Tourists black out reflective retinas in snapshots before printing them, and millions of people refer to strangers they’ve never spoken to as friends, because they’ve connected through a social-networking platform. [...] It should come as no surprise, then, that singers sometimes choose to correct recorded flaws in pitch with modern software, like Antares’s Auto-Tune.Sasha Frere-Jones on auto-tuning, in The New Yorker.
[more inside]
posted by goodnewsfortheinsane
on Jun 10, 2008 -
98 comments
One of the great virtues of the internet is the manifold ways in which it has revolutionised the arts. The postmodern works of contemporary artists
Pomme & Kelly (Google Video), when viewed together in context, form a striking example of a well-placed critique of popular culture, and modern living at large. The zeitgeisty meta-irony of their seemingly content-free interpretations of popular songs are only enhanced by the fact that, in a clever keeping with style,
they blog about it as well.
posted by goodnewsfortheinsane
on Feb 28, 2006 -
30 comments
Everybody knows that gangsta rap promotes sexism, homophobia... and fascism. Take
Bushido, for instance - the Berlin rapper of Tunisian descent that all the neo-Nazis love.
Confused?
(nyt) Well,
so are the Germans. And then we're not even talking about
Fler, whose
"This is black-red-gold, hard and proud!" nationalist lyrics never fail to piss off the
German papers (in German), and who likes to pose in his videos with a nice symbolic eagle. (Then again,
Helmut Kohl didn't mind.)
Still, Fler's flag-waving, eagle-loving rhymes are no match for Bushido's
"Salute, stand to attention, I am the leader like 'A'". The A stands for Adolf, you know.
posted by goodnewsfortheinsane
on Jan 12, 2006 -
28 comments
