In 1985, the Mystery Writers of Japan (plus "508 people who love mystery novels") assembled two separate lists of the 100 best mystery novels: one each for the books of the East and West. A revised list came out in 2012. Both Western lists are remarkable for their comparative lack of overlap with the "100 best" lists produced by the American and British mystery writers associations. The Eastern lists are remarkable for the fact that fewer than a quarter of their entries have been translated into English. [more inside]
posted by Iridic
on Jul 18, 2014 -
Someone used to great responsibility, and responsible in his authority. Someone too-conscientious...He had that incommunicable, that indescribable look that childhood suffering leaves behind it; less positive than the look on a cripple’s face, but as inescapable. This the artist had both understood and translated into terms of paint...He turned the portrait over to look for a caption. On the back was printed: Richard the Third.
The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes. There has been so much of this sort of thing that if a character in a detective story says, "Yeah," the author is automatically a Hammett imitator.
Raymond Chandler, "The Simple Art of Murder" (1950)
posted by Navelgazer
on Sep 24, 2008 -