This week, the world will finally get its first look at Spider-Man: Turn Off the Dark. But the most expensive musical in Broadway history has already had an epic run—battling bankruptcy, broken wrists, unruly technology, and one comic villain disguised as a Post columnist. And at the center of it all, perched over her “God mike,” is the relentless and inventive Julie Taymor. (previously)
After creating four successive masterpieces in the 1970s, culminating in the tortured production of Apocalypse Now, Francis Ford Coppola began the 1980s by directing "a romantic comedy, a musical fantasy and an erotic love story set amidst the neon glitter of Las Vegas on a Fourth of July weekend." [more inside]
Only 325 days until Broadway's Hilton Theater hosts the first preview of Spider-Man: Turn Off the Dark, a $40 million musical directed by Juliet Taymor with music and lyrics by Bono and The Edge of U2. Investors hope it will fare better than another big-budget pulp adaptation.
"To make off with hubby's fortune, yea, I think I heard of that happenin' once or twice around L.A. And… you want me to do what exactly?" He found the paper bag he'd brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did. Thomas Pynchon's next novel, the 416-page Inherent Vice, is described by Penguin Press as "part noir, part psychedelic romp, all Thomas Pynchon — private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog." While we wait for its August 4 publication, we can read an essay on the dystopian musical he co-wrote at Cornell or watch a clip of that movie they made of Gravity's Rainbow. [more inside]