On March 26th, 1827 Ludwig Van Beethoven died in Vienna. The day after, a twelve year old boy took a lock of his hair as a souvenir. 167 years later the hair was sold at an auction in London. Its new owners were two Americans, Ira Brilliant and Che Guevera. Between those dates the lock of hair undertook an extraordinary historical odyssey. From hand to hand, from country to country, and from century to century.
This is the story of that journey.
[more inside]
posted by 23
on May 18, 2013 -
7 comments
Great artists rise early,
stay up late,
float themselves in coffee,
flirt with amphetamines,
drink carefully,
eat if necessary, take
morning walks followed by
afternoon naps,
procrastinate,
amuse themselves,
avoid their friends,
hold down jobs,
indulge their oddities, and
work —
work like draft horses.
[more inside]
posted by Iridic
on May 6, 2013 -
35 comments
John Cline writes book reviews for
The Los Angeles Review of Books, and has co-edited
two anthologies on grindhouse cinema. Last May he was awarded his PhD in American Studies and like so many others in the humanities was unable to find a job in his field. So he decided to go for a walk. Inspired by his
hometown poet and drawing on his longtime interest in American music and history, John decided to follow the path of
The Great Migration up the Mississippi, recording and blogging his experience. This would not be a test of endurance, but an sociological/anthropological immersion, a document about the land, history and people of the Mississippi River valley.
With some help from
Kickstarter John arranged to walk from New Orleans to Memphis, to work river boats from Memphis to St Louis and finally to travel by train the last leg to Chicago. Having started on
Ash Wednesday, he has already visited
Angola Prison, encountered a down on his luck former
Rodeo Star and discovered
the joys of walking fifteen plus miles with a fifty pound pack on his back. Most importantly he is sharing what he has learned of our
modern lifestyle and the nature of
human kindness.
posted by bozeman's simplex
on Mar 18, 2013 -
6 comments
You wouldn't think so from its trendy shops and restaurants today, but Seven Dials was once one of the worst slums in London. Intended as a smart residential area when its construction was completed in 1710, this cartwheel of streets between Charing Cross Road and Covent Garden quickly declined to become an over-crowded refuge for the city's thieves. It was here that London's thriving trade in gallows ballads made its home.
A collaboration across more than 100 years, from the jobbing hacks writing ballads and selling them at the foot of the gallows to
the historical investigation of the British Library's broadsheet collection by MeFi's own
Paul Slade, to modern rock, folk, and blues musicians, and then to your ears.
[via mefi projects] [more inside]
posted by carsonb
on Jan 6, 2013 -
9 comments
In February 1964, when the Beatles played the Ed Sullivan Show, record executives in America were faced with the question of how to get a piece of the Beatlemania action. The result was an explosion of knockoff Beatles records, promising things like “The Beetle Beat”, “Beat-A-Mania” and “The Original Liverpool Sound”, credited (often in type far smaller than the famous song titles) to bands with names like The Bearcuts, The Manchesters, The Moptops and the Liverpool Kids, and featuring cover models with varyingly plausible approximations of the Beatles' haircuts, as detailed by WFMU's Gaylord Fields (
SLVimeo).
posted by acb
on Nov 22, 2012 -
34 comments
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.'
[more inside]
posted by zarq
on Oct 11, 2012 -
5 comments
You're a Monk, I'm a Monk, We're All Monks is a short video introduction to The Monks, a band
founded in 1964 by five American soldiers in Germany. They put out only one album, the abrasive, noisy, minimalistic
Black Monk Time in 1965, that sounded like nothing else at the time. They also dressed in all-black, shaved monkish tonsures in their hair and wore bits of rope as neckties. In 1966 they appeared on German TV shows
Beat-Club and
Beat, Beat, Beat, and played three songs on each,
Boys Are Boys and Girls Are Choice,
Monk Chant,
Oh, How to Do Now,
Complication,
I Can't Get Over You and
Cuckoo. Aaron Poehler interviewed The Monks and
wrote about their history back in 1999. That same year
they got
back together to
play at the Cavestomp festival. And here
The Monks are being interviewed by a hand-puppet on public access television in Chicago.
[The Monks previously on MetaFilter]
posted by Kattullus
on Jul 12, 2012 -
49 comments
A decade after the death of renowned folklorist Alan Lomax, his vision of a "global jukebox" is being realized: his vast archive — some 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, 5,000 photographs and piles of manuscripts, much of it tucked away in forgotten or inaccessible corners — is being digitized so that the collection can be accessed online. About 17,000 music tracks will be available for free streaming by the end of February. NYT article
here.
posted by flapjax at midnite
on Jan 30, 2012 -
39 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
Twenty-Five Semi-Obscure Traditional Christmas Songs as Performed by Famous and Non-Famous People:
1.
The Coventry Carol. Celebrate the end of Christmas with this cheerful song about infants being murdered by a paranoid monarch. Actually quite beautiful. As performed by
Sting,
Joan Baez,
John Denver,
Nox Arcana,
Loreena McKennitt,
Manheim Steamroller,
Alison Moyet,
Annie Lennox and the African Children's Choir,
Sufjan Stevens,
Hayley Westenra,
The Mediaeval Baebes,
Dinah Shore, and t
he Westminster Cathedral Choir.
[more inside]
posted by kittenmarlowe
on Dec 11, 2011 -
29 comments
Quincy Jones sat in the Tenafly, New Jersey den of 16-year-old vocal student Lesley Gore,
playing demo after demo, looking for the right song to cut for her first record. Out of over 200 tapes, Jones and Gore had moved only one to the "maybe" pile, and so that song,
It's My Party, was recorded on March 30, 1963 in a Manhattan studio. After the session Mercury president Irving Green warned Gore not to get her hopes up, but Gore gratefully told him that it had been a great experience anyway, and it was okay if he didn't want to release it. However, later that evening Jones learned that
Phil Spector had just recorded "It's My Party" for
The Crystals, so Jones rushed back to the studio to press 100 test copies of the single and immediately mailed them to key radio stations across the country.
[more inside]
posted by swift
on Sep 13, 2011 -
69 comments
New from the Library of Congress,
National Jukebox, where you can listen to 10,000 rare historic sound recordings. (Streaming only, requires flash and javascript.)
posted by fings
on May 10, 2011 -
22 comments
"A ballet dancer needs a mirror to perfect her style, her technique. A singer needs the same -- an aural mirror."
In 1950 and '51, Japan’s first reel-to-reel tape recorders, the "
G-Type"
(for gov't use) and the "
H-1"
(for home use) were released by a company named Tokyo Tsushin Kogyo. Music student Norio Ohga was unimpressed by the wobbly sound of "
Talking Paper," so he wrote a note complaining to the firm's founders, who hired him. Mr. Ohga never achieved his original dream of becoming a baritone opera singer, but the future President of TTK, (later renamed Sony,) would still make an indelible, global impact on the world of music -- including the development and introduction of the compact disc. Mr. Ohga
died on April 24, 2011.
[more inside]
posted by zarq
on May 4, 2011 -
3 comments
19th-century newspaper ads for patented stomach cures and digestive aids [...] foregrounded mince pie as the K2 of digestive summits. But for every published warning on the dangers of mince, the newspapers published a poem, essay, or editorial praising it as a great symbol of American cultural heritage or a nostalgic reminder of mother love and better times bygone—or even, as the State of Columbia, South Carolina, asserted in 1901, a beneficial Darwinian instrument that had "thinned out the weak ones" among the pioneering generations.
So wrote Cliff Doerksen in his wonderful, James Beard award-winning article
Mince Pie: The Real American Pie. Doerksen not only gives the history of this once most American of foods, he also makes two mince pies from 19th Century recipes to see if they are indeed all that. This is but one of many great articles Doerksen wrote for The Chicago Reader in recent years (links to a selection below the cut). Sadly, Cliff Doerksen
passed at the age of 47 just before Christmas.
[more inside]
posted by Kattullus
on Dec 29, 2010 -
73 comments
The idea behind Whatever Happened To Alternative Nation? is to look back at an era that’s both incredibly important and yet mysteriously absent from my life as a music fan. Part 1: 1990: “Once upon a time, I could love you”.
Part 2: 1991: “What’s so civil about war anyway?”
Part 3: 1992: Pearl Jam, the perils of fame, and the trouble with avoiding it
posted by Joe Beese
on Nov 3, 2010 -
60 comments
