lyre-of-ur.com is a somewhat rustic website dedicated to a playable reproduction of the world's oldest string instrument. You can hear it accompanying a set of silver pipes and a short recitation from the Epic of Gilgamesh. Don't miss the fan poetry on the informative history page. [more inside]
SLYTP: two hundred and twenty three pre-1925 'music hall records' YT user Robert Godridge has made a long playlist of digital captures taken from 'some of the british music hall records in my collection, 78rpm gramophone records and cylinders.' This is one of a number of playlists centered on very old popular music recordings by various users. Most of the recordings are quite innocuous by today's standards, but it is far from uncommon to encounter double entendres, racism and stereotypes, and well, I'm not sure what to call this genre.
California has long been home to immigrants from around the world (and from within the U.S.). What is less known, however, is that such longstanding histories of immigration and internal domestic migration have made California a fertile ground for extremely diverse and vibrant accordion musical cultures. With that, here is background on four immigrant populations —Italians, Creoles, Lebanese/Middle Eastern, and Mixtec/Mexican — to give more background the Squeezebox Stories, about an hour of history and tales of the accordion, filtered through customs and cultures found in California. [more inside]
Banbarra’s entire discography can be summed up in exactly one 7-inch, 1975’s two-parter “Shack Up,” released on United Artists under the auspices of one “Coyote Productions Inc.” But no matter what trail you follow, any further info on this group gets cold pretty fast.Nate Patrin explains why despite its inauspicious beginnings, "shack Up" became one of the most influential breaks in sampling history.
Createdigitalmusic collects together 11+ documentaries on the history of electronic music. Ranging from 2 on Delia Derbyshire of the BBC Radiophonic Workshop (1 previously), to EMS (previously), to detroit, acid house, rave (previously), tresor, and more. Plus one news report an the early days of Chicago house that's a documentary in and of itself.
- 100 Years of Fashion in 2 Minutes
- 100 Years of Men's Fashion in 3 Minutes
- 100 Years of Men's Swimwear in 3 Minutes (women's)
- 100 Years of Fitness in 100 Seconds
- 100 Years of Female Dance
- 100 Years of Music
- AFI's 100 Years ... (youtube playlist from American Film Institute)
- 100 Years of Black Beauty
- 100 Years of History in 2 Minutes
First reported in this article by Alison Kinney, writing about the legacy of African-Americans in Opera, and later picked up by the NYT. SLYT: Otello's monologue sung by James McCracken in 1983, and by Placido Domingo in 1991. Perhaps someday soon we can hear the rising star Issachah Savage sing this role at the Met.
"At Pyramid, die-hard leather clones inhaled amyl nitrate with nuclear goths and industrial transvestites."
Something about this country – the divisions, the class system, the general sense of distrust and dissatisfaction – seems to breed youth subcultures like no other place on Earth. The strange, stylish clans that this island incubates have been exported across the world, influencing everything from high street fashion to high art. From teddy boys to 2 Tone rudeboys, soulboys to Slipknot fans, grunge bands to grime crews, mods to mod revivalists, the history of these groups shows us a version of modern Britain that goes way beyond Diana and Blair.[more inside]
The Stonehill Jewish Song Collection is a website by the Center for Traditional Music and Dance containing songs sung by Jewish refugees in Hotel Marseilles in New York in 1948. All songs include the original lyrics and translations into English. Not all the songs have been digitized and translated already, but there is a variety of themes already, with more on the way soon. The songs were collected and recorded by Ben Stonehill who went to the refugees and asked them to sing anything they like.
There have been only two known photos of legendary blues guitarist Robert Johnson. Now there's a third. [more inside]
Paul Slade tackles the story behind the American blues/folk song Frankie and Johnny, tracing the lyrics back to an 1899 St. Louis murder, and exploring the history of the song, its subjects, and its variations. [more inside]
Studying and making an early instrument called a citole. Until recently, this style of instrument was not recognized as separate from a gittern.
If you climb into a taxi in Doha, capital of Qatar, and Arab music is on the driver’s radio, the station may well be 99.0, Sawt al-Khaleej, one of the most popular and powerful radio and digital streaming broadcast networks in the region. Based in Doha, its name translates to “Voice of the Gulf”—a fitting name for a network that seeks to appeal to a broad, Arabic-speaking audience with pan-Arab popular music up and down the eastern coast of the Arabian Peninsula, from Kuwait to Oman. [more inside]
Wild Ones Live is an arresting reading accompanied by music, a collaboration performed as part of a live magazine by author Jon Mooallem, a science and nature writer whose book Wild Ones ruminates on the strange, ignorant, hopeful and poignant ways humans imagine other animals, and the musical project Black Prairie. Listen at your desk if you must, but if you can, pop in your earbuds and go outside for a long walk while you take it all in. [more inside]
Best Ever Albums aggregates 17,000 "greatest album" charts to establish a statistical consensus on popular music rankings. [more inside]
Electronic Beats interviews five Detroit residents (Michael Stone-Richards, a professor in the Department of Liberal Arts at CCS in Detroit; Mike Huckaby, an internationally successful DJ and longtime producer of Detroit techno; Cornelius Harris, aka "The Unknown Writer", the label manager and occasional MC for Underground Resistance Records; Walter Wasacz; a journalist and writer based in Hamtramck, an enclave in the center of Detroit; Mark Ernestus, the Berlin-based producer, DJ and co-owner of Hard Wax record store; Mike Banks of Underground Resistance [UR]; George Clinton, the founder and leader of Parliament Funkadelic; and Samantha Corbit, who has over a decade of involvement with multiple Detroit record labels) on the past and future of Detroit, and it's (electronic) (musical) history. 72 Hours in Detroit
Vince Guaraldi's A Charlie Brown Christmas gets a whole lot of love, but for sheer musical enjoyment it shouldn't overshadow his work on A Charlie Brown Thanksgiving. Here for your cooking-soundtrack pleasure are Thanksgiving Theme, Play it Again Charlie Brown (aka Charlie Brown Blues), Peppermint Patty, and Little Birdie (incidentally, Guaraldi's own vocal, and the first time any adult voice appeared on a Charlie Brown show). [more inside]
A decade after Halo 2 (and a day before the MCC), enjoy this loose timeline of essential Halo fandom: Halo.Bungie.Org / Halo at Macworld '99 / Red vs. Blue / The Halo Trilogy in 5 minutes / The Cortana Letters / HBO's cutscene library and dialog databank / Main Menus / Kitty Cat / Warthog Jump (and BOLL's Warthog Launch game) / How Not To Be Seen / Fan Art / Panoramas / The Music of Marty O'Donnell (prev.) / Video Games Live: Halo / Analysis by Stephen Loftus / Who was Brian Morden? / I Love Bees and the ARG radio drama / Halo 2 Trailer / Halo 2 E3 '04 Demo / Full Halo 2 making-of documentary / Voice acting / Conversations from the Universe / The Beastiarum / Surround Sound Test! / Geography of New Mombasa / This Spartan Life / The Solid Gold Elite Dancers / Creepy Guy at Work / Gameplay May Change / Master Chief Sucks at Halo / Another Day at the Beach / '06 Bungie Studios Tour / Halo 3 Trailer / Starry Night / Believe / HALOID / No Scope Was Involved / 100 Ways to Die / "Bungie Favorites" gallery / Mister Chief / OONSK / OneOneSe7en / 2553 Civilian 'Hog Review / Griffball / ForgeHub / 405th Cosplay / Neill Blomkamp's Landfall / Weta's Real-life Warthog / Halo Legends anime anthology / List of Halo novels / Halopedia / Halo 3 Terminal Archive / DDR Dance / Animatronic Elite project / HBO's "Guilt-O-Lantern" contest / Keep It Clean / We Are ODST / Sadie's Story / Halocraft / "A Fistful of Arrows" fan comic / RvB Animated (and CGI) / Project Contingency / Halo Zero / Halo 2600 (prev.) / Reach Datapad Transcripts / The last Halo 2 player on Xbox LIVE / Bungie's Final Halo Stats Infographic / Key & Peele: Obama on Halo 4 / Top 10 Halo Easter Eggs / Behind the scenes of Halo 2 Anniversary
"HH [Henry Hauser]: Ryan and Nina are right on target. The Ray-Dave sibling rivalry sparked many of The Kinks' most spontaneous (and brilliant) musical moments. The Storyteller, Ray's riveting account of early life in the Davies household and his band’s rise to prominence, has him describing how he and Dave exchanged scornful looks while recording "You Really Got Me". The elder Davies swears that if you listen closely, you can actually hear Dave yelling "Fuckkkoffff" right before his guitar solo. Ray salvaged the track by covering up Dave's profane exclamation with his own unscripted outburst ("Owwwww noooooo!"), and the impromptu rock scream turned into one of the most memorable quirks in Kinks history. It perfectly captures the animalistic agony that accompanies hopeless infatuation. Without the Ray-Dave rivalry, it would never have happened."
Henry Hauser, Ryan Bray, Nina Corcoran, and Stevie Dunbar at Consequence of Sound hold a round-table discussion in "Dusting 'Em Off: The Kinks – The Kinks". [more inside]
Henry Hauser, Ryan Bray, Nina Corcoran, and Stevie Dunbar at Consequence of Sound hold a round-table discussion in "Dusting 'Em Off: The Kinks – The Kinks". [more inside]
In honour of Labour day, enjoy a documentary on Jewish anarchism at the turn of the 20th century, and the story of The Free Voice of Labour, their Yiddish newspaper that ran from 1890-1977. [more inside]
How did something as loud as a bell—something which is experienced so much more often, and more powerfully, by hearing than by sight—become dumb?[more inside]
In These Hopeful Machines "James Gardner traces a personal path through the evolving world of electronic music – and meets some of the people who made it happen. In six content-rich episodes he looks at over 100 years of recording techniques, electronic instruments and gizmos, and their use in popular music, art music and their position in Western culture." [more inside]
Fans of history, mythology, language, and music: allow Metsatöll's Lauri Õunapuu to present his arsenal of traditional Estonian instruments. Then continue below the fold for an introduction to the world of folk metal. [more inside]
Without You I'm Nothing: The Believer looks at the memoirs of the wives and girlfriends of rock stars.
Wattstax [SLYT] is a 1973 documentary film about the 1972 Wattstax music festival, held at the Los Angeles Memorial Coliseum to commemorate the seventh anniversary of the Watts riots. Featuring performances by Isaac Hayes, Albert King, Rufus and Carla Thomas, The Staple Singers, The Emotions, The Bar-Kays, and other greats of soul, R&B, and gospel, Wattstax also incorporates relatively unknown comic Richard Pryor's musings on life for black Americans in 1972, "man-and-woman-on-the-street" interviews, and audience footage. [NSFW] [more inside]
The Grammy nominated, golden record album from Frank Sinatra that nobody has heard of. Despite featuring one of Frank Sinatra's more iconic songs, this little known three part concept album known as the Trilogy: Past, Present, and Future was meant to be a reflection of Frank Sinatra's career, starting with the Past which included many of his classic numbers, and then going into the Present, which mostly consisted of covers like those of The Beatles and Elvis, but where it gets really interesting is in the Future. [more inside]
To kick off (in the U.S.) the long Memorial Day weekend (traditionally the unofficial start of summer!) the Boston Globe presents an interactive chart of iconic songs of summer from each of the last 100 years! No word yet on the 2014 earworm to be.
The song "Turkey In The Straw" is one known to millions of Americans as well as many, many others around the world. Here's a National Public Radio article that shines some light on the virulently racist lyrics that attended that familiar old melody in its earlier incarnation. WARNING: Do not go to the link if you wish to avoid racist imagery and slurs.
Long Player is a fortnightly show presented by [British music journalist] Pete Paphides. Conducted in a relaxed setting, these interviews see some of Petes favourite artists revisiting the highs and lows of their careers. Interviewees include Allen Toussaint, Linda Thompson, Neil Finn and Jimmy Webb. [more inside]
"Nobody would believe how difficult it is to be the mother of a Wunderkind. Everything I do is wrong; everything the child does is “for effect”; everything we say is utterly untrue. If Vivien runs up to me and kisses me, I hear it murmured that she is trained to do so. (“Whipped to be affectionate in public!”) So I tell her never to do it again. Immediately people remark how cold I am to the child; how the poor little creature evidently fears me and prefers Fräulein Muller. We take her with her hoop and skipping-rope to play in the park? It is said we make her pretend to be infantine, force her to act the “happy child” when people are looking on! So we take her toys from her and conduct her for prim walks between us. “Poor little unnatural creature!” say our friends: “she has no child-life at all.” The Devourer and the Devoured is a long essay by Emily Hogstad about the intertwined lives of the novelist Annie Vivanti and her daughter Vivien Chartres, a world-famous violin prodigy, at the beginning of the twentieth century.
The 1998 hit "The Way" by Fastball was based on the real-life disappearance of an elderly couple in Texas: The song’s lyrics -- about an elderly couple who disappears from their home, finding immortality on the road -- seem sweet. That is, until "shadows" on the highway are referenced. The promises that the unnamed couple will never go home, grow old, or be hungry again seem a great deal less reassuring. Perhaps, the listener thinks, the "immortality" they found on the open road is purely allegorical.
The Root's ?uestlove on the invisibilizing of Black culture... "...you can point to this as proof of hip-hop’s success. The concept travels. But where has it traveled? The danger is that it has drifted into oblivion. The music originally evolved to paint portraits of real people and handle real problems at close range — social contract, anyone? — but these days, hip-hop mainly rearranges symbolic freight on the black starliner. Containers on the container ship are taken from here to there — and never mind the fact that they may be empty containers. Keep on pushin’ and all that, but what are you pushing against?" [more inside]
The Ballad of Geeshie and Elvie. No grave site, no photograph. Forget that — no anecdotes. This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.
Coltrane in "A love supreme" sessions. "Whenever photographer Chuck Stewart was hired by a record company to document a recording session, he would shoot during the rehearsal takes. Recently, his son David was browsing through his archives when he found six undeveloped rolls of film from December 1964, 50 years ago.. They portrayed saxophonist John Coltrane . . . with his quartet, making a work that would soon be hailed as a masterpiece and a landmark of 20th-century music: A Love Supreme." [more inside]
Scratchy Grooves For almost twenty years, starting in 1984, Bill Chambless on WVUD-FM at the University of Delaware, explored the pop music of 1900 to 1940 on vintage recordings, "scratches and all." Stream the shows at this website, migrated from the original cassette tapes and maintained by his son.
Don't fight it. It's the year of the oral history. If there hasn't yet been an oral history on your favorite pop culture phenomenon, it won't be long. In the meantime, for your reading pleasure, how about starting with an oral history of Captain Marvel: The Series? Or perhaps you'd rather read about The Telluride Bluegrass Festival? If your taste runs more toward technology, check out an oral history of Apple design. More reading inside! [more inside]
Coin Coin Chapter Two: Mississippi Moonchile (full album stream) is the second instalment in Matana Roberts's projected 12 part Coin Coin series of albums, "using the language of acoustic jazz to look at ideas of race, class and gender politics in American society". Coin Coin was the nickname of a totemic figure from African-American history, Marie Thérèse Metoyer – a freed slave who founded a community along the Cane River in Louisiana in the late 18th century where people of colour enjoyed greater freedoms and opportunities than they could in most other places in the South. [more inside]
"Women in hip hop are more important than men in hip hop". KRS-1 recently gave a lecture at Fresno State detailing the very beginnings of hip hop in the early 1970's. Even if you've been following hip hop your whole life, you will likely still learn something incredible about the history of this art form.
From Australia Day 2011 to Australia Day 2012 (26 January, natch) John Thompson posted a different Australian folk song on his blog each day, starting with Mortom Bay and ending of course with Waltzing Matilda. For those who'd like the full audio visual Aussie folk experience, there's also Raymond Crooke's Youtube playlist.
50,000 years of Western music in under 500 seconds: A video of artist Pablo Morales de los Rios creating one of those whiteboard-n'-marker style accelerated drawings spanning ~500 centuries of the stuff that soothes a savage breast. (Spanish, with English subtitles. Warning: may not contain all the things.)
The People's Songs: The Story of Modern Britain in 50 Records is a radio series on BBC written and narrated by Stuart Maconie. Each episode focuses on one particular pop song and tells the story of the song as well as what social trends it mirrored, for instance the episode on Telstar by The Tornadoes focuses on the technological progress, especially in space travel and music, and the story of songwriter and record producer Joe Meek. 25 episodes have been broadcast, including ones on Dizzee Rascal's Bonkers and 21st Century Britain, Cornershop's Brimful of Asha and the British-Asian experience , and Serge Gainsbourg's Je T'aime and sex. There are 25 more to come. There is also a blog and profiles of the songs already discussed. [Previously on MeFi]
“We did our first show in a bar...all of a sudden, the whole room was quiet. And then we got everyone to sit on the floor cross-legged to watch our crankies.” [more inside]
On March 26th, 1827 Ludwig Van Beethoven died in Vienna. The day after, a twelve year old boy took a lock of his hair as a souvenir. 167 years later the hair was sold at an auction in London. Its new owners were two Americans, Ira Brilliant and Che Guevera. Between those dates the lock of hair undertook an extraordinary historical odyssey. From hand to hand, from country to country, and from century to century. This is the story of that journey. [more inside]