PeterCheyney was a prolific author of pulp thrillers, whose tin-eared appropriations of American hard-boiled detective fiction were nevertheless wildly popular in Britain and France in his mid-20th-century heyday. Among his creations were the cynical British detective SlimCallaghan; the debonair Belgian assassin Ernest Guelvada (one of the lead characters in the so-called ‘Dark’ series of spy novels), and the oddly-named, trenchcoat-wearing FBI tough-guy LemmyCaution, played on-screen in a series of Frenchmovies by the American-born actor & singer EddieConstantine, a role he would later reprise to striking effect in Jean-Luc Godard’s 1965 movie Alphaville.
posted by misteraitch
on Aug 1, 2012 -
13 comments
The Big Sleepis a film I have found a very intense love for. The rotating cast of shadowy crooks and deceptive dames coupled with the roller-coaster plotting makes this classic movie endlessly entertaining. Bogart and Bacall are electrifying together and the supporting cast is equally captivating. Considering it’s over 60 years old, The Big Sleep still works in a big bad way and feels fantastically modern. It’s as if the film is simply too fast and too entertaining to age. It was crafted by the hands of some of Hollywood’s finest artists at the time and oozes quality as a result. Most of all though, this movie is just pulpy, fearless, fun and really, really cool. - Pictures and Noise[more inside]
posted by Trurl
on Apr 7, 2012 -
56 comments
[Arthur Penn's Night Moves] does belong to a traditional, indeed obsolescent genre, but the distance it keeps from it (not an ironic or critical distance, just a distance) is such that genre-related expectations become irrelevant. Most of the time, the story line seems to meander aimlessly, taking in extraneous material, doubling back, going round in circles (the aimless is deceptive, a smoke screen obfuscating the complex, rigorous organization of an exceptionally well-structured script). The "mystery" aspect of the plot is dealt with in the most peculiar, topsy-turvy manner, withholding not the solution of the problem but the problem itself until the very end, when, in a dazzling visual tour de force, both are conjured up almost simultaneously. - Jean Pierre Coursodon [more inside]
posted by Trurl
on Oct 1, 2011 -
19 comments
Madison Man is no longer John Doe. If you read the article noting every occurrence of the word "Madison" and how each differs from the others you'll see why I find this nifty. (I think they'll eventually decide it was suicide.)
posted by davy
on Oct 19, 2005 -
17 comments