“I never approached this saying, ‘This would be a great skill to have because everybody needs an acanthus carver,’” he says, “but it evolved into a passion that became practical.” Bob Yorburg is the man who saves carousel horses from the glue factory. (Ariana Michelle Igneri for Narratively; warning for the first gif, if you are given to dizziness.) [more inside]
"The rich Jewish traditions in the city of Uzhhorod were all but wiped out by Nazi death camps and decades of Soviet rule. Now one born-and-bred New Yorker aims to bring them back, one perfectly browned challah at a time." "Bringing a Bite of Old Brooklyn to Ukraine," by János Chialá, Tali Mayer, and Ilya Ginzburg.
An Indiana grandma killed off a devastating superbug with a homemade fecal transplant and then embarked on a crusade to win over the FDA.
A nineteenth century gold rusher built a fortune, lost it all, then declared himself Emperor of the United States — and got all of San Francisco to play along.
In an unmarked grave in Woodlawn Cemetery in the Bronx lies the five-foot-seven-inch body of a man responsible for bringing untold amounts of sunshine to New York City’s youth. During his eighteen-year tenure as Superintendent of School Buildings for the New York City Board of Education, Snyder built public schools with windows that made up nearly sixty percent of the buildings’ facades, much of the remaining space covered in lavish ornamentation. “There is not a dark corner in the whole structure,” social reformer Jacob Riis wrote of Snyder’s design in his seminal 1902 text "The Battle With the Slum." “Literally, he found barracks where he is leaving palaces to the people...I cannot see how it is possible to come nearer perfection in the building of a public school.”
My father was introduced to the Fashion District by his gay cousin, Napoleon Garcia, who would drag him to get yards of fabric at wholesale stores downtown. "Tito Nap," as I used to call him, was a fabulous man who was as fun as his colorful fashions.
Narratively is "devoted exclusively to sharing New York’s untold stories—the rich, intricate narratives that get at the heart of what this city’s all about." The site, launched in September, presents one long-form piece of journalism, sometimes text, sometimes video, sometimes a photo essay, sometimes audio.