228 posts tagged with music by filthy light thief.
Displaying 1 through 50 of 228.
A month from today will be 50 years since Sammy Davis Jr. satisfied a whim and had The Andrew Sisters sing the hits of The Supremes, and vise-versa. The quality isn't great, and it's only a snippet of Sammy's short-lived show from 1966. If you want more, here's the full episode, full of singing, dancing and comedy: part 1, part 2, part 3, part 4, part 5 and part 6.
Are you looking for a world of progressive and psychedelic music? Look no further than Psyche Music aka Prog/Psych/Advanced Music Reviews and Psychefolk aka Psyche Van Het Folk. The sites are old, so beware of dead links, but there's also more online now than there was when Progressive.Homestead.com was first linked on the blue, over a decade ago. Now hear Metin Alatli's "Alamooga Esinlenmeler" for 34 minutes of "early 70s Moog-madness" from Turkey.
The duo of Maribou State have come a long way from impressing Fatboy Slim with their remix of Praise You that landed them on his label. Last year, they dropped their debut album, Portraits (YT playlist, Bandcamp), "occupying a space somewhere between ambient electronic and a more house-nodding, four on the floor sensibility," and they had the honor of getting the first Essential Mix for 2016 (Mixcloud; Soundcloud). “We don’t set out to make celestial, sublime music. We aim for something more uptempo and less atmospheric. But that’s the way it comes out.” [more inside]
The idea and goal of “The Seasons” was a simple one: 12 original pieces dedicated to 12 musicians I deeply admire, released over 12 months. Though this ended up being one of the most challenging and complex projects I’ve ever attempted, it also turned out to be one of the most rewarding.Ben Wendel, inspired by Tchaikovsky's work from 139 years ago, has finished his year of duets: The Seasons Project (YouTube playlist)
Since he started Akkord (s/t album playlist) with Synkro, Liam Blackburn has been in search of a sound. His last few solo releases skirted past drum & bass through to techno, ambient, IDM and, with 2013's excellent Storm, some sort of ultra-hi-tech jungle.... [H]e's re-emerging as Ancestral Voices on the increasingly out-there label Samurai Horo....The debut album for Blackburn's new alias is "yawning chords, complex drum patterns and existential dread," directly inspired by his mind-expanding, life-altering experiences on Machu Picchu and in the Amazon, and you can hear all of Night Of Visions on Bandcamp.
In support of his most recent album, Racine Carrée (YT playlist with official videos), Stromae played 209 concerts in 25 countries. From these, he captured performances at the Bell Center in Montreal on September 28 and 29 to present two hours of the singing, dancing, acting spectacle that was his show (YT). Bonus: it's subtitled in English, if you want to understand those French lyrics. [more inside]
Norwegian legends and fairy tales are full of references to subterranean or supernatural beings, many of which have the fiddle as a symbolic attribute.... Even today, some people believe that anyone hoping to become a real fiddler must be apprenticed to Fossegrimen.... The Hardanger fiddle is inextricably linked to such legends, and it is the folk tunes which have kept them alive.And Targjei Augundsson is at the crossroads of legends and folk tunes, whose skill with the fiddle is said to have come at the price of his soul from a deal with Fossegrimen, making him something of the Norwegian predecessor to Robert Johnson. [more inside]
Listen to the "Loon Garden" sample from one of the E-mu Emulator II's stock library of sounds, and it may sound familiar in an unusual way. Instead of invoking a feeling of being near the Great Lakes, you might get taken to dance floors or mixes of the past and present, from 808 State's "Pacific State" and Sueño Latino's "Sueño Latino (Paradise Mix)" (both vaguely tropical numbers from 1989), to the more recent Rustie's "Up Down (feat. D Double E)" and Nicki Minaj's "Anaconda" (NSFW). Philip Sherburne tracked down the story of a sample that keeps coming back, collecting more examples and getting some great insight into a number of notable tracks.
The Secret History of the Mongols is the oldest surviving Mongolian-language literary work, and is regarded as the single most significant native Mongolian account of Genghis Khan. Linguistically, it provides the richest source of pre-classical Mongolian and Middle Mongolian, and while you can read it in various translations, it can be quite a slog. That's why Mongolian rappers Gee of/with Click Click Boom team up with Jonon to present a musical version of Mongolian History, in Mongolian. Luckily, there are English subtitles to this video, but there's still a gap between knowing the words and knowing what they mean. With that, you can find a collections of links as annotations below. [more inside]
You've tuned back into Radio FLTR, where we're digging up more hits from the past and doin' a monster song with ya on this beautiful November night. Here's that young dreamboat with the wacky expressions, Bobby Pickett doing the Monster Mash back in 1964 on American Bandstand, two years after his hit was first released, when he first cashed in on two hits at once - songs about dancing and monster mania. Bobby "Boris" Pickett didn't rest on those laurels in '62, but swiftly came back with a whole album of monster songs that same year .... [more inside]
Mo'Wax is a British record label that was formed in 1992 by teenage school friends James Lavelle and Tim Goldsworthy. The label quickly gained renown for trip-hop, turntablism and other odd beat hip-hop, from the likes of Japanese DJ Krush, Americans Money Mark, Dr. Octagon and DJ Shadow, British Luke Vibert, and their own UNKLE project. The label lasted a solid decade, then petered out as the 2000s wore on. James Lavelle looked back on 21 years of the label (a year late), and is now restarting the label. This effort is being kicked off with releases by a West London artist, Elliot Power. More waxing below the break. [more inside]
Outlaw songs are at least as old as popular music itself. The image of a gallant loner battling a rigid and unyielding legal establishment has proved irresistible for generations of songwriters. In 1959, Texan Sonny Curtis wrote one of the best, "I Fought The Law." Intended as a vehicle for himself and the post-Buddy Holly Crickets, their single went precisely nowhere.That is, until it was covered -- the first hit cover was by The Bobby Fuller Four in 1965, then another major version came out 14 years later, from The Clash who revived the "oldie" into what is now a "punk anthem." From there, the covers start piling up.... [more inside]
Elènne (ɛ'lɛn) makes a wide range of dance music, from lush vocal pop (Between Us feat. Mothica), something with chopped beats and vocals (King of Thebes), and a bit of marching band percussion with strings and ... I don't know what (Burning Bridges). Many of the tracks are free to download via Soundcloud or Dropbox, plus Elènne has a Bandcamp account. For more music, here is Elènne's Yellow Mix #1, a pick of current favorites and inspirations. For even more musical selections, Elènne picks a track per week on Facebook.
How did a funky R&B guitarist and singer get signed on to a spook-tacular music video? No, I'm not talking about Ray Parker Jr.'s very Halloween-appropriate music video for "The Other Woman", but his later video for the scary-funny movie, Ghostbusters. Screen Crush has the inside story on the making of Ghostbusters theme song video (alt source: Daily Motion). [more inside]
A Beginner's Guide to the Synth is a nice long write-up to the history of the synthesizers, from their origins up to the present, with embedded sound samples. For a deeper dive into the history of the hardware, learn the secrets of the synths from Sound on Sound.
Ayman Rostom had a penchant for nostalgic productions in his music, which isn't surprising given how he studied his brother's tapes of Yo! MTV Raps back in the day, which lead to his career as Dr. Zygote and his own Boot Records label (Bandcamp). More recently, he's taken the handle The Maghreban and embraced stripped-down house-type beats that he releases on his Zoot Records label, though in his new video for Now Easy, the focus is on his love of oldschool drum'n'bass. [more inside]
The Fader recently collected insights from artists associated with 12 microgenres of the past 15 years, from electroclash to vaporwave, but they left out sound samples. That's remedied, below the break. [more inside]
The story of Anabolic Frolic, the DJ name for Chris Samojlenko, tracks closely to the history of Happy Hardcore in Canada, if not North America at large, from the very first Happy 2b Hardcore mix released in the beginning of 1997, to the final Hullabaloo to mark the anniversary of the first Hullabaloo rave. [more inside]
On February 19, 1987, it was just another night at the Palomino, with Taj Mahal and The Graffiti Band playing some folk, soul, blues and maybe a bit of jazz. It wasn't unusual for some more major musicians to be in the crowd, but this night George Harrison, Bob Dylan, John Fogerty, and Jesse Ed Davis joined Taj and jammed, with Fogerty playing "Proud Mary" at the prompting of Dylan. But if you want to visit this iconic club today, you'll find yourself in front of Le Monge banquet hall. The Palomino is no more, but you can visit the Valley's legendary honky-tonk with an oral history of The Palomino, and a fan-made VH1 "Behind the Music" style documentary that includes some vintage clips and photos. [more inside]
El-P has recruited an all-star cast of producers* to help him deliver the album in its full feline glory. But first, we needed cats... Run the Jewels don't take themselves too seriously, because Meow the Jewels (playlist, NSFW lyrics) is really happening. You can download the remix album for free, or buy it in various formats, with all proceeds of the album will go to charities that benefit victims of police violence. [more inside]
California has long been home to immigrants from around the world (and from within the U.S.). What is less known, however, is that such longstanding histories of immigration and internal domestic migration have made California a fertile ground for extremely diverse and vibrant accordion musical cultures. With that, here is background on four immigrant populations —Italians, Creoles, Lebanese/Middle Eastern, and Mixtec/Mexican — to give more background the Squeezebox Stories, about an hour of history and tales of the accordion, filtered through customs and cultures found in California. [more inside]
Time indeed does not exist on Prince albums. Perhaps that’s why he’s kept releasing one or two every few years even long after his hit-making days ended. At age 24, on “1999,” he established a dichotomy—“I don't wanna die / I’d rather dance”—and at age 57, he seems to be taking that idea of dance-or-die more literally than ever. Who cares if fewer and fewer people are listening? Who cares if releasing exclusively to Tidal will limit his audience further? What matters is that Prince is working, and that the holy devoted will follow him.Spencer Kornhaber reviews HITNRUN Phase One on The Atlantic, warning that both Prince and "the gnarly funk-rock and R&B that made Prince famous" are in short supply on the album, which is produced by Joshua Welton, who said the album is "an experimental Prince record for fans who just don’t care about him sounding like a certain thing." [more inside]
If you enjoy laid back/ hazy/ chilled/ lo-fi hip-hop type beats, you may well enjoy the sounds of the Saikei Collective, which is based in the Philippines but includes a fluid roster of like-minded cats* from around the world, making original beats and remixing some tracks you may recognize. Since April 2015, the collective has posted nine releases on Bandcamp, consisting of five compilations, one collection of "two-player" collaborations, and three solo releases. [more inside]
Damian Lazarus is an interesting chap. On one hand, you have the self-proclaimed ancient wizard who channels mysticism into his live rave mixes around the world, while on the other hand there is his well-regarded house music label, Crosstown Rebels, which recently celebrated its tenth birthday with a 3 CD/40 track compilation. You can find a ton from both sides of Damian online. [more inside]
Back in December 2011, three kids (none over 21) who were studying jazz bonded over their love of hip-hop, performed a live cover of Gucci Mane's "Lemonade". It was noisy and jammy, but jazzy, and the crowd loved it. The trio followed up with a live video titled The Odd Future Sessions Part 1, which got love and support from Tyler, The Creator. BadBadNotGood (BBNG) took off from there, and are still going .... [more inside]
Not since (Socalled's) The Socalled Seder has Hebrew and hip-hop been so thrillingly merged. In his signature funky collage style, Alchemist layers drum brakes, with various warped and looped vintage Israeli records. On “Shalom Alechem,” a pitched up vocal recording of the Sabbath song refrains over a hard, 90s style boom-bap beat, spiced up with intermittent “check it out”s from the voice of an unidentified hype-man. It's awesome.From Shalom Life's review of The Alchemist's new instrumental album, Israeli Salad. The review also notes that this is similar to Alchemist’s 2012 album Russian Roulette, which uses 1970's Soviet music as its main source material.
Björk has been getting involved with TRI▼ANGLE Records a good bit, after The Haxan Cloak, a notable inclusion on the Tri Angle roster, was involved making Vulnicura, as well as producing a new remix. Back in February, Björk represented Tri Angle on Rinse FM with Holy Other and Celestial Trax, and then in May, she dropped in on Tri Angle's 5th Anniversary/Birthday Party to mix for an hour, and uploaded that set to Soundcloud (if you prefer YouTube, someone uploaded the set in four parts: 1, 2, 3, 4 - set to repeating video recorded from the show). If you'd like some more weirdness for your weekend, Nicolas Jaar recently shared a new, non-syncing version of Pomegranates (previously) as a free download linked through Facebook and Twitter, reposted by Factmag, where you can read some of the extensive liner notes before downloading the file.
The DJ-Kicks series was born in Berlin in 1995, and lays claim to the title of the first officially licensed DJ mix series available commercially. In the 20 years since it started, the series has covered house and techno, drum'n'bass and downtempo, and genres without convenient names, put together by musical monuments like Carl Craig, Thievery Corporation, and Four Tet to relative newcomers like Gold Panda and Maya Jane Coles. Besides the expected DJs and producers, the series also includes Daddy G (of Massive Attack) in a rare solo effort, pulling out unreleased dubplates for his mix, and Erlend Øye (of Kings of Convenience and The Whitest Boy Alive) providing his own a capella additions to the mix. For the 50th release, the series comes back to Germany with DJ Koze, bringing you his version of a "modern party mix." That's a lot of words about music, so let's hear it already! [more inside]
Taking on the dreamy, compelling sound of the lost soul decades is a damn high bar to set for yourself. Soul revivalists usually don’t get very far in my book, because what’s the point of competing with the likes of Sam Cooke and Otis Redding? Listening to Leon Bridges made me do a 180 on that stance. See, if you actually can hold a candle to legends like Cooke and Redding — and Bridges can — then there’s no reason not to indulge in some nostalgia.NPR has a first listen of Coming Home, Bridges' debut album, and you can see and hear plenty more of him on YouTube, from a live cover of Cooke's "Nothing Can Change This Love" to a solo performance of "Lisa Sawyer," a reflective song about his mother. [more inside]
"Gosh" - music by Jamie xx, something of an homage to early 1990s UK club culture, with visuals of a slowly terraformed Mars by Erik Wernquist, who was seen on MetaFilter before for "Wanderers," a similarly gorgeous, realistic film of space exploration.
Most people are aware of the (troublesome) official and unofficial drink sponsorship for alcoholic drinks in pop music of all sorts (see also: St. Ides ads by early 1990s rappers), but there are also (un)official cross marketing efforts in sodas. Coca-Cola is probably the most prominent on and prolific on the official side, who have even sponsored a series of "Coke DJ-Culture" singles and mixes a decade back from some significantly large names in electronic/dance and hip-hop circles. Now add to the mix "Doctor Pepper," a song by Diplo with South Korean superstar CL, Mad Decent’s own RiFF RAFF and Atlanta’s OG Maco. It was a quick song thrown together by CL and built from there, not (yet) the official summer anthem for Dr. Pepper.
Lucero Tena (Spanish) has amazing rhythm and control, as seen and heard in her dancing, tapping, clapping and snapping, but she is best known for her mastery of the castanets, used in accompaniment to a solo guitar along with her dancing, and perhaps more impressively, as a solo instrument in front of an orchestra there in a piece specifically written for her and her castanets. She may not dance any more, but her skill with the castanets is still astonishing. If you're lucky, you can catch her in a live performance.
In 1991, Daniel Dumile was part of KMD, a trio with his brother and another kid from their neighborhood, when they released their first album on Elektra, Mr. Hood (YT playlist). Dumile's next album wouldn't come out until 1999, and on an independent label. Operation: Doomsday was not released under the name he used with KMD, Zev Love X, but M(etal) F(ace) Doom, and he only appeared while wearing his metal mask. The transition from an upbeat youth to a cartoon villain was not clear at the time, unless you got your hands on the unreleased (except as a bootleg) second album of KMD, Black Bastards (full album on YT). Here is the story of that transition: KMD's Black Bastards and the Birth of MF Doom, a chapter from Brian Coleman's Check the Technique Volume 2, "more liner notes for hip-hop junkies." [more inside]
At the end of 2014 I had an immediate urge to release a solo piano album which I recorded some time ago, and I was looking for a specific occasion to do so. I wanted it to be a nice surprise for everyone, so I thought of a meaningful release date to begin with.Join with Nils Frahm in celebrating Piano Day by enjoying his album Solo for free (sample: "Wall"), or enjoy other celebrations of the piano in his Piano Day 2015 playlist.
Seconds later it came to my mind: I was about to create my own holiday in order to come up with a reason for this release. Moreover, if I could be proud of something, then of being responsible for an annual celebration of the piano. And here comes the best bit, Piano Day will happen on the 88th day of the year, which most of the time is the 29th of March. Piano Day is intended to be the most joyful of all holidays.
The Magician was initially a mysterious mixer who released Magic Tapes, mixes of disco, house and pop without tracklists, challenging listeners to compile tracklists themselves, and they did. But he stepped out from behind the curtain, remixing Lykke Li's "I Follow Rivers" and later his debut single, "I Don't Know What To Do" feat. Jeppe. In 2013, he signed with Parlophone, but has continued making his Magic Tapes. Last month, he celebrated his 50th mix with Mixmag TV and Arches. [more inside]
Eskmo took a few Tom Waits songs that he love and mashed them with Computer Controlled Acoustic Instruments pt2 by Aphex Twin, and created Aphex Waits (Soundcloud with free DL; YouTube). If you'd like more weird electronic music from Eskmo, Dazed has a preview stream of his new album along with an interview about it. Then there's Eskmo's self-titled album on Grooveshark, which he released on Ninja Tune back in 2010, which lead to videos for Cloudlight [previously], We Got More [previously], and Color Dropping. He has also shared more music on Soundcloud.
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Flula with his Mama & Papa (on the accordion) - "Mama Said Knock You Out", and Flula with Sir Mix-A-Lot - "Baby Got Back (remix)", more autotunes (playlist).
Over 50 years ago, The Beatles arrived in New York for their first US visit, but what if ....
Having departed Heathrow on the 7th February 1964, John Lennon, in a playful mood, ordered the pilot to divert the plane via the Bermuda Triangle. Newly declassified documents reveal that Pan Am Flight 101 disappeared from US radar screens shortly after midday, local time. At great expense we have obtained – from reliable Russian mafia sources – an MP3 copy of the black box recorder of that ill-fated Boeing 707. This indicates that as far as those aboard the plane knew, after experiencing severe cyclonic turbulence over the Atlantic Ocean, they re-routed towards New York, believing themselves to have narrowly avoided aeronautical disaster. But on arriving at JFK airport, they were stunned to learn that they had arrived in the year 1994.That's the premise of An Adventure To Pepperland Through Rhyme & Space, a two-hour ill-trippy musical adventure with golden era hip-hop musicians, from P.E. to Spoonie Gee, Tha Liks to Hieroglyphics and Large Professor to Salt n Pepa, courtesy of Tom Caruna, also the artist behind Enter the Magical Mystery Chamber (previously, and still online)
Snakes! Bullets! Super secret agents! Bandits! Monkeys and tigers! Espionage and romance! Are you excited yet? Are you on the edge of your seat? Does this sound like a movie to you? Ah, these are the recurring themes in some of classic Bollywood’s greatest cinematic extravaganzas, where acting and plot took a backseat to some of the craziest, over-the-top song and dance scenes ever committed to celluloid. Enter The Bombay Royale, a local 11-piece musical powerhouse who have taken the themes and soundtracks from these films and have infused them with all the colour, production and energy one would expect from a four-plus hour Bollywood movie. The Bombay Royale had first set down to do strictly covers from the gilded ‘60s era of Bollywood, but soon evolved into writing their own material.Sit down with Parvyn Kaur Singh AKA "The Mysterious Lady," one of the singers of the band, for an introduction to the cast of characters behind the albums You Me Bullets Love (Soundcloud; track-by-track description with musical director and saxophonist Andy Williamson, AKA "The Skipper") and The Island of Dr. Electrico (Soundcloud; a review of the Bollywood inspired surf / disco / funk album). [more inside]
If a band opened their set saying they were going to wake people up with techno music, you would probably not expect the musicians to be a BAFTA-award winning modern classical composer and a member from an electronic pop/dance group, but that's how Kiasmos introduced their music during Iceland Airwaves/KEXPort in Reykjavík. If you like what you hear there, here are a few more tracks on Grooveshark, and read on for more on the members of Kiasmos, Ólafur Arnalds and Janus Rasmussen. [more inside]
Madonna has had an interesting relationship with leaks, specifically in how she has responded to them. In 2003, when she was gearing up for American Life (YT), she also spread mostly silent MP3s with the short message "What the f**k do you think you're doing? to dissuade would-be downloaders. The message got spun into "remixes" and some got pressed to CD. Jump ahead to 2012, and Madonna's album MDNA (YT) leaked a week ahead of its release date, which seems pretty minor, compared to what happened this past December. 13 tracks and artwork identifying the album with a title of Iconic or Unapologetic B*tch were leaked, ahead of any formal album announcement. But that wasn't the end of it. [more inside]
Rid yourself of those winter blues with Ursula 1000's Winter (Mega)Mixes, which are not focused on winter music, but rather an upbeat mix of deep, funky, sleazy, acid tinged delights, as Alex Gimeno, the Brooklyn-based retro-futuristic producer/DJ/multi-instrumentalist labeled his latest mix. Read on for more sampladelic easy listening breakbeat tracks in a style similar to continental popsters from Pizzicato Five to Dimitri from Paris, plus some fuzzy garage rock-influenced tunes! [more inside]
Whether you're welcoming a new day or a new year, you might enjoy some music to welcome the sun. For your enjoyment, 80 minutes of upbeat dance music set to abstract visuals in a live sunrise set from DSK CHK, a slightly more downbeat live mix from Mija & Skrillex at Bonaroo, and bliss out as the sun rises with Tycho at Burning Man, one of a handful of sets available to stream and download from this summer's burn. [more inside]
The Killer at Peace: Jerry Lee Lewis's Golden Years
In the living room, directly above Lewis' chair, is a framed photo from the day in December 1956 when Lewis, Cash, Carl Perkins and Presley – a.k.a. "the Million-Dollar Quartet" – hung out and recorded at Sun. Elvis is at the piano, looking upward, eyes fixed on Lewis. Above the bar is a photo from the sessions for the Class of '55 LP, a 1985 reunion of Lewis, Perkins, Cash and Roy Orbison. "All of them, really good friends," he says quietly. "All gone." Lewis took his survival as a point of pride by naming his 2006 comeback LP Last Man Standing. "A lot of people didn't like it when I said that. But they had to accept it."Jerry Lee Lewis is still alive and rocking, having just released his third album in the 2000s, titled Rock & Roll Time, though his most raucous days are behind him.
Electronic Beats interviews five Detroit residents (Michael Stone-Richards, a professor in the Department of Liberal Arts at CCS in Detroit; Mike Huckaby, an internationally successful DJ and longtime producer of Detroit techno; Cornelius Harris, aka "The Unknown Writer", the label manager and occasional MC for Underground Resistance Records; Walter Wasacz; a journalist and writer based in Hamtramck, an enclave in the center of Detroit; Mark Ernestus, the Berlin-based producer, DJ and co-owner of Hard Wax record store; Mike Banks of Underground Resistance [UR]; George Clinton, the founder and leader of Parliament Funkadelic; and Samantha Corbit, who has over a decade of involvement with multiple Detroit record labels) on the past and future of Detroit, and it's (electronic) (musical) history. 72 Hours in Detroit
If you enjoy dark electronic/dance-type music, and you're interested in "dry, haunted synthpop jam(s)" that "sound like what might've happened to Joy Division if Ian Curtis had bought a Casio and a four-track and fired the rest of the band," you might enjoy Former Ghosts, who consist of Freddy Ruppert (This Song Is A Mess But So Am I) with Xiu Xiu’s Jamie Stewart, plus Nika Danilova (Zola Jesus), and Yasmine Kittles of Tearist. Former Ghosts only have two albums to their name, Fleurs (2009 - official video: Hold On; fan vid - Mother) and New Love (2010 - official videos: Taurean Nature, New Orleans). [more inside]
From the rather common "skate punk into alternative music" origins to a bedroom producer who signed with Ninja Tune, Bonobo, the stage name for Simon Green, has continued to change musically. From the lone musician who made sample-based music, he has expanded into working with field recordings, studio musicians, and live shows where the band took a four bar drum break transformed it into a seven minute epic drum-sax solo battle, to which the crowd tried to clap along. You can see him live tomorrow at the Alexandra Palace in London in a special Boiler Room session, but until then, there's plenty more to see, hear and read. [more inside]
If you're looking for a little mood music before and/or after watching a movie, you might enjoy the Cinespia experience at the Hollywood Forever Cemetery (Wikipedia). But if you're not likely to join the crowd in Los Angeles, you can recreate a part of that movie warm-up/cool-down experience with Cinespia's archive of mixes from various notable musicians. Their site currently lists 11 mixes from the likes of Cut Chemist, The Gaslamp Killer (previously), David Holmes and Carlos Niño, but if you dig into the Internet Archive, you can find 38 more mixes (including a good number of paired before-and-after mixes) from even more artists, set to a range of movies, classics both older (North by Northwest, Gentlemen Prefer Blondes) and newer (Bladerunner, The Big Lebowski).
Rebel Music: Native America looks at the lives of four Native American and First Nation activist-musicians, and the causes they support, from the impacts of oil extraction to the epidemic of missing and murdered Native women. [more inside]