabeth Cotten, Fred Cockerham, G.B. Grayson, Melvin Wine, Lewis Brothers, Uncle Dave Macon, George Lee Hawkins and Wilmer Watts. And here's some general Old Time (etc.) pages, featuring various artists: Dust To Digital, Traditional Music of Beech Mountain and North Carolina Folklife Institute.
posted on Oct 24, 2007 - View this thread

Viola Lee Blues by Cannon's Jug Stompers
The House Carpenter - Clarence Ashley
Old Dan Tucker - Judge Sturdy's Orchestra
Minglewood Blues - Cannon's Jug Stompers
Coo Coo Bird - Clarence Ashley
Sally Gooden - Eck Robertson on fiddle
The Worried Blues - Samantha Bumgarner
Dark Holler - Clarence Ashley
Cocaine Habit Blues - The Memphis Jug Band
All are from Folktunes.org, a list of annotated links to mp3s at the Internet Archive with lyrics and history on each page. It's like a functional annotated academic SomeOfTheCoolest78sAttheInternetArchiveFilter .
posted on Oct 22, 2007 - View this thread

John Fahey - Fare Forward Voyagers
John Fahey - Dance Of The Inhabitants Of The Palace Of King Phillip XIV
Clips from a 2 hour performance at the Euphoria Tavern in Portland, Oregon from 1976. Among the cognoscenti at FaheyGuitarPlayers, the consensus is that these clips display Fahey in rare form on a very good night.
Apart from Fahey, Bohemia Visual Music aka Mike Nastra, the contributor of these clips, provides an interesting assortment of way too hip YouTubery offerings including, among others, Spike Jones, Dimandas Galas, Gene Krupa, Tuxedo Moon, Sun Ra, Pere Ubu and the Holy Modal Rounders.
posted on Oct 16, 2007 - View this thread

... After take seventeen, Dylan heeds the producer Johnston’s advice to start with a harmonica swoop. Crescendos off of an extended fifth chord, led by Paul Griffin’s astonishingpiano swells (“half Gershwin, half gospel, all heart” an astute critic later wrote), climax in choruses dominated by piano, organ, and Bobby Gregg’s drum rolls; Robbie Robertson’s guitar hits its full strength at the finale. Intimations of the thin, wild mercury sound underpin rock & roll symphonics. Johnston delivers a pep talk before one last take—“keep that soul feel”—and Gregg snaps a quick click opener, and fewer than five minutes later, the keeper is in the can.
Mystic Nights - The Making of Blonde On Blonde In Nashville
An account of how the many strands of that thin, that wild mercury sound were woven. And the annotation goes on. Via email via St Urbain's Horseman
posted on Sep 28, 2007 - View this thread

The sad story of Sœur Sourire, the Singing Nun.
posted on Sep 24, 2007 - View this thread

The Velvet Underground you never got to hear. Born from the same experimental influences and art-pop sensibilities as VU, but based in 60s counter-cultural Sweden, and rife with name changes galore, Pärson Sound aka International Harvester aka Harvester aka Träd, Gräs och Stenar (Trees, Grass and Stones) brought the heavy, heavy drone sound as far back as 1967 and are still active today.
posted on Sep 19, 2007 - View this thread

The Smothers Brothers are a folk-singing comedy duo whose television show, The Smothers Brothers Comedy Hour featured music, comedy, and political satire. CBS abruptly canceled the show in 1969 due to continued arguments about censorship.
posted on Sep 14, 2007 - View this thread

This might lead you to learn to play guitar, to write poems, to sing, or just to watch and listen more intently. Kelly joe Phelps, from washington state, is one of the most beautiful musicians I've ever seen. He's got a great way to play traditionals and his originals are mesmerizing.
posted on Sep 11, 2007 - View this thread

Aside from the usual crap, YouTube has a great selection of one the most covered song of all time: All Along the Watchtower. Classics like Hendrix (live and studio), Neil Young (at DailyMotion with better sound) and U2--and some great contemporary versions like Keziah Jones' blazingly-fast version, Bradley Fish's 12-instrument (including Chinese Zither) version, Michael Hedges’ reason-to-be-excited cover, and even a quite good version of DMB's much-maligned cover. What doesn't really rank: Dylan's original.
posted on Jul 2, 2007 - View this thread

Here is Uncle John Scruggs singing and playing Little Log Cabin Round the Lane in RealAudio Dial Up and DSL format. The dancing is great and I do like the walk-on kitten part, myself.

That's from the Center For Southern African-American Music Video Link Page. Their audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's Trials, Troubles, Tribulations rules in my world.
posted on Jun 29, 2007 - View this thread

Iran: This musician is revolutionizng the music scene (Video) Mohsen Namjoo and her superstar
posted on Jun 13, 2007 - View this thread

While the first pioneering forays into atonality and free chromaticism were starting to occur in Western European music, the talents of Latin and South America were discovering the Romantic beauty of re-interpreting the past. [much, much more inside!]
posted on Jun 3, 2007 - View this thread

Karen Dalton - It Hurts Me, Too
Tim Buckley - Sally Go 'Round The Roses
Tim Hardin - If I Were A Carpenter
See also
The Other Side Of Greenwich Village 60's Folk Scene - Part 1
and Part 2  
more within
posted on May 4, 2007 - View this thread

“We consider the 'primitive' music of blues singers such as Leadbelly to be more authentic than that of the Monkees. But all pop musicians are fakes . . . Hugh Barker and Yuval Taylor . . . have turned out their personal record collections to produce a persuasive defence of inauthenticity as the defining characteristic of great popular music[.]” (via)
posted on Apr 20, 2007 - View this thread

Joe Heaney told lots of stories, and sang pretty well too. His style of music, Sean-Nós out of Connemara is rare indeed nowadays, but there are songs like Úna Bhán that stand on their own poetic merit, and others like Cunnla that are altogether less stodgy than one might think. If it's too Irish for you, how about meeting the language halfway?
posted on Apr 17, 2007 - View this thread

"If you had Bruce playing with you," Dylan wrote, in his 2004 autobiography, Chronicles, "that's all you would need to do just about anything."
Bruce Langhorne has quite the discography. And a hot sauce, to boot. And he's led quite the life. Here is Richie Unterberger's interview with Langhorne in Parts One and Two. And here he talks with Unterberger about working with Mimi and Richard Fariña.

On a personal note, I will add that his hot sauce is hot indeed. Will buy it again.
posted on Apr 13, 2007 - View this thread

All old things become new again. Traditional American music, such as Del McCoury and Doc Watson being explored and reinvented by new artists. Gillian Welch and Old Crow Medicine Show , Chatham County Line- Route 23 , and The Be Good Tanyas - The Littlest Birds. Just to name a few. [all youtube]
posted on Mar 10, 2007 - View this thread

From Rebetika to Surf Rock: Misirlou is a melody that has spanned genres, from Greek, Turkish and Jewish folk songs to the classic Dick Dale version on the Pulp Fiction soundtrack to the Black-Eyed Peas, to the obligatory Greek folk version/Pump It mash-up.
posted on Jan 23, 2007 - View this thread

Before you do anything else, just listen to this. That's eefing, a 100-plus-year-old vocal technique from rural Tennessee that's, well, the original hillbilly beatboxing. The undisputed master of the art was Jimmie Riddle. His unique skill landed him recording* and TV (youtube) work. Want more weird sounds from the deep south? Try Hollerin & Whoopin and Ringing the Pig. *[warning: on the "Little Eefin Annie" page, avoid the "click here to hear Rolf Harris Eeefin'!" link: it's a pesky popup.
posted on Jan 6, 2007 - View this thread

Here is a video of one falsetto singer:

Skip James - Devil Got My Woman

More music by and information about Skip James, a Romanian gypsy named Doma Dumitru Siminica, leo ki'eki'e singers Richard & Solomon Ho'opi'i and other Legends of Falsetto within...
posted on Dec 14, 2006 - View this thread

Harry Everett Smith was a, "20th-century Renaissance man, working as an abstract film-maker, painter, musicologist, anthropologist, theoretician, self-mythologizer and connoisseur of arcana". His Anthology of American Folk Music was hugely influential on American music, while his alchemical, synæsthetic films were to have a similar impact on experimental film and animation. Enjoy his mesmerising and astonishing "Early Abstractions" on Youtube [part 1 or 4], hear Harry lecture, or listen to some tracks from The Anthology.
posted on Dec 8, 2006 - View this thread

John Fahey in concert: Beverly (aka Indian Pacific Railroad Blues) Poor Boy (Which is a variation on Booker White's Poor Boy Long Way from Home)
posted on Oct 22, 2006 - View this thread

Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...
folkstreams.net Currently streaming are the films The Land Where the Blues Began , Cajun Country , Jazz Parades: Feet Don't Fail Me Now , Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap , Ray Lum: Mule Trader and Pizza Pizza Daddy-O , among many others.
posted on Oct 6, 2006 - View this thread

Here is the Mississippi John Hurt Blues Foundation, the website, which is the creation of one Frank Delaney of Spokane. There's a great deal of guitar related material and a page of mp3's by fans, which includes several interesting originals by one Fred Bolden, a grand nephew. I always knew he had a son who played guitar and wondered why no one had ever tried to record him. Now there is a grand nephew playing, if nowhere near as sublimely as his great uncle, in roughly the same style.

Here is an interview of John Hurt from 1963, courtesy of Stefan Grossman's guitar video empire. It is a real delight.

Consider this a follow up to this post. Not all of the links there are good. The Mississippi John Hurt Guitar Tab Book, for instance, is now available only in PDF format but well worth the download. And here is an illustrated discography of John Hurt by another Stefan, Stefan Wirz, a subject of yet another post back in the day.
posted on Oct 4, 2006 - View this thread

The world of folk music is often a rather dour place, as folkies try hard to fully express the miseries of a life pre-myspace. In the 1980s, however, the Kipper Family, of St-Just-near-Trunch, Norfolk, bucked this trend. With such classics as "Arrest These Merry Gentlemen", "Wild Mounting Time" and "We're Norfolk and Good", Sid and Henry Kipper managed to cheer up many a maudlin English folk club. Although Henry was retired, Sid Kipper still performs solo and has recently started doing podcasts for Channel4 (reg req to download).
posted on Sep 27, 2006 - View this thread

Etta Baker 1913-2006
posted on Sep 25, 2006 - View this thread

For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more, Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.
posted on Aug 25, 2006 - View this thread

The kantele is the national instrument of Finland, strongly associated with traditional Finnish folk music. A psaltery-like string instrument of somewhat obscure origin, it prominently figures in the Kalevala. Despite this association with the past, the kantele is very much a living instrument- it was used in the soundtrack to "The Lion, The Witch, and The Wardrobe" for its "pure, chilly sound", and electric kanteles have been made. [more inside, with sound samples]
posted on Jul 8, 2006 - View this thread

TVFolk is a collection of 400-odd videos of traditional music from nothern Europe, including a live (leek-free) performance from Loituma (below) in 2001. Other standouts include Hedningarna, JPP, and Garmarna.
posted on May 21, 2006 - View this thread

Bardou (note: sound on intro) is a Belgian band founded by Jim Kline and Mariusz Radwanski combining medieval, baroque, folk, celtic and sea chanty in a beautiful sound. While strolling down the Cours Mirabeau in Aix-en-Provence this afternoon, I chanced upon these two musicians playing dulcet tones in a duet. As I drew closer, I saw the instruments were nothing I'd encountered before: a nyckelharpa and an arch guitar. The sound was quite appealing (.mpg video).
posted on Apr 9, 2006 - View this thread

Going Down the Crooked Road. Explore the sights and sounds of Virginia's Heritage Music Trail.
posted on Feb 21, 2006 - View this thread

FARNE North East English folk archives. Interviews, performances, manuscripts, photos and videos. You can browse the archives a few different ways to get the feel of the place.
posted on Dec 5, 2005 - View this thread

Vera Hall was a black woman born near Livingston, Alabama at the turn of the century. She grew up in a supportive family and community, but in difficult, poor rural living conditions. At a young age, Hall became a respected and devout member of the church, and remained so for the rest of her years. But after leaving home, she also fell in with more worldly crowd, for whom blues, craps, and alcohol were the entertainments of choice. The tension between these two spheres-- that of spirituals and the church, on one hand, and that of blues and the juke-joint, on the other-- is a theme that recurred throughout her life and infused her music. She drew upon both perspectives to cope with and overcome her life's perennial difficulties; sadly, it was dotted with tragedy: she lost both parents, a sister, a husband, a daughter, and two grandchildren-- all before she herself passed away in 1964 at the age of 58.

The Vera Hall Project [+}
posted on Sep 17, 2005 - View this thread

Illin'-Noise! is the new remix of Sufjan Stevens' album Illinois by mc DJ; a torrent is available, as is cover art. It's not quite like Hippocamp Ruins Pet Sounds (previously on Mefi) -- it's not nearly as noisy, and not quite as good, although it's still worth checking out, particularly "Chi-Town" (from "Chicago"), "Zombies" (from "They Are Night Zombies!! They Are Neighbors!! They Have Come Back From the Dead!! Ahhhh!") and "Jacksontown" (from "Jacksonville"). [prev.]
posted on Sep 12, 2005 - View this thread

Lessons from British folk songs
posted on Sep 7, 2005 - View this thread

The Confabulators. They Are Confabulators!! They Write About Music!! They Have Come From The Decemberists Board!! Ahhhh! It began on a message board (reg. required). All the latest news about The Decemberists, Sufjan Stevens, and now, more! Their latest entry: A review of Pitchfork's review of Sufjan's Illinois. That'll teach 'em.
posted on Aug 8, 2005 - View this thread

Several dozen folk, popular and art songs from Hungary (in Real Audio and MP3).
posted on Jul 31, 2005 - View this thread

Canadian 60s Garage Bands - Alex's Picks of the Week - Acid Archives of Underground Sounds 1965 - 1982 - South African Rock Files - The Magic Land - Track Lists - Garage Compilation DB - Psychedelic Album Reviews - Christian Psych - Swedish Label Catalog - Swedish Progressive Artist Catalogue - German Rock Discography - Underground Sounds - Greatest Rock Album Covers - 760 Rare Psych Album Photos - Jazz Label Discographies - Psych from the 60s - Hispanic Progressive Rock - Heavy Rock Database - More Discographies (By Label) - Argentinian Rock - Borderline Books - Julian Cope's Head Heritage - The History of Boston Rock - Psychedelicatessen - Collectable Records album covers - Links page with more 60s resources - Italian Prog - The Crack in the Cosmic Egg - Spanish Prog - Psychedelic & Acid Folk - Encyclopedia of Electronic Music - Nurse with Wound "Influences" list - Beyond the Beat Generation - Gibraltar Encyclopedia of Prog - Canterbury - The Technicolor Web of Sound (links compiled by Cesar Montesano of the avant-progressive mailing list.)
posted on Jul 2, 2005 - View this thread

I wonder if Odetta will sing backup on "Debaser". The Pixies will do their first acoustic set ever this summer, and what more appropriate place than where Dylan plugged in and changed the rules? That's right, Newport, baby!
posted on Jun 16, 2005 - View this thread

We kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept putting out different names and wait until someone starts calling us that then. When we got to Holy Modal Rounders, everyone decided by accumulation that we were the Holy Modal Rounders. That's the practical way to get named.
The Story Of The Holy Modal Rounders. In 1965, they used the psychedelic in a lyric and channeled Charlie Poole. From 1999, Green Man reviews their Too Much Fun!--& Ink 19's take as well. From No Depression comes Bohemian Rhapsody and from Richie Unterberger here's an interview with Peter Stampfel and the liner notes he wrote for the CD re-issue of cult classic The Moray Eels Eat The Holy Modal Rounders. In a related bonus, here you can find Charlie Poole singing Moving Day, a great song which I first heard by the Rounders.
posted on May 30, 2005 - View this thread

All roads lead to Apache. From Bert (.mp3) to Nas (.mp3), surf (.mp3) to electronica (.mp3), the audio genealogy of one influential tune. (via Soul-Sides)
posted on Apr 21, 2005 - View this thread

On "Love and Theft" & On On "Love and Theft" and the Minstrel Boy & The Annotated Love And Theft...    In melody, Bye and Bye comes by way of Billie Holiday's Having Myself A Time and Floater by way of Bing Crosby's (& Eddie Duchin's & Kate Smith's & Isham Jones's...) Snuggled On Your Shoulder--and lyrically, by way, in part, of Junichi Saga's Confessions Of A Yakuza, which was not a crime novel, as StupidSexyFlanders once surmised, but an outright As told to memoir, which makes it four or five degrees from Yakuza to Dr. Saga to translator to Dylan to Plagiarism in Dylan, or a Cultural Collage?

Oh, who's going to throw that minstrel boy a coin ?
posted on Apr 14, 2005 - View this thread

Jump Jim Crow, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter, through multiple readings of Raising Cain: Blackface Performance from Jim Crow to Hip Hop, Demons of Disorder: Early Blackface Minstrels and Their World and and Love and Theft: Blackface Minstrelsy and the American Working Class. Consider, too, The Minstrel Cycle from Reading The Commitments and other various and sundry attempts to peek inside the minstrel mask—all multiple readings reading blackface minstrels from the pejorative to the explorative, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing and extraordinary elocutions. Buy your tickets and step within for The Meller Drammer of Minstrelsy in The Minstrel Show 2.0
posted on Mar 31, 2005 - View this thread

The Mystery of Danny Boy - Most everyone has heard the song "Danny Boy", and while the lyrics have a traceable history, where did the tune originate? It is known as "Londonderry Air" in some folks circles, and a lovely band arrangement was done with the title "Irish Tune from County Derry". Regardless of the facts, it is still a poignant tune covered by many.
posted on Mar 17, 2005 - View this thread

Be careful what you wish for, the cliché goes. Having aspired from early youth to become stars, people who achieve that status suddenly find themselves imprisoned, unable to walk down the street without being importuned by strangers. The higher their name floats, the greater the levy imposed, the less of ordinary life they can enjoy. In his memoir, Bob Dylan never precisely articulates the ambition that brought him to New York City from northern Minnesota in 1961, maybe because it felt improbable even to him at the time. Nominally, he was angling for Leading Young Folksinger, which was a plausible goal then, when every college town had three or four coffeehouses and each one had its Hootenanny night, and when performers who wowed the crowds on that circuit went on to make records that sometimes sold in the thousands. But from the beginning Dylan had his sights set much higher: the world, glory, eternity—ambitions laughably incommensurate with the modest confines of American folk music. He got his wish, in spades... 'I Is Someone Else'
posted on Feb 19, 2005 - View this thread

"It was surprising how thick the smoke had become. It seems like the world has always needed a scapegoat --someone to lead the charge against the Roman Empire. But America wasn't the Roman Empire and someone else would have to step up and volunteer. I really was never any more than what I was -- a folk musician who gazed into the gray mist with tear-blinded eyes and made up songs that floated in a luminous haze. Now it had blown up in my face and was hanging over me." -- from Bob Dylan's new autobiography, Chronicles, with a brief interview, via Newsweek
posted on Sep 26, 2004 - View this thread

My Back Pages--Interesting in his own right Eyolf Østrem still maintains the fan's fan tab, chords and music site, the standard by which all others are judged. I just revisited it the other night, while trying to recall how that little run in Dylan's version of Delia went, and dang, if it didn't have the back story of that ballad. I love this kind of stuff. The source of that account, John Garst, is the folklorist king of such research--he puts John Henry at a railroad tunnel near Leeds, Alabama, just east of Birmingham on September 20, 1887, for example. Murder and heroic death ballad back stories are of extreme interest to me, so I decided to post a few more here: Frankie and Albert, Frankie and Johnny, Casey Jones and Stagger Lee. Did I say I love this kind of stuff?
posted on Sep 23, 2004 - View this thread

Victor Jara in English. Tribute page to the Chilean folk singer.
posted on Sep 13, 2004 - View this thread

Korean Psych And Acid Folk • An introduction to the late-60s/early-