From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with
March of Time: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often
tackled subjects and themes that audiences weren’t used to seeing —
foreign affairs,
social trends, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.”
(Previous two links have autoplaying video.) By 1937, the short films were being seen by as many as 26 million people every month and
may have helped steer public opinion on numerous issues,
including (
eventually) America’s
entry to WWII. Video samples are available at
Time.com, the
March of Time Facebook page and the entire collection is available online,
(free registration required) at
HBO Archives. [more inside]
posted by zarq
on Aug 22, 2011 -
8 comments
Nazi's propaganda. My Granddad once told me that I didn't understand Nazi's, because the black and white film always made it look unreal. He said if the films were color, I'd see.
posted by Mblue
on Mar 5, 2010 -
74 comments
"The German invasion of Britain took place in July 1940, after the British retreat from Dunkirk". We see, documentary-style, members of the Wehrmacht trooping past Big Ben and St Paul's Cathedral, lounging in the parks, having their jackboots shined by old cockneys, and appreciatively visiting the shrine of that good German,
Prince Albert, in Kensington Gardens.
Kevin Brownlow and
Andrew Mollo's film "
It Happened Here", with its
cast of hundreds (.pdf), imagines what a Nazi occupation might have been like — complete with underground resistance, civilian massacres, civil strife, torch-lit rallies, Jewish ghettos, and organized euthanasia. Shot on weekends, eight years in production, made for about $20,000 with nonactors and borrowed equipment and Stanley Kubrick's help, "It Happened Here" was originally envisioned by
Brownlow as a sort of Hammer
horror flick about a Nazi Britain. Thanks in part to
Mollo's fanatical concern with historical accuracy, however,
it became something else. The most remarkable thing about this account of everyday fascism is that it has no period footage.
Brownlow's 1968 book about the film's production, "
How It Happened Here", has recently been
republished. More inside.
posted by matteo
on Feb 12, 2006 -
16 comments
