See string svengali Eddie Peabody drive three count 'em THREE ladies crazy with his smooth-as-silk strumming on three count 'em THREE exotic instruments: Strum Fun, for sure! And not only was ol' Eddie a suave lady's man, he was surely one of the best violinists (when it comes to bird calls, anyway) of his day! And what say we drop in and watch the wild and crazy guy strutting his stuff, doing a bit of crooning, banjo picking, toy-violin sawing and who knows what else, with His College Chums. We'll close it out with Eddie and the Beachcombers, as the irrepressible picker and grinner demonstrates some newfangled *electrified* instruments! Thanks, Eddie, and keep on plucking, baby!
As a young man in the 1920s, Dock Boggs [previously] recorded some songs that were released as 78s, and they are wonderful treasures of southern Americana, but I was always even more fond of his recordings from the 1960s, when, as an old man, he was rediscovered during the folk boom. So I was delighted to find that three of his 60s-period performances have recently shown up on YouTube. Here's Pretty Polly, Country Blues and I Hope I Live, all from 1966. [more inside]
Whether on fretless electric guitar or fretless Turkish banjo, mister Salih Korkut Peker sounds mighty fine. And here he is again on banjo, getting down on some Turkish grooves with percussionist Gencer Savaş. Sweet! [note: see hoverovers for link descriptions] [more inside]
For lovers of old-time, mountain banjo styles and songs, Roscoe Holcomb and Dock Boggs are revered figures. To many, however, plucker and singer David Akeman remains uncelebrated or unknown, even by his stage name of Stringbean. Is it because he was for a time actually famous as a country music showbiz staple, and therefore lacks folk cred? Or maybe the purists just can't get with those low-hanging pants the man was known for, his original hillbilly homeboy styling? Or was it cause on any given tune his left hand would likely be off the neck of the banjo more than on it? Whatever the reason, it's time folks took a new look at Stringbean. After all, the lines between folk and commercial styles have always been blurry in American music. Let's hear it for Stringbeeeeeeeaaan! [more inside]
You really shouldn't miss the snazzy ukulele stylings of the great Roy Smeck, strummer and showman extraordinaire, who was not only fast as greased lightning, but for whom the ukulele also occasionally functioned as a wind or percussion instrument. The man was indeed a wizard of the strings: just give him a slide and watch him lay down that Hawaiian sound. And as you'll see here, he was still going strong in his later years. [most links to YouTube]