In 1945-46, some of the (very few) Polish Jews who had survived the Final Solution returned -- sick, poor, wounded -- to Poland. In Elie Wiesel's words, "they had thought all too naively that antisemitism, discredited 6 million times over, had died at Auschwitz with its victims. They were wrong." In 2001 Princeton professor Jan T Gross published the story of the 1941 destruction of the Jewish community at Jedwabne, Poland, and proved how Jews were rounded up, clubbed, drowned, gutted or burned to death not by German forces as previously believed but by mobs of their own non-Jewish neighbors. Now professor Gross tells the story of the Kielce pogrom in his new book, "Fear". Of course, the Kielce butchery took place in 1946 -- more than a year after the end of WWII and defeat of Nazism. More inside.
Mahler performances were rare in Vienna in those days because Mahler's city had already been contaminated by the acolytes of Adolf Hitler. By their reckoning, Mahler's music was loathsome — a product of "Jewish decadence." To put Mahler's music on the program was therefore a political act. It was to protest and deny the hateful faith that blazed across the border from Germany. That much I understood quite clearly, even as a boy. The New Yorker's Alex Ross reprints Hans Fantel's New York Times 1989 essay on Bruno Walter's 1938 performance of Mahler's Ninth Symphony -- the last performance of the Vienna Philharmonic before Hitler invaded Austria.
He has cavorted naked with Charlotte Rampling [this is VERY NSFW] and covered himself in caviar for Marc Jacobs, but Jürgen Teller thinks "fashion is a wank". Teller's first solo show in Paris is entitled "Nurnberg", it consists of a sequence of images (annoying Flash site, sorry) taken at the infamous Zeppelintribune parade ground, site of Nazi propaganda rallies, which was designed by Hitler's favourite builder, Albert Speer. Over several months, Teller (.pdf) has photographed the monument, the podium and the steep, ruthless steps, all of which have been left to decay. Or not. "It wasn't really maintained, but if there was a broken step, or a smashed wall, it would be mysteriously replaced with a new one." Teller's photographs show the delicate weeds, flowers and lichen [NSFW] that have grown up around the stone blocks. "In Germany, there is a saying about letting the grass grow over things, meaning that events will eventually be forgotten".
"The German invasion of Britain took place in July 1940, after the British retreat from Dunkirk". We see, documentary-style, members of the Wehrmacht trooping past Big Ben and St Paul's Cathedral, lounging in the parks, having their jackboots shined by old cockneys, and appreciatively visiting the shrine of that good German, Prince Albert, in Kensington Gardens. Kevin Brownlow and Andrew Mollo's film "It Happened Here", with its cast of hundreds (.pdf), imagines what a Nazi occupation might have been like — complete with underground resistance, civilian massacres, civil strife, torch-lit rallies, Jewish ghettos, and organized euthanasia. Shot on weekends, eight years in production, made for about $20,000 with nonactors and borrowed equipment and Stanley Kubrick's help, "It Happened Here" was originally envisioned by Brownlow as a sort of Hammer horror flick about a Nazi Britain. Thanks in part to Mollo's fanatical concern with historical accuracy, however, it became something else. The most remarkable thing about this account of everyday fascism is that it has no period footage. Brownlow's 1968 book about the film's production, "How It Happened Here", has recently been republished. More inside.
Operation Anthropoid. In 1942, a group of Czech and Slovak exiles parachuted into their Nazi-occupied homeland and assassinated (hi-res pictures, scroll down) SS-Obergruppenfuehrer Reinhard Heydrich, one of the architects of the Final Solution, the "Butcher of Prague." For the first time since the end of the World War Two, a German museum is offering a close look at "Operation Anthropoid," the codename for the only successful assassination of a member of Adolf Hitler's inner circle.
Nazi's relative turns Israel lover. Matias Goering is a direct descendant of Hitler's right-hand man. He also keeps Shabbat, wears a kippa, and identifies with the Greater Israel vision of West Bank settlers. (via jewlicious)
The London Cage. Kensington Palace Gardens is one of the most exclusive addresses in the world. Between July 1940 and September 1948 three magnificent houses there were home to one of Great Britain'smost secret military establishments: the London office of the Combined Services Detailed Interrogation Centre, known colloquially as the London Cage. It was run by MI19, the section of the War Office responsible for gleaning information from enemy prisoners of war, and few outside this organisation knew exactly what went on beyond the single barbed-wire fence that separated the three houses from the busy streets and grand parks of west London. The London Cage was used partly as a torture centre, inside which large numbers of German officers and soldiers were subjected to systematic ill-treatment. In total 3,573 men passed through the Cage, and more than 1,000 were persuaded to give statements about war crimes. A number of German civilians joined the servicemen who were interrogated there up to 1948. More inside.
The Wartime Ninth. "Berlin. October 7, 1944. In the Beethovensaal a concert is about to begin, but the theater is empty, relieved of its usual audience studded with Nazi elite. The Berlin Philharmonic Orchestra is on stage, awaiting its cue. Conductor Wilhelm Furtwängler stands awkwardly on the podium. The vague meandering of his baton summons the first shadowy note of Bruckner's Ninth Symphony. A Radio Berlin engineer starts his Magnetophon. The most extraordinary orchestral recording of the century has just begun". More inside.
Wagner, the repulsive giant If, on one hand, you ever wanted to know what a swine Richard Wagner was, this is the book to tell you. It does so at length, in reliable detail, calmly, without prurience, perfectly backed with documentation, and in a translation whose only fault is in giving no Translator’s Notes for in-house German references. Joachim Köhler sustains his story with new ideas, revises other interpretations and modestly deconstructs Cosima née Liszt’s creation of “Richard Wagner Enterprises Inc”. (This she developed so far as to keep Parsifal exclusive to Bayreuth, prompting George Bernard Shaw to remark in 1889 that it “would almost reconcile me to the custom of suttee”!).
you'll then have a grave in the clouds where you won't lie too cramped "No, no, I never met Paul Celan. This poem is too CLASSIC, too cold, and too difficult to follow. It does nothing to me". Singing, Painting and the Holocaust: Interview with Leon Greenman, Auschwitz Survivor 98288
Hitler's bomb. Adolf Hitler had the atom bomb first but it was too primitive and ungainly for aerial deployment, says a new book by German historian Rainer Karlsch. The book indicates that Nazi scientists carried out tests of what would now be called a dirty nuclear device in the waning days of World War II. US historian Mark Walker, an expert on the Third Reich's atomic weapons program, supports Karlsch's claims: "I consider the arguments very convincing". More inside.
"Fear presides over these memories, a perpetual fear." He is one of America's great novelists, but you don't expect Philip Roth to be barreling up the best-seller list with a book that hasn't even been published yet. And yet "The Plot Against America" is in the top 3 at amazon.com. It spins a what-if scenario in which the isolationist and anti-Semitic hero Charles Lindbergh runs for president as a Republican in 1940 and defeats F.D.R. "Keep America Out of the Jewish War", reads a button worn by Lindbergh supporters rallying at Madison Square Garden. And so he does: he signs nonaggression pacts with Germany and Japan that will keep America at peace while the rest of the world burns. The Lindbergh administration hatches a nice plan to prod assimilation of the Jews. Innocuously called Just Folks, it's a relocation program for urban Jews, administered by an Office of American Absorption fronted by an obliging and pompous rabbi of radio celebrity. The teenage Roth character is shipped off to a Kentucky tobacco farm, to finally live among Christians. The book is about American Fascism, but while Roth is no fan of President Bush ("a man unfit to run a hardware store let alone a nation like this one"), he points out that he conceived this book (LATimes registration: sparklebottom/sparklebottom) in December 2000, and that it would be "a mistake" to read it "as a roman à clef to the present moment in America." (more inside)