Before
hip-hop beefs, there were response records, also known as
answer songs, usually replies to well-known songs. There are a few key eras: blues and R&B recorded music in the 1930s through 1950s, including a number of responses to "
Work With Me, Annie" (1954), recorded by
Hank Ballard & the Midnighters, with answers including "
Annie had a Baby," and "
The Wallflower" by Etta James; and Big Mama Thornton's "
Hound Dog" (1953), with a quick response by
Louis Innis and Charlie Gore, made a mere week after the original was released, and
Rufus Thomas' "
Bear Cat" (1953),
Sun Records' first hit. Country, rock & roll, doo-wop and pop music picked up where the blues left off, with most activity in the 1950s to 60s. Two examples from this era are
"Are You Lonesome To-night" and "Who Put The Bomp," and responses to both. The most well known from the next decade was Lynyrd Skynyrd's "
Sweet Home Alabama" (1974), a response to Neil Young's "
Southern Man" (1970) and "
Alabama" (1972). Until the 2000s, no answer songs had charted as high as the original hits. That changed with
Frankee's "
F.U.R.B. (Fuck You Right Back)" (2004), a response to
Eamon's "
Fuck It (I Don't Want You Back)" (2003), which was the first answer song to reach number 1 in the UK. Six years later and across the pond, Katy Perry's "
California Gurls" was a response to "
Empire State of Mind" by Jay-Z. It was the first answer song to reach No. 1 in the Billboard Hot 100. More Responses inside.
[more inside]
posted by filthy light thief
on Mar 31, 2012 -
53 comments
In the loosely related fields of planetary science and apocalyptic fiction, the phrase “minimum orbit intersection distance,” or MOID, describes the closest point of contact between the paths of two orbiting objects. Most vividly invoked whenever an asteroid encroaches on our corner of the solar system, that bit of jargon also has its aesthetic uses. Consider the coordinates of Neil Young and Miles Davis on the evenings of March 6 and 7, 1970, at the juncture of East Sixth Street and Second Avenue in Manhattan.
Mapping the intersections of Miles Davis and Neil Young.
posted by shakespeherian
on Mar 29, 2010 -
21 comments
Greendale. For his recent
tour, Neil Young is staying true to form and surprising the hell out of people by performing his new multimedia-rock-opera-dvd-epic-type-thing in its entirety and
yelling at the increasingly unruly audience who came to hear his classics. Although a project of this magnitude has long been the domain of wonderfully, unashamedly
pompous old bands in the 70's, I find myself rather intrieged. Am I alone in welcoming this kind of concert surprise?
posted by ghastlyfop
on Jul 3, 2003 -
47 comments
Shakey: Neil Young's Biography. . . Any big Neil Young fan, and I have to admit to being one, also spends a lot of time hating a lot of his artistic output (i. e. the cringe-enducing
Let's Roll, as well as his all-over-the-map politics.
In the
LATimes book review Hal Epsen mentions that
the reliably perverse Young has been a staunch Reagan supporter and proponent of the death penalty, as well as a devoted husband and a stalwart parent to three kids, two of whom were born with cerebral palsy. He also asserts that Young appeals almost wholly to male listeners.
Young has been discussed here before but not, I believe his biography, which, as has been Neil Young's M. O. from the get-go, is a dictionary-perfect example of a "mixed bag."
posted by Danf
on May 16, 2002 -
35 comments
Keep on rockin in the free world.
You go Neil!
"People for the American Way, which once described the goal of the PMRC censors as "to bring children and parents together on music selection," gave Neil Young its Spirit of Liberty award at a December 11 Beverly Hills banquet. Young used the occasion to proclaim his support of the USA/Patriot Act, which became law on October 26. "To protect our freedoms," Young said, "it seems we're going to have to relinquish some of our freedoms for a short period of time."
One of John Ashcroft's favorite rockers?
posted by martk
on Jan 11, 2002 -
48 comments
