Since their release in 1978, hit albums like Bruce Springsteen’s “Darkness on the Edge of Town,” Billy Joel’s “52nd Street,” the Doobie Brothers’ “Minute by Minute,” Kenny Rogers’s “Gambler” and Funkadelic’s “One Nation Under a Groove” have generated tens of millions of dollars for record companies. But thanks to a little-noted provision in United States copyright law, those artists — and thousands more — now have the right to reclaim ownership of their recordings, potentially leaving the labels out in the cold.
Give the drummer some? Nuh-uh. PAY the drummer some! Living Legend Tries to Make a Living. I'm talking about the man who gave us the drum solo (at 5:35) that launched a thousand hip hop ships, James Brown's funky heartbeat, Clyde Stubblefield. [previously].
Garry Shider, singer, guitarist and musical director of George Clinton's P-Funk All-Stars for much of their history, has passed on at age 56. Shider (the man in the diaper for so many P-Funk performances) was co-author of One Nation Under a Groove and many other masterpieces of the funk. RIP, Garry Shider.
"A wildly flamboyant funk diva with few equals even three decades after her debut, Betty Davis combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis, her husband for a year. ... she turned Miles on to Jimi Hendrix and Sly Stone (providing the spark that led to his musical reinvention on In a Silent Way and Bitches Brew), then proved her own talents with a trio of sizzling mid-'70s solo LPs." - All Music Guide (many links nsfw-ish)
From 50's doo-wop crooner (and hairstylist extraordinaire) to 60's soul stepper to 70's psychedelic funk overlord and beyond, Parliament Funkadelic: One Nation Under A Groove takes a loving, informative and very entertaining look at the career of the legendary George Clinton and his unstoppable, hydra-headed funk machine. [more inside]