202 posts tagged with music by filthy light thief.
Displaying 1 through 50 of 202.
Björk has been getting involved with TRI▼ANGLE Records a good bit, after The Haxan Cloak, a notable inclusion on the Tri Angle roster, was involved making Vulnicura, as well as producing a new remix. Back in February, Björk represented Tri Angle on Rinse FM with Holy Other and Celestial Trax, and then in May, she dropped in on Tri Angle's 5th Anniversary/Birthday Party to mix for an hour, and uploaded that set to Soundcloud (if you prefer YouTube, someone uploaded the set in four parts: 1, 2, 3, 4 - set to repeating video recorded from the show). If you'd like some more weirdness for your weekend, Nicolas Jaar recently shared a new, non-syncing version of Pomegranates (previously) as a free download linked through Facebook and Twitter, reposted by Factmag, where you can read some of the extensive liner notes before downloading the file.
The DJ-Kicks series was born in Berlin in 1995, and lays claim to the title of the first officially licensed DJ mix series available commercially. In the 20 years since it started, the series has covered house and techno, drum'n'bass and downtempo, and genres without convenient names, put together by musical monuments like Carl Craig, Thievery Corporation, and Four Tet to relative newcomers like Gold Panda and Maya Jane Coles. Besides the expected DJs and producers, the series also includes Daddy G (of Massive Attack) in a rare solo effort, pulling out unreleased dubplates for his mix, and Erlend Øye (of Kings of Convenience and The Whitest Boy Alive) providing his own a capella additions to the mix. For the 50th release, the series comes back to Germany with DJ Koze, bringing you his version of a "modern party mix." That's a lot of words about music, so let's hear it already! [more inside]
Taking on the dreamy, compelling sound of the lost soul decades is a damn high bar to set for yourself. Soul revivalists usually don’t get very far in my book, because what’s the point of competing with the likes of Sam Cooke and Otis Redding? Listening to Leon Bridges made me do a 180 on that stance. See, if you actually can hold a candle to legends like Cooke and Redding — and Bridges can — then there’s no reason not to indulge in some nostalgia.NPR has a first listen of Coming Home, Bridges' debut album, and you can see and hear plenty more of him on YouTube, from a live cover of Cooke's "Nothing Can Change This Love" to a solo performance of "Lisa Sawyer," a reflective song about his mother. [more inside]
"Gosh" - music by Jamie xx, something of an homage to early 1990s UK club culture, with visuals of a slowly terraformed Mars by Erik Wernquist, who was seen on MetaFilter before for "Wanderers," a similarly gorgeous, realistic film of space exploration.
Most people are aware of the (troublesome) official and unofficial drink sponsorship for alcoholic drinks in pop music of all sorts (see also: St. Ides ads by early 1990s rappers), but there are also (un)official cross marketing efforts in sodas. Coca-Cola is probably the most prominent on and prolific on the official side, who have even sponsored a series of "Coke DJ-Culture" singles and mixes a decade back from some significantly large names in electronic/dance and hip-hop circles. Now add to the mix "Doctor Pepper," a song by Diplo with South Korean superstar CL, Mad Decent’s own RiFF RAFF and Atlanta’s OG Maco. It was a quick song thrown together by CL and built from there, not (yet) the official summer anthem for Dr. Pepper.
Lucero Tena (Spanish) has amazing rhythm and control, as seen and heard in her dancing, tapping, clapping and snapping, but she is best known for her mastery of the castanets, used in accompaniment to a solo guitar along with her dancing, and perhaps more impressively, as a solo instrument in front of an orchestra there in a piece specifically written for her and her castanets. She may not dance any more, but her skill with the castanets is still astonishing. If you're lucky, you can catch her in a live performance.
In 1991, Daniel Dumile was part of KMD, a trio with his brother and another kid from their neighborhood, when they released their first album on Elektra, Mr. Hood (YT playlist). Dumile's next album wouldn't come out until 1999, and on an independent label. Operation: Doomsday was not released under the name he used with KMD, Zev Love X, but M(etal) F(ace) Doom, and he only appeared while wearing his metal mask. The transition from an upbeat youth to a cartoon villain was not clear at the time, unless you got your hands on the unreleased (except as a bootleg) second album of KMD, Black Bastards (full album on YT). Here is the story of that transition: KMD's Black Bastards and the Birth of MF Doom, a chapter from Brian Coleman's Check the Technique Volume 2, "more liner notes for hip-hop junkies." [more inside]
At the end of 2014 I had an immediate urge to release a solo piano album which I recorded some time ago, and I was looking for a specific occasion to do so. I wanted it to be a nice surprise for everyone, so I thought of a meaningful release date to begin with.Join with Nils Frahm in celebrating Piano Day by enjoying his album Solo for free (sample: "Wall"), or enjoy other celebrations of the piano in his Piano Day 2015 playlist.
Seconds later it came to my mind: I was about to create my own holiday in order to come up with a reason for this release. Moreover, if I could be proud of something, then of being responsible for an annual celebration of the piano. And here comes the best bit, Piano Day will happen on the 88th day of the year, which most of the time is the 29th of March. Piano Day is intended to be the most joyful of all holidays.
The Magician was initially a mysterious mixer who released Magic Tapes, mixes of disco, house and pop without tracklists, challenging listeners to compile tracklists themselves, and they did. But he stepped out from behind the curtain, remixing Lykke Li's "I Follow Rivers" and later his debut single, "I Don't Know What To Do" feat. Jeppe. In 2013, he signed with Parlophone, but has continued making his Magic Tapes. Last month, he celebrated his 50th mix with Mixmag TV and Arches. [more inside]
Eskmo took a few Tom Waits songs that he love and mashed them with Computer Controlled Acoustic Instruments pt2 by Aphex Twin, and created Aphex Waits (Soundcloud with free DL; YouTube). If you'd like more weird electronic music from Eskmo, Dazed has a preview stream of his new album along with an interview about it. Then there's Eskmo's self-titled album on Grooveshark, which he released on Ninja Tune back in 2010, which lead to videos for Cloudlight [previously], We Got More [previously], and Color Dropping. He has also shared more music on Soundcloud.
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Flula with his Mama & Papa (on the accordion) - "Mama Said Knock You Out", and Flula with Sir Mix-A-Lot - "Baby Got Back (remix)", more autotunes (playlist).
Over 50 years ago, The Beatles arrived in New York for their first US visit, but what if ....
Having departed Heathrow on the 7th February 1964, John Lennon, in a playful mood, ordered the pilot to divert the plane via the Bermuda Triangle. Newly declassified documents reveal that Pan Am Flight 101 disappeared from US radar screens shortly after midday, local time. At great expense we have obtained – from reliable Russian mafia sources – an MP3 copy of the black box recorder of that ill-fated Boeing 707. This indicates that as far as those aboard the plane knew, after experiencing severe cyclonic turbulence over the Atlantic Ocean, they re-routed towards New York, believing themselves to have narrowly avoided aeronautical disaster. But on arriving at JFK airport, they were stunned to learn that they had arrived in the year 1994.That's the premise of An Adventure To Pepperland Through Rhyme & Space, a two-hour ill-trippy musical adventure with golden era hip-hop musicians, from P.E. to Spoonie Gee, Tha Liks to Hieroglyphics and Large Professor to Salt n Pepa, courtesy of Tom Caruna, also the artist behind Enter the Magical Mystery Chamber (previously, and still online)
Snakes! Bullets! Super secret agents! Bandits! Monkeys and tigers! Espionage and romance! Are you excited yet? Are you on the edge of your seat? Does this sound like a movie to you? Ah, these are the recurring themes in some of classic Bollywood’s greatest cinematic extravaganzas, where acting and plot took a backseat to some of the craziest, over-the-top song and dance scenes ever committed to celluloid. Enter The Bombay Royale, a local 11-piece musical powerhouse who have taken the themes and soundtracks from these films and have infused them with all the colour, production and energy one would expect from a four-plus hour Bollywood movie. The Bombay Royale had first set down to do strictly covers from the gilded ‘60s era of Bollywood, but soon evolved into writing their own material.Sit down with Parvyn Kaur Singh AKA "The Mysterious Lady," one of the singers of the band, for an introduction to the cast of characters behind the albums You Me Bullets Love (Soundcloud; track-by-track description with musical director and saxophonist Andy Williamson, AKA "The Skipper") and The Island of Dr. Electrico (Soundcloud; a review of the Bollywood inspired surf / disco / funk album). [more inside]
If a band opened their set saying they were going to wake people up with techno music, you would probably not expect the musicians to be a BAFTA-award winning modern classical composer and a member from an electronic pop/dance group, but that's how Kiasmos introduced their music during Iceland Airwaves/KEXPort in Reykjavík. If you like what you hear there, here are a few more tracks on Grooveshark, and read on for more on the members of Kiasmos, Ólafur Arnalds and Janus Rasmussen. [more inside]
Madonna has had an interesting relationship with leaks, specifically in how she has responded to them. In 2003, when she was gearing up for American Life (YT), she also spread mostly silent MP3s with the short message "What the f**k do you think you're doing? to dissuade would-be downloaders. The message got spun into "remixes" and some got pressed to CD. Jump ahead to 2012, and Madonna's album MDNA (YT) leaked a week ahead of its release date, which seems pretty minor, compared to what happened this past December. 13 tracks and artwork identifying the album with a title of Iconic or Unapologetic B*tch were leaked, ahead of any formal album announcement. But that wasn't the end of it. [more inside]
Rid yourself of those winter blues with Ursula 1000's Winter (Mega)Mixes, which are not focused on winter music, but rather an upbeat mix of deep, funky, sleazy, acid tinged delights, as Alex Gimeno, the Brooklyn-based retro-futuristic producer/DJ/multi-instrumentalist labeled his latest mix. Read on for more sampladelic easy listening breakbeat tracks in a style similar to continental popsters from Pizzicato Five to Dimitri from Paris, plus some fuzzy garage rock-influenced tunes! [more inside]
Whether you're welcoming a new day or a new year, you might enjoy some music to welcome the sun. For your enjoyment, 80 minutes of upbeat dance music set to abstract visuals in a live sunrise set from DSK CHK, a slightly more downbeat live mix from Mija & Skrillex at Bonaroo, and bliss out as the sun rises with Tycho at Burning Man, one of a handful of sets available to stream and download from this summer's burn. [more inside]
The Killer at Peace: Jerry Lee Lewis's Golden Years
In the living room, directly above Lewis' chair, is a framed photo from the day in December 1956 when Lewis, Cash, Carl Perkins and Presley – a.k.a. "the Million-Dollar Quartet" – hung out and recorded at Sun. Elvis is at the piano, looking upward, eyes fixed on Lewis. Above the bar is a photo from the sessions for the Class of '55 LP, a 1985 reunion of Lewis, Perkins, Cash and Roy Orbison. "All of them, really good friends," he says quietly. "All gone." Lewis took his survival as a point of pride by naming his 2006 comeback LP Last Man Standing. "A lot of people didn't like it when I said that. But they had to accept it."Jerry Lee Lewis is still alive and rocking, having just released his third album in the 2000s, titled Rock & Roll Time, though his most raucous days are behind him.
Electronic Beats interviews five Detroit residents (Michael Stone-Richards, a professor in the Department of Liberal Arts at CCS in Detroit; Mike Huckaby, an internationally successful DJ and longtime producer of Detroit techno; Cornelius Harris, aka "The Unknown Writer", the label manager and occasional MC for Underground Resistance Records; Walter Wasacz; a journalist and writer based in Hamtramck, an enclave in the center of Detroit; Mark Ernestus, the Berlin-based producer, DJ and co-owner of Hard Wax record store; Mike Banks of Underground Resistance [UR]; George Clinton, the founder and leader of Parliament Funkadelic; and Samantha Corbit, who has over a decade of involvement with multiple Detroit record labels) on the past and future of Detroit, and it's (electronic) (musical) history. 72 Hours in Detroit
If you enjoy dark electronic/dance-type music, and you're interested in "dry, haunted synthpop jam(s)" that "sound like what might've happened to Joy Division if Ian Curtis had bought a Casio and a four-track and fired the rest of the band," you might enjoy Former Ghosts, who consist of Freddy Ruppert (This Song Is A Mess But So Am I) with Xiu Xiu’s Jamie Stewart, plus Nika Danilova (Zola Jesus), and Yasmine Kittles of Tearist. Former Ghosts only have two albums to their name, Fleurs (2009 - official video: Hold On; fan vid - Mother) and New Love (2010 - official videos: Taurean Nature, New Orleans). [more inside]
From the rather common "skate punk into alternative music" origins to a bedroom producer who signed with Ninja Tune, Bonobo, the stage name for Simon Green, has continued to change musically. From the lone musician who made sample-based music, he has expanded into working with field recordings, studio musicians, and live shows where the band took a four bar drum break transformed it into a seven minute epic drum-sax solo battle, to which the crowd tried to clap along. You can see him live tomorrow at the Alexandra Palace in London in a special Boiler Room session, but until then, there's plenty more to see, hear and read. [more inside]
If you're looking for a little mood music before and/or after watching a movie, you might enjoy the Cinespia experience at the Hollywood Forever Cemetery (Wikipedia). But if you're not likely to join the crowd in Los Angeles, you can recreate a part of that movie warm-up/cool-down experience with Cinespia's archive of mixes from various notable musicians. Their site currently lists 11 mixes from the likes of Cut Chemist, The Gaslamp Killer (previously), David Holmes and Carlos Niño, but if you dig into the Internet Archive, you can find 38 more mixes (including a good number of paired before-and-after mixes) from even more artists, set to a range of movies, classics both older (North by Northwest, Gentlemen Prefer Blondes) and newer (Bladerunner, The Big Lebowski).
Rebel Music: Native America looks at the lives of four Native American and First Nation activist-musicians, and the causes they support, from the impacts of oil extraction to the epidemic of missing and murdered Native women. [more inside]
Cab Calloway's song "Minnie the Moocher" is familiar to many people, due to its status a one of Cab's swinging classics, which was used for the title and inspiration for a spookly little Bettie Boop short cartoon, complete with a spectral walrus whose dance moves were rotoscoped from Cab himself. Flash forward to 1980 with Calloway in his 70s, Cab returned to belt out the tune in The Blues Brothers in classic Cab Calloway swinging style, returning the song to broad prominence. But do you know how the song came to be? You've probably heard the somber "Saint James Infirmary," but have you heard of "Willie the Weeper" or "Willie the Chimney Sweeper"? Mix the two, and you have a few pieces of the story behind Cab Calloway's big hit (Google books preview). [more inside]
In 2011, Diplo's Mad Decent label spun off a web-focused sub-label, Jeffree's, focusing on trap, tropical bass, moombahton, and associated distorted club-type sounds. As label honcho Paul Devro explained, the plan was simple: collect what producers had already made, post a new single or EP every two weeks, at first for free, then offer it for sale. The freebie window is closed, but you can still stream the lot, and read about the twelve tracks below the break. [more inside]
"If you want to hear music, you know what you do - you turn on the radio, put on a CD, or even go to a concert. But as the age of the info superhighway inches forward, you can even get music from your own home computer." That's the intro to a short CNN segment on IUMA, the Internet Underground Music Archive, which opened in 1992 as an effort for unsigned bands to share their music on the world-wide web, for free. Unfortunately, it fell the way of many early 1990s online entities: it was bought out, then the new owners couldn't keep up with changing times, and the site went dark. Except before IUMA disappeared, John Gilmore grabbed much of the material and backed it up on tapes, and turned to (MeFi's Own) Jason Scott and Archive.org to bring back IUMA. They did, and you can now browse through over 45,000 bands and artists, and more than 680,000 tracks of music.
30 years ago, Rick Rubin was a college student, living in NYU's Weinstein Residence Hall, room #712. It was there that Def Jam Records was formed, shifting the focus of hip-hop from the MCs to promote the DJs, too. Rubin and his label quickly outgrew the dorm, and he hasn't been back since. Recently he returned, and the adventure was captured and put into context by Rolling Stone Film's mini-documentary, Rick Was Here. New footage rolls alongside old, with some animations to bring a few audio-only stories to life. [more inside]
If you're looking for a zombie webcomics with a bit of gore and a lot of kitties, you may enjoy Flynn Gleason's Zombie Apawcalypse. Flynn's work may be vaguely familiar to you if you remember a Calvin and Hobbes type comic from the mid- to late-1990s, called George and his Pencil, with archived comics still in their rough pencil-drawn form. [more inside]
If you're looking for about half an hour of unusual instrumental music, something that could possibly be classified in the mélange of a genre that is "post-industrial music," you might well enjoy Permutations, by Chrimères. I don't know anything about this beyond what is on Soundcloud, which is that this is a "work in progress" from sometime in/around 2012.
This solo performance of "New Moon" on a Spacedrum by Yuki Koshimoto is mesmerizing, but without much context. Who is she, and what is her instrument? This blog post has a bit more on Yuki, and here is some information on Metalsounds' Spacedrum and other similar metal instruments. If you want more background on the instrument, here's a documentary on the PANArt Hang, something of the predecessor to the Spacedrum, both of which have evolved from the steelpan or steel drum. Going back further, here's Toshi and Pete Seeger, documenting the making of a steel drum, in 1956.
What do you do with a vintage synth keyboard collection but not enough ways to make use of them all? Well, if you're Graham Massey, and you stumbled across the forgotten history of Women's Organ Quartets who might have overwhelmed the senses of audiences with their weird electronic music, you put together a four-woman keyboard band, and you take up the drums. Read on, for the story of the Sisters of Transistors, "a tale which wanders between truth, history and myth, and involves panic in America, army issue organs, a Derbyshire pub and a member of 808 State!" [more inside]
Here's a look back at sounds of summers past, with a review of EMI's series of Balearic compilations, and for a bit more mystery and diversity, mixes that focus and include Balearic styles from Test Pressing. If the whole "Balearic" thing is confusing, Boiler Room TV has a nice write-up with photos from the period to set the mood, where the music was a mix of mixture of soul, reggae, rock, pop, and Latin, mixed with chill out, lounge and dance music. [more inside]
Looking for some instrumental, funky, downtempo and slightly sinister soundtrack music? Klint, who as worked on soundtracks before, including Snatch, has released his own soundtrack album, Nothing Left Of Us (stream and download for a limited time from Soundcloud). News of this new album comes from Cheap Thrills Music, a label run by Joshua 'Hervé' Harvey. Both Cheap Thrills and Hervé have more tracks and mixes up on Soundcloud, including plenty of streaming sounds a few free downloads from each, though that's more of deep and dirty house, as heard in Hervé's Hate On Me mixtape (stream/dl), and from the "Tear The House Up" from Hervé x Zebra Katz (Official Music Video, NSFW lyrics).
If you heard about the 7" record released for Record Store Day, "Understanding and Appreciating Classical Music with Ron Jeremy," you know Ron Jeremy plays piano with some level of proficiency and flair, and you could probably guess that he throws some crass humor into his act (yes, that's his favorite classical music/pianist joke, he drops it a lot). Ron f*cknig Jeremy also blows the harmonica (NSFW words and vaguely unsafe images), and shares his love of Christian worship music with a fairly rough rendition of Amazing Grace on the harmonica. [more inside]
Kat Chow, with NPR's Code Switch, put together a short piece on the history and the prevalence of the well-known nine note "stereotypical Asian theme." As described in a 2005 Straight Dope forum question: You know, the one that goes dee dee dee dee duh duh dee dee duh. Featured heavily in braindead Hollywood flicks made by clueless directors who want to give a scene an "oriental" feel. Also a variation of it can be heard in David Bowie's "China Girl." [more inside]
Victor Gama is a self-taught composer and musician who has expanded his process of composing music for himself and others to perform into creating new or modified instruments, and is also involved with traveling to hard to access regions of Angola and recording local music, as documented on his website Tsikaya: Músicos do Interior. You can read an outstanding interview of Victor with Ned Sublette for Afropop, or read more on his creation of instruments as part of his creative process, or you can experience his performances on YouTube and his music on Soundcloud. [more inside]
According to the Daptone Gold compilation liner notes (auto-playing music, click on "Biography"to read the notes), written by Pitchfork contributor Douglas Wolk, "the world capital of soul" has moved from the US ("between Memphis and Detroit, with occasional stopovers in New Orleans, Cincinnati and elsewhere") in the 1960, to Lagos in the 1970s, then it went into hiding, finally reappearing in Brooklyn, with Daptone Records. Let's go back - why Lagos in the 1970s? [more inside]
808 State is an English electronic group that formed in 1987, and take their name from the Roland TR-808 drum machine and their shared state of mind. As a trio, they produced their iconic track, Pacific, which fused influences of house music, jazz fusion and exotica. The group changed membership a bit over the years, but one way or another 808 State have released six albums* to date, and a number of singles, EPs, and promotional discs. 808state.com has a ton of information, including an extensive visual discography, a list of other productions and remixes, and over a gig of demos, live tracks, and other non-album audio to download. Given the group's 27 year-long history, there's a lot more to see and hear. [more inside]
Six and a half years ago, the duo of Pocketknife (Skooby Laposky) and Cousin Cole (aka Cousin Culo) released handful of remixes, edits and re-works, compiled under the name Tambourine Dream (Discogs) on their joint Flagrant Fowl label. The label only lasted a few years, and it seems the duo are now operating alone. Cole/Culo is still solidly in remix/rework territory, with self-selected highlights including the moombahton "So Emotional" & volume 2 mixtape/EPs he made with Phi Unit, while Laposky has ventured into a few tributes to Arthur Russell (Russell, previously), in the form of a mix of Russell's tracks, and releasing a recently discovered track (which he remixed as Pocketknife) on his label, Wilde Calm Records, where he also released an album of "piano not piano" house music created solely with a prepared piano and raw drum programming, under the name Boonlorm.
Depending on one's point of view, Orgasm (later reissued as Cave Rock) is either a ridiculously self-indulgent artifact of the '60s counterculture or an underground gem that was way ahead of its time -- and it's probably a little bit of both. The basic idea behind Cromagnon, an obscure East Coast group led by vocalists Austin Grasmere and Brian Elliot, was psychedelic rock combined with the sticks and stones of prehistoric cavemen, as well as with traces of folk-rock; it's a bizarre concept, certainly, but at times, it works. You can hear the whole crazy album on YouTube, or stick with the most song-like track (featuring bagpipes, tribal beats and some sort of scream-singing), Caledonia, seen here with an unofficial video. [more inside]
Here's a song I didn't know existed until summer 2007, when Lemon Jelly's Fred Deakin released an impeccably curated three-CD mix (full 4 hours on Mixcloud). Halfway through the first disc, the music slipped into an easy, loping groove, sunburned and hungover, and a regretful voice offered Otis Blackwell's lonesome lyric: "You know I can be found/ Sitting home all alone …" [Billy Swan's version of "Don't Be Cruel" is] a beautiful record, though, and utterly different from Elvis's 1956 recording. And it opens a fantastic collection of country funk songs, collected and remastered by Zach Cowie of Light in the Attic Records. More sounds below the break. [more inside]
The Case for CDs -- as CD sales continue to plummet, Grantland's Steven Hyden takes a "glass-half-full perspective" on those numbers, discusses format nostalgia, and the five types of albums that justify the continued existence of CDs. [more inside]
There are numerous ways that bands reach out to potential and current fans, and you can add a few more to the list with Noisetrade, Stageit and Concert Window. Noisetrade allows artists and bands to give away music, like a few tracks and covers from Dr. Dog and Saint Rich, to the whole First Album Live from They Might Be Giants, and now e/audio books, too, in trade for an email address and zip code. If you prefer live music, Stageit and Concert Window allow fans to watch unrecorded, streaming shows from bands anywhere in the world, for whatever price fans see fit. [more inside]
Butter Ya'Self (Vimeo; YouTube) is "basically ... the story of Drake and Lil’ Wayne [as told with an anthropomorphic banana, hot dog bun, and stick of butter]. ButterKrust is 100% based on Wayne – Nana Splits isn’t based on anyone real but his relationship to ButterKrust is based on Drake’s relationship to Lil’ Wayne. The most important thing I wanted to express in this video is the relationship between them, how tight they are and how much Nana Splits looks up to ButterKrust." That's the story from Julian Petschek, who is studying at The California Institute of the Arts. [more inside]
While the name Michael “House Shoes” Buchanan remains unknown to most, he's been involved with the Detroit hip-hop community since '94, producing some beats for an (unreleased) EP by Elzhi in 1998, plus a few other projects in the 1990s, but he really started making noise in the 2000s, finally releasing his own album, Let It Go, in 2012, which he then offered as a free download in 2013. All the while, he's continued to act as "Detroit's Hip-Hop Ambassador to the World," promoting other up-and-coming acts through various channels, including his on-going series, "The Gift," in which he promotes new artists. [NOTE: NSFW lyrics throughout the music] [more inside]
What is it about "Happy" by Pharrell Williams that makes you want to move? Why can't we sit still when we hear Ray Charles perform "I've Got a Woman"? Michael Jackson had it, and so did Stevie Wonder. "It," in this case, is syncopation, the gaps in the rhythm that your brain wants to fill in, as reported in the article Syncopation, Body-Movement and Pleasure in Groove Music (full article online).
Grime is an electronic music style that is largely regional, associated most strongly with the Bow/E3 district of London (prime example: Wiley - "Bow E3"), but in recent years, grime has grown in style and station, moving out from London and expanding to Canada, Australia, Japan and beyond. (NOTE: audio is likely to be NSFW to some degree) [more inside]
Valentina Lisitsa is a classical pianist who credits her current fame to YouTube, where she has uploaded more than 200 videos of her performances. Were it not for the popularity of these videos (Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 - 7 million views; Beethoven "Für Elise" - 4 million; Liszt "La Campanella" - 3 million), she would be, in her own words, "totally dead" in "the age of child prodigies". Her newest work is not a thousand notes a minute as featured in some of her popular videos, but more minimal, as heard in "The Heart Asks Pleasure First," the first track from her album (Soundcloud snippet preview of all tracks) of music by minimalist composer Michael Nyman. [more inside]
Christian Zander may have a commercial design background, he has a significant amount of work in a more abstract, generative style, as seen in his House and Bike blog posts, and strewn among his work portfolio. He has also worked with animations, both live (Kiss Kiss Kiss - "Ponte 25") and recorded (Kenton Slash Demon - "Ore" / I Got You On Tape - "Run From The Rain").