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filthy light thief (2)

Pitchfork Review Generator: eldritch murmur of arachnophobic pre-drone

"I could happily write about this beyond what the word count allows but in the interest of being concise it's a timorous call to arms of positively hands-in-the-air pre - club." Pitchfork Review Generator, mashup generator for aspiring music journalists. If you're looking to generate the cover art for these non-articles, the random album art generator linked in this MetaFilter thread is down, but there are at least three others currently online: 1, 2, 3. [more inside]
posted by filthy light thief on Oct 25, 2013 - 25 comments

"It’s like Kate Bush if she knew how to write a good song."

What makes the music critics at Collapse Board more interesting than the ones at Pitchfork or Rolling Stone or the AV Club? Well, for one thing, they have more fun: witness The Audacity of Barry Manilow, or their take on Kimbra's "Vows", written as a response to the outrage they received after a negative Gotye review. When they love something, they love it with relish – they think Micachu understands 2012 like no other musician, argue that Nirvana was the biggest thing since the Beatles, and think Lana Del Rey is more interesting than her lips. And when they dislike something, they make no qualms about disliking it – they rip into Titus Andronicus something good, describe a Matt & Kim album as "an excellent litmus test for weeding out fluff-eating imbeciles", and express more ambivalent opinions about My Bloody Valentine and The Mountain Goats. They also, predictably write frequent critiques of music criticism.
posted by Rory Marinich on Mar 21, 2013 - 87 comments

Pitchfork, 1995–present: What did we do to deserve Pitchfork?

In the last decade, no organ of music criticism has wielded as much influence as Pitchfork. It is the only publication, online or print, that can have a decisive effect on a musician or band’s career.... [W]hatever attracts people to Pitchfork, it isn’t the writing. Even writers who admire the site’s reviews almost always feel obliged to describe the prose as “uneven,” and that’s charitable. Pitchfork has a very specific scoring system that grades albums on a scale from 0.0 to 10.0, and that accounts for some of the site’s appeal, but it can’t just be the scores.... How has Pitchfork succeeded where so many other websites and magazines have not? And why is that success depressing? A lengthy history and review of Pitchfork [Media], from an inexpensive online alternative to a music zine, to "indie" music kingmaker, and thoughts on pop music (criticism). [more inside]
posted by filthy light thief on Jan 24, 2012 - 109 comments

end of an era

the voice fires robert christgau the decimation of what was once the village voice continues apace.
posted by sdn on Sep 1, 2006 - 42 comments

The rest is noise

The Rest is Noise : New Yorker music critic Alex Ross' blog.
Also: A C Douglas. Jessica Duchen. Greg Sandow. Michael Brooke. The Rambler.
posted by cbrody on Jul 5, 2004 - 8 comments

Robot Rock Critic

"It was hard on the ear, and my dog hated it too." The Robot Rock Critic generates album reviews. "Type in an artist name. Pick from a list of ten music genres, from 'teenage pop' to 'frighteningly loud music.' Specify whether it's a band, a male solo artist, or a female solo artist. Then click 'review.'"
[via Easy Bay Express]
posted by kirkaracha on Jul 10, 2003 - 14 comments

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