The Tracks Go Off In This Direction - a 30 minute Star Wars audio visual mix by DJ Food/Strictly Kev.
Diskhat ALL Prepared1mixed [snr2mix] Computer Controlled Acoustic Instruments Pt2
Sound of Cinema - British Sci-Fi from the BFI Days of Fear and Wonder - BBC Radio 3 talks to film composer Stephen Price about The Shape of Things to Come, Alien, Gravity, and other science fiction soundtracks.
Seeing ‘the Man Who Fell To Earth’ Was One Of The Greatest Experiences Of Philip K. Dick’s Life - The time PKD got really into David Bowie.
As the Christmas season winds down, but before New Year plunges a stake into its Dracula Corpse to end it, enjoy Matt Fraction, Maggie Serota and the War Rocket Ajax crew challening each other to create the worst Christmas mixtape. Not interested in audio format banter and such? There is a Youtube Playlist. WARNING: Mostly offensive for aesthetic reasons but there are some other terribles in there as well.
Stakker Humanoid - How 25 years ago Future Sound of London brought Acid House to the mainstream.
"This was never meant to be so easy to watch" NIN art director Rob Sheridan on the controversial Broken video which surfaced briefly on Vimeo this week.
The Thin White Duke, Ziggy Stardust, The Goblin King... what is he really like?
The Man who Fell to Earth was Nicholas Roeg's Sci-fi classic featuring a fragile cocaine addicted David Bowie, between his Thin White Duke days and his Berlin trilogy, as a homesick alien falling into despair. Years later Duncan Jones - AKA Zowie Bowie, subject of a sentimental song on Hunky Dory - would make a Sci-Fi film of his own with similar themes of isolation.
Giger's Necronomicon (yt) (nsfw) - a 1976 documentary about H.R. Giger with music by Joel Vandroogenbroeck of the Brainticket.
"If you’re not getting it wrong really a lot when you’re creating imaginary futures, then you’re just not doing it enough."
Wired talks to William Gibson: on Why Sci-Fi Writers Are (Thankfully) Almost Always Wrong, on Twitter, Antique Watches and Internet Obsessions, and and on Punk Rock, Internet Memes, and ‘Gangnam Style’.
Homebuilding a 474mm tall model of "Robocain" from 1990's Robocop 2, complete with a working head. Clips of Robocain and the other Robocop prototypes from the movie. All photos from the project. Bonus music link: Front Line Assembly performing the Robocop 2 sampling Mindphaser live.
Pretty Eight Machine - an 8-Bit rendition of the Nine Inch Nails album.
Eugene Ahn, AKA Adam Warrock, on quitting being a lawyer to become a full time rapper.
Does the success of Trent Reznor, Clint Mansell and others suggest an end to the dominance of the traditional orchestral soundtrack?
The Super Bowl 2012 Half Time show, in which the lich queen Madonna declares supreme victory over all who fall before her. There were also some adverts and a sporting event of some kind.
I Was There When Acid House Hit London and This Is How It Felt by Charles Mudede
As Amazon and the RIAA go head to head over the Amazon Cloud Player (esentially Dropbox with streaming) it seems like a good time to recap the turbulent history of the humble MP3, upender of the music industry business model.
Don't Make Me Steal - a Digital Media Consumption Manifesto.
The Words That Maketh Murder/The Last Living Rose - Director Seamus Murphy introduces two of 12 short films he made for PJ Harvey's forthcoming LP, Let England Shake
Joy Division bassist Peter Hook talks about performing tracks from Unknown Pleasures.
Dear Everett True, NME and Q don’t love music any less than you do… a revealing blog entry on the music press. From Collapse Board, who also do an awesome song of the day.
Pulp's Common People - the great class-based song of the 90s?
"The Led Zeppelin show depends heavily on volume, repetition and drums. It bears some resemblance to the trance music found in Morocco"
I told Jimmy he was lucky too have that house with a monster in the front yard. What about the Loch Ness monster? Jimmy Page thinks it exists. I wondered if it could find enough to eat, and thought this unlikely–it’s not the improbability but the upkeep on monsters that worries me. Did Aleister Crowley have opinions on the subject? He apparently had not expressed himself. - William Burroughs attends a Led Zeppelin concert and has a chat with Jimmy Page (via Bruce Sterling)
I'm like a character in a dystopian science-fiction novel, holed up in a cave full of cultural artefacts, waiting for the young Jenny Agutter to arrive in a tinfoil miniskirt, fleeing a poisonous cloud on the surface, to check out my stash and ask me: "Who exactly was the Quicksilver Messenger Service? Who was this Virginia Woolf? What kind of man was Jonah Hex?" - Stewart Lee on comics, books, CDs and shelves. Many, many feet of shelves.
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing. Part 1, part 2, part 3, part 4, part 5.
BBC Radio 6 Music, home of amongst other things the Adam and Joe show, is facing the axe. Phil Jupitus on why this sucks. (Previously, previously, previously, previously)
The first time they came and recorded with me—which was January 23, 1988—they didn't have a band name, and they just had a borrowed drummer, which was Dale from the Melvins. But, yeah, they came and recorded 10 songs with me in one afternoon. I was left going "God, who are these people?" The cassettes I gave out just said "Kurt Cobain and Company" on them, because that's all I knew. - Recording Nirvana Before They Were Nirvana. As Nirvanas first albulm hits 20 years old, with Sub Pop prepare to release a remastered anniversary edition, the Seattle Weekly takes a look back at the album that launched grunge.
The cover to Joy Division's debut album Unknown Pleasures, animated. The original cover, by Peter Saville, consisted of a reversed image from The Cambridge Encyclopedia of Astronomy showing radio pulses over time from CP 1919, now known as PSR B1919+21, the first pulsar to be discovered. Read the covers story here.
Zombies Vs Beatles (slyt)
Ralf Hütter of Kraftwerk gives a rare interview to the Guardian, who also have a rather nice interactive feature on the bands influence.
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