SHARP and Tomotaka Takahashi have announced a new phone, a cute robot that interacts with you. (via)
"To coincide with his new book, “Will Oldham on Bonnie ‘Prince’ Billy,” Will Oldham is again releasing a new batch of his own oldies — a six-song EP called “Now Here’s My Plan,” made up of fresh versions of songs from the Prince Billy catalog. Among the recordings is an impossibly upbeat rendition of “I See a Darkness,” the beautifully bleak song off his 1999 album of the same name that was later covered by Johnny Cash." The video for the new version, shot in Glasgow Scotland, is now posted on the New York Times website. [more inside]
This is a strange thing. This is a look, a style, a pattern that didn’t previously exist in the real world. It’s something that’s come out of digital.
"Above all, the New Aesthetic is telling the truth. There truly are many forms of imagery nowadays that are modern, and unique to this period. We’re surrounded by systems, devices and machineries generating heaps of raw graphic novelty. We built them, we programmed them, we set them loose for a variety of motives, but they do some unexpected and provocative things." Bruce Sterling (Previously) writes about the New Aesthetic movement in Wired magazine. [more inside]