240 posts tagged with music by filthy light thief.
Displaying 1 through 50 of 240.
Leyla McCalla is a classically trained cellist who grew up in New York with her Haitian parents. She moved to New Orleans where she performed on Royal Street and learned about the Haitian history of the community. McCalla also joined the Carolina Chocolate Drops and diversified her style and sound. With the combined influence of place and company, she started performing Haitian folk music, which she paired that music with poetry of Langston Hughes for her first solo album, Vari-Colored Songs: A Tribute to Langston Hughes (Soundcloud album stream). That was two years ago, and now she has her second album, A Day for the Hunter, A Day for the Prey (YT, official video for the title track; YT playlist), where she sings in Haitian Creole, French, and English. [more inside]
"Polish jazz, which was celebrating its triumphs in the 1950s and 60s, gradually became bogged down under the power of omnipresent and omnipotent institutions" ... "The 1990s saw the birth of a musical trend that wanted nothing less than to turn the established order of things to ash by the most drastic of means. This new trend was called yass." Though the headiest and most experimental days are behind them, "yass" is still used to indicate Polish jazz that's more than traditional jazz, and has been used to describe Skalpel, Jazzpospolita, and Pink Freud, who have performed Autechre live for Boiler Room and RBMA.
For your listening pleasure, double-dose of other/worldly Essential Mixes from the recent past: the German trio known as Moderat (Mixcloud/Soundcloud), and the globe-trotting psychedelic Canadian duo known as Blond:ish (YouTube/ Mixcloud/ Soundcloud). Blond:ish started releasing music together in 2010, while Moderat have a more than a decade of work together and more musical history as the separate parts of Modeselektor and Apparat. Which is to say, more music inside. [more inside]
The Kentucky Derby, "America's Greatest Race," will take place at Churchill Downs this weekend. CNN international has answers to 11 general questions to get you started in the festivities, and NBC New York has a short history of the spectacle around the race, which is largely about fashion through the decades. And then there's the opening ceremony and song - My Old Kentucky Home (official "sing along" video). It sounds pretty somber, and it is, especially if you sing all of the original 1831 lyrics. The Forgotten Racial History Of Kentucky's State Song (NPR Codeswitch). [more inside]
... at the same time that Chicago was creating House and Detroit was forging ahead with what would become Techno, the roots of Trance were being sawn on the beaches of Anjuna and Vagator. And just as Chicago had Ron Hardy and Detroit had The Electrifying Mojo, Goa had a DJ called Laurent. If it wasn’t for him, it’s quite possible that the music played at parties in Goa would have been little more than a carbon copy of what was going on back in Europe and America. Unveiling The Secret: The Roots of Trance - before Goa was Goa, it was "new electronic music coming out of Europe and America," sliced and edited by Laurent to make one long, constantly morphing psychedelic groove. [more inside]
"When it comes to modern day composers, the most prominent ones out there are names like Brian Eno, Steve Reich, Toru Takemitsu, Varèse and a couple more.... But when discussing these modern composers, the name ‘Kashiwa Daisuke’ is unlikely to be mentioned. The guy doesn’t even have a Wikipedia page.... But he’s up there along with those ‘big’ names I just mentioned. Program Music I is the very proof of this." Consisting of two long pieces, Stella and Write Once, Run Melos, each evokes the feelings of specific stories, told with modern classical instrumentation, spacious post-rock, jazz piano, and some intentional digital glitches. Almost nine years after that first album, Kashiwa Daisuke has released Program Music II (video for the track "Meteor"), with less glitch and more euphoric elements. [more inside]
The term "one-man band" generally brings to mind someone surrounded by instruments, like this Croatian street performer, but the earliest examples are a simple combination of pipe and tambor, which traces back to the 1300s. There were records of some creative, enterprising individuals in the centuries since, with more in the early to mid 20th century, including seated set-ups by Fate Norris, Jesse Fuller, and Joe Barrick, with Vic Ellis representing the traveling one-man band. Add in a MIDI controller, and you can expand your sound with less gear. The footprint can shrink more with the new ACPAD, with demos focusing on bringing electronic sounds to an acoustic guitar. [more inside]
Felix Manuel, better known as Djrum (pronounced as "drum," evolved from his initial DJ Rum handle) blends hip hop, house, jungle and bass seamlessly in his mixes, plus splices the DNA of techno, dubstep, garage and grime in an attempt to make them, in his words, “live inside each other” in his own productions. This blending is not frenetic, but slow and methodical, often including extended clips from movies, such as heard in The Miracle. With a relatively scant 9 EPs and singles, including two splits, and one album to his name, you can get hear more of the scope of Felix Manuel's musical tastes from his mixes... [more inside]
Medieval Music - 'Hardcore' Party Mix -- "The most rhythmic, upbeat, party medieval music out there, put together in a mix." If you need something to cool down after that 40 minute set, YouTuber VacnaPaul also put together a two hour "daydream mix" of fantasy music, from the video game scores by Jeremy Soule.
Nkosinathi Maphumulo is a South African musician better known as Black Coffee. He has been devoted to making music since an early age, and even though he lost the use of his left arm in a car crash while growing up in a poor township, he has gone on to become a superstar in South African music. More than a marathon-session DJ (going so far as to DJ for 60 hours), he created a multimedia stadium show, where he played with a 24 piece orchestra and additional live percussion, keyboards and singers, who all spoke with love for the unique South African experience they created. [more inside]
The internet is full of interesting ebbs and flows, and a current push-pull started with Beyoncé's video for 'Formation' (previously), which she also featured in her Super Bowl show. Then came the much-derided acoustic covers. Those covers inspired Nathan Zed to do a trap cover of 'Hey Jude', and the #TrapCovers really took off from there (more on Twitter)
Santigold is back with her third album, 99¢ (YT playlist), omnivorous pop in a post-genre age. She's been promoting the album throughout 2015, and enjoying the process this time around, trying to incorporate some of the joy from her son, Radek. She's been bending genres since her self-titled debut album, but this time around she's in a different place from her prior album, Master of My Make-Believe, which was fit for the dystopian end of the Age of Aquarius ... crackling with discontent, with a powerful cover designed by Kehinde Wiley (previously). [more inside]
A month from today will be 50 years since Sammy Davis Jr. satisfied a whim and had The Andrew Sisters sing the hits of The Supremes, and vise-versa. The quality isn't great, and it's only a snippet of Sammy's short-lived show from 1966. If you want more, here's the full episode, full of singing, dancing and comedy: part 1, part 2, part 3, part 4, part 5 and part 6.
Are you looking for a world of progressive and psychedelic music? Look no further than Psyche Music aka Prog/Psych/Advanced Music Reviews and Psychefolk aka Psyche Van Het Folk. The sites are old, so beware of dead links, but there's also more online now than there was when Progressive.Homestead.com was first linked on the blue, over a decade ago. Now hear Metin Alatli's "Alamooga Esinlenmeler" for 34 minutes of "early 70s Moog-madness" from Turkey.
The duo of Maribou State have come a long way from impressing Fatboy Slim with their remix of Praise You that landed them on his label. Last year, they dropped their debut album, Portraits (YT playlist, Bandcamp), "occupying a space somewhere between ambient electronic and a more house-nodding, four on the floor sensibility," and they had the honor of getting the first Essential Mix for 2016 (Mixcloud; Soundcloud). “We don’t set out to make celestial, sublime music. We aim for something more uptempo and less atmospheric. But that’s the way it comes out.” [more inside]
The idea and goal of “The Seasons” was a simple one: 12 original pieces dedicated to 12 musicians I deeply admire, released over 12 months. Though this ended up being one of the most challenging and complex projects I’ve ever attempted, it also turned out to be one of the most rewarding.Ben Wendel, inspired by Tchaikovsky's work from 139 years ago, has finished his year of duets: The Seasons Project (YouTube playlist)
Since he started Akkord (s/t album playlist) with Synkro, Liam Blackburn has been in search of a sound. His last few solo releases skirted past drum & bass through to techno, ambient, IDM and, with 2013's excellent Storm, some sort of ultra-hi-tech jungle.... [H]e's re-emerging as Ancestral Voices on the increasingly out-there label Samurai Horo....The debut album for Blackburn's new alias is "yawning chords, complex drum patterns and existential dread," directly inspired by his mind-expanding, life-altering experiences on Machu Picchu and in the Amazon, and you can hear all of Night Of Visions on Bandcamp.
In support of his most recent album, Racine Carrée (YT playlist with official videos), Stromae played 209 concerts in 25 countries. From these, he captured performances at the Bell Center in Montreal on September 28 and 29 to present two hours of the singing, dancing, acting spectacle that was his show (YT). Bonus: it's subtitled in English, if you want to understand those French lyrics. [more inside]
Norwegian legends and fairy tales are full of references to subterranean or supernatural beings, many of which have the fiddle as a symbolic attribute.... Even today, some people believe that anyone hoping to become a real fiddler must be apprenticed to Fossegrimen.... The Hardanger fiddle is inextricably linked to such legends, and it is the folk tunes which have kept them alive.And Targjei Augundsson is at the crossroads of legends and folk tunes, whose skill with the fiddle is said to have come at the price of his soul from a deal with Fossegrimen, making him something of the Norwegian predecessor to Robert Johnson. [more inside]
Listen to the "Loon Garden" sample from one of the E-mu Emulator II's stock library of sounds, and it may sound familiar in an unusual way. Instead of invoking a feeling of being near the Great Lakes, you might get taken to dance floors or mixes of the past and present, from 808 State's "Pacific State" and Sueño Latino's "Sueño Latino (Paradise Mix)" (both vaguely tropical numbers from 1989), to the more recent Rustie's "Up Down (feat. D Double E)" and Nicki Minaj's "Anaconda" (NSFW). Philip Sherburne tracked down the story of a sample that keeps coming back, collecting more examples and getting some great insight into a number of notable tracks.
The Secret History of the Mongols is the oldest surviving Mongolian-language literary work, and is regarded as the single most significant native Mongolian account of Genghis Khan. Linguistically, it provides the richest source of pre-classical Mongolian and Middle Mongolian, and while you can read it in various translations, it can be quite a slog. That's why Mongolian rappers Gee of/with Click Click Boom team up with Jonon to present a musical version of Mongolian History, in Mongolian. Luckily, there are English subtitles to this video, but there's still a gap between knowing the words and knowing what they mean. With that, you can find a collections of links as annotations below. [more inside]
You've tuned back into Radio FLTR, where we're digging up more hits from the past and doin' a monster song with ya on this beautiful November night. Here's that young dreamboat with the wacky expressions, Bobby Pickett doing the Monster Mash back in 1964 on American Bandstand, two years after his hit was first released, when he first cashed in on two hits at once - songs about dancing and monster mania. Bobby "Boris" Pickett didn't rest on those laurels in '62, but swiftly came back with a whole album of monster songs that same year .... [more inside]
Mo'Wax is a British record label that was formed in 1992 by teenage school friends James Lavelle and Tim Goldsworthy. The label quickly gained renown for trip-hop, turntablism and other odd beat hip-hop, from the likes of Japanese DJ Krush, Americans Money Mark, Dr. Octagon and DJ Shadow, British Luke Vibert, and their own UNKLE project. The label lasted a solid decade, then petered out as the 2000s wore on. James Lavelle looked back on 21 years of the label (a year late), and is now restarting the label. This effort is being kicked off with releases by a West London artist, Elliot Power. More waxing below the break. [more inside]
Outlaw songs are at least as old as popular music itself. The image of a gallant loner battling a rigid and unyielding legal establishment has proved irresistible for generations of songwriters. In 1959, Texan Sonny Curtis wrote one of the best, "I Fought The Law." Intended as a vehicle for himself and the post-Buddy Holly Crickets, their single went precisely nowhere.That is, until it was covered -- the first hit cover was by The Bobby Fuller Four in 1965, then another major version came out 14 years later, from The Clash who revived the "oldie" into what is now a "punk anthem." From there, the covers start piling up.... [more inside]
Elènne (ɛ'lɛn) makes a wide range of dance music, from lush vocal pop (Between Us feat. Mothica), something with chopped beats and vocals (King of Thebes), and a bit of marching band percussion with strings and ... I don't know what (Burning Bridges). Many of the tracks are free to download via Soundcloud or Dropbox, plus Elènne has a Bandcamp account. For more music, here is Elènne's Yellow Mix #1, a pick of current favorites and inspirations. For even more musical selections, Elènne picks a track per week on Facebook.
How did a funky R&B guitarist and singer get signed on to a spook-tacular music video? No, I'm not talking about Ray Parker Jr.'s very Halloween-appropriate music video for "The Other Woman", but his later video for the scary-funny movie, Ghostbusters. Screen Crush has the inside story on the making of Ghostbusters theme song video (alt source: Daily Motion). [more inside]
A Beginner's Guide to the Synth is a nice long write-up to the history of the synthesizers, from their origins up to the present, with embedded sound samples. For a deeper dive into the history of the hardware, learn the secrets of the synths from Sound on Sound.
Ayman Rostom had a penchant for nostalgic productions in his music, which isn't surprising given how he studied his brother's tapes of Yo! MTV Raps back in the day, which lead to his career as Dr. Zygote and his own Boot Records label (Bandcamp). More recently, he's taken the handle The Maghreban and embraced stripped-down house-type beats that he releases on his Zoot Records label, though in his new video for Now Easy, the focus is on his love of oldschool drum'n'bass. [more inside]
The Fader recently collected insights from artists associated with 12 microgenres of the past 15 years, from electroclash to vaporwave, but they left out sound samples. That's remedied, below the break. [more inside]
The story of Anabolic Frolic, the DJ name for Chris Samojlenko, tracks closely to the history of Happy Hardcore in Canada, if not North America at large, from the very first Happy 2b Hardcore mix released in the beginning of 1997, to the final Hullabaloo to mark the anniversary of the first Hullabaloo rave. [more inside]
On February 19, 1987, it was just another night at the Palomino, with Taj Mahal and The Graffiti Band playing some folk, soul, blues and maybe a bit of jazz. It wasn't unusual for some more major musicians to be in the crowd, but this night George Harrison, Bob Dylan, John Fogerty, and Jesse Ed Davis joined Taj and jammed, with Fogerty playing "Proud Mary" at the prompting of Dylan. But if you want to visit this iconic club today, you'll find yourself in front of Le Monge banquet hall. The Palomino is no more, but you can visit the Valley's legendary honky-tonk with an oral history of The Palomino, and a fan-made VH1 "Behind the Music" style documentary that includes some vintage clips and photos. [more inside]
El-P has recruited an all-star cast of producers* to help him deliver the album in its full feline glory. But first, we needed cats... Run the Jewels don't take themselves too seriously, because Meow the Jewels (playlist, NSFW lyrics) is really happening. You can download the remix album for free, or buy it in various formats, with all proceeds of the album will go to charities that benefit victims of police violence. [more inside]
California has long been home to immigrants from around the world (and from within the U.S.). What is less known, however, is that such longstanding histories of immigration and internal domestic migration have made California a fertile ground for extremely diverse and vibrant accordion musical cultures. With that, here is background on four immigrant populations —Italians, Creoles, Lebanese/Middle Eastern, and Mixtec/Mexican — to give more background the Squeezebox Stories, about an hour of history and tales of the accordion, filtered through customs and cultures found in California. [more inside]
Time indeed does not exist on Prince albums. Perhaps that’s why he’s kept releasing one or two every few years even long after his hit-making days ended. At age 24, on “1999,” he established a dichotomy—“I don't wanna die / I’d rather dance”—and at age 57, he seems to be taking that idea of dance-or-die more literally than ever. Who cares if fewer and fewer people are listening? Who cares if releasing exclusively to Tidal will limit his audience further? What matters is that Prince is working, and that the holy devoted will follow him.Spencer Kornhaber reviews HITNRUN Phase One on The Atlantic, warning that both Prince and "the gnarly funk-rock and R&B that made Prince famous" are in short supply on the album, which is produced by Joshua Welton, who said the album is "an experimental Prince record for fans who just don’t care about him sounding like a certain thing." [more inside]
If you enjoy laid back/ hazy/ chilled/ lo-fi hip-hop type beats, you may well enjoy the sounds of the Saikei Collective, which is based in the Philippines but includes a fluid roster of like-minded cats* from around the world, making original beats and remixing some tracks you may recognize. Since April 2015, the collective has posted nine releases on Bandcamp, consisting of five compilations, one collection of "two-player" collaborations, and three solo releases. [more inside]
Damian Lazarus is an interesting chap. On one hand, you have the self-proclaimed ancient wizard who channels mysticism into his live rave mixes around the world, while on the other hand there is his well-regarded house music label, Crosstown Rebels, which recently celebrated its tenth birthday with a 3 CD/40 track compilation. You can find a ton from both sides of Damian online. [more inside]
Back in December 2011, three kids (none over 21) who were studying jazz bonded over their love of hip-hop, performed a live cover of Gucci Mane's "Lemonade". It was noisy and jammy, but jazzy, and the crowd loved it. The trio followed up with a live video titled The Odd Future Sessions Part 1, which got love and support from Tyler, The Creator. BadBadNotGood (BBNG) took off from there, and are still going .... [more inside]
Not since (Socalled's) The Socalled Seder has Hebrew and hip-hop been so thrillingly merged. In his signature funky collage style, Alchemist layers drum brakes, with various warped and looped vintage Israeli records. On “Shalom Alechem,” a pitched up vocal recording of the Sabbath song refrains over a hard, 90s style boom-bap beat, spiced up with intermittent “check it out”s from the voice of an unidentified hype-man. It's awesome.From Shalom Life's review of The Alchemist's new instrumental album, Israeli Salad. The review also notes that this is similar to Alchemist’s 2012 album Russian Roulette, which uses 1970's Soviet music as its main source material.
Björk has been getting involved with TRI▼ANGLE Records a good bit, after The Haxan Cloak, a notable inclusion on the Tri Angle roster, was involved making Vulnicura, as well as producing a new remix. Back in February, Björk represented Tri Angle on Rinse FM with Holy Other and Celestial Trax, and then in May, she dropped in on Tri Angle's 5th Anniversary/Birthday Party to mix for an hour, and uploaded that set to Soundcloud (if you prefer YouTube, someone uploaded the set in four parts: 1, 2, 3, 4 - set to repeating video recorded from the show). If you'd like some more weirdness for your weekend, Nicolas Jaar recently shared a new, non-syncing version of Pomegranates (previously) as a free download linked through Facebook and Twitter, reposted by Factmag, where you can read some of the extensive liner notes before downloading the file.
The DJ-Kicks series was born in Berlin in 1995, and lays claim to the title of the first officially licensed DJ mix series available commercially. In the 20 years since it started, the series has covered house and techno, drum'n'bass and downtempo, and genres without convenient names, put together by musical monuments like Carl Craig, Thievery Corporation, and Four Tet to relative newcomers like Gold Panda and Maya Jane Coles. Besides the expected DJs and producers, the series also includes Daddy G (of Massive Attack) in a rare solo effort, pulling out unreleased dubplates for his mix, and Erlend Øye (of Kings of Convenience and The Whitest Boy Alive) providing his own a capella additions to the mix. For the 50th release, the series comes back to Germany with DJ Koze, bringing you his version of a "modern party mix." That's a lot of words about music, so let's hear it already! [more inside]
Taking on the dreamy, compelling sound of the lost soul decades is a damn high bar to set for yourself. Soul revivalists usually don’t get very far in my book, because what’s the point of competing with the likes of Sam Cooke and Otis Redding? Listening to Leon Bridges made me do a 180 on that stance. See, if you actually can hold a candle to legends like Cooke and Redding — and Bridges can — then there’s no reason not to indulge in some nostalgia.NPR has a first listen of Coming Home, Bridges' debut album, and you can see and hear plenty more of him on YouTube, from a live cover of Cooke's "Nothing Can Change This Love" to a solo performance of "Lisa Sawyer," a reflective song about his mother. [more inside]
"Gosh" - music by Jamie xx, something of an homage to early 1990s UK club culture, with visuals of a slowly terraformed Mars by Erik Wernquist, who was seen on MetaFilter before for "Wanderers," a similarly gorgeous, realistic film of space exploration.
Most people are aware of the (troublesome) official and unofficial drink sponsorship for alcoholic drinks in pop music of all sorts (see also: St. Ides ads by early 1990s rappers), but there are also (un)official cross marketing efforts in sodas. Coca-Cola is probably the most prominent on and prolific on the official side, who have even sponsored a series of "Coke DJ-Culture" singles and mixes a decade back from some significantly large names in electronic/dance and hip-hop circles. Now add to the mix "Doctor Pepper," a song by Diplo with South Korean superstar CL, Mad Decent’s own RiFF RAFF and Atlanta’s OG Maco. It was a quick song thrown together by CL and built from there, not (yet) the official summer anthem for Dr. Pepper.
Lucero Tena (Spanish) has amazing rhythm and control, as seen and heard in her dancing, tapping, clapping and snapping, but she is best known for her mastery of the castanets, used in accompaniment to a solo guitar along with her dancing, and perhaps more impressively, as a solo instrument in front of an orchestra there in a piece specifically written for her and her castanets. She may not dance any more, but her skill with the castanets is still astonishing. If you're lucky, you can catch her in a live performance.
In 1991, Daniel Dumile was part of KMD, a trio with his brother and another kid from their neighborhood, when they released their first album on Elektra, Mr. Hood (YT playlist). Dumile's next album wouldn't come out until 1999, and on an independent label. Operation: Doomsday was not released under the name he used with KMD, Zev Love X, but M(etal) F(ace) Doom, and he only appeared while wearing his metal mask. The transition from an upbeat youth to a cartoon villain was not clear at the time, unless you got your hands on the unreleased (except as a bootleg) second album of KMD, Black Bastards (full album on YT). Here is the story of that transition: KMD's Black Bastards and the Birth of MF Doom, a chapter from Brian Coleman's Check the Technique Volume 2, "more liner notes for hip-hop junkies." [more inside]
At the end of 2014 I had an immediate urge to release a solo piano album which I recorded some time ago, and I was looking for a specific occasion to do so. I wanted it to be a nice surprise for everyone, so I thought of a meaningful release date to begin with.Join with Nils Frahm in celebrating Piano Day by enjoying his album Solo for free (sample: "Wall"), or enjoy other celebrations of the piano in his Piano Day 2015 playlist.
Seconds later it came to my mind: I was about to create my own holiday in order to come up with a reason for this release. Moreover, if I could be proud of something, then of being responsible for an annual celebration of the piano. And here comes the best bit, Piano Day will happen on the 88th day of the year, which most of the time is the 29th of March. Piano Day is intended to be the most joyful of all holidays.
The Magician was initially a mysterious mixer who released Magic Tapes, mixes of disco, house and pop without tracklists, challenging listeners to compile tracklists themselves, and they did. But he stepped out from behind the curtain, remixing Lykke Li's "I Follow Rivers" and later his debut single, "I Don't Know What To Do" feat. Jeppe. In 2013, he signed with Parlophone, but has continued making his Magic Tapes. Last month, he celebrated his 50th mix with Mixmag TV and Arches. [more inside]
Eskmo took a few Tom Waits songs that he love and mashed them with Computer Controlled Acoustic Instruments pt2 by Aphex Twin, and created Aphex Waits (Soundcloud with free DL; YouTube). If you'd like more weird electronic music from Eskmo, Dazed has a preview stream of his new album along with an interview about it. Then there's Eskmo's self-titled album on Grooveshark, which he released on Ninja Tune back in 2010, which lead to videos for Cloudlight [previously], We Got More [previously], and Color Dropping. He has also shared more music on Soundcloud.
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Flula with his Mama & Papa (on the accordion) - "Mama Said Knock You Out", and Flula with Sir Mix-A-Lot - "Baby Got Back (remix)", more autotunes (playlist).