Drugs seeped into the band, and were accompanied by an entourage of lowlifes stuck in a dizzying cycle of despair. Theresa was uninterested in the drug world yet she was too afraid to challenge her situation in her role as backup singer and dependent partner of Osborne.
After nine turbulent years, the tension came to a head. Theresa had finally decided to confront Osborne about the drugs during a show at the famed Howlin' Wolf in New Orleans. The conversation predictably turned confrontational and with the usual crowd of partygoers surrounding the backstage area, Theresa snapped. She flung her violin through the window of the club. Glass shattered all over the ground and her violin lay broken beyond repair. It was over.
Such is the life, death and the rebirth of accomplished violinist and singer,
Theresa Andersson's music career.
[more inside]
posted by KevinSkomsvold
on Jul 6, 2010 -
14 comments
Let's say that you're Lenny Kravitz and you're relaxing on a balcony in New Orleans when you hear someone singing one of your songs. What do you do? Well, you could always
join in. (SLYT)
posted by ColdChef
on Jun 29, 2010 -
95 comments
Just ease on into one of the most laid-back grooves to ever weave its way through a New Orleans junkyard, and join the procession as the estimable Dr. John is led through the rusting automobiles on a
mule. After that, you'll be ready to enter the Inner Sanctum of Deep Mystic Hoodoo, with the good Doctor as your intoning, night tripping guide through the
Zu Zu Mamou hallucinations. You won't be the same, afterwards...
posted by flapjax at midnite
on Nov 27, 2009 -
22 comments
NEA Jazz in the Schools takes a step-by-step journey through the history of jazz, integrating that story with the sweep of American social, economic, and political developments. This multi-media curriculum is designed to be as useful to high school history and social studies teachers as it is to music teachers. Start with the
introductory video to get a feel for the place. The education outline contains
five lessons. If you just want to listen, all the
music samples are on one page. Perhaps you're more interested in individual
artist biographies, or a jazz history
timeline.
[more inside]
posted by netbros
on May 21, 2009 -
11 comments
At Sammy's at 2016 Main, on September 8, a historic jam session occurred, an impromptu reunion of many of the city of New Orleans's finest musicians. Each player who walked in the door was much more than a mere musician that night -- they were an affirmation of life. Not only did their attendance indicate that they had survived the storm, but their collective presence also indicated that their music would survive, too.
The
New Birth Brass Band (and friends) tears it the hell up in downtown Houston post-Katrina. The
whole show is great, but if you're short on time, parts
one and
three are especially smoking.
posted by 2or3whiskeysodas
on Dec 14, 2008 -
3 comments
In the French Quarters of New Orleans you are very likely to come across various street entertainers.
Grampa Elliott is
one such performer.
Elliott Small has had a smattering of recordings over the years like the 1976 Malaco record discussed here
Since that time no record lables have produced any of his work that I can find. He spent his time performing on street corners in the Quarter until Katrina, some people feared the worse, but he
turned up on Royal street in 2005 no worse for wear.
Here is a story by Rick Bragg of the NYT [more inside]
posted by nola
on Sep 24, 2008 -
6 comments
Hilton Ruiz is dead. The wonderful pianist
Hilton Ruiz, who "had been in a coma since May 19, when he was found outside a French Quarter bar with severe head injuries," has died in a New Orleans hospital. He'd played with everyone from Freddie Hubbard and Rahsaan Roland Kirk to Charles Mingus, Betty Carter, Archie Shepp, and Clark Terry. Sad news, especially coming hard on the heels of the loss of
Billy Preston.
posted by languagehat
on Jun 8, 2006 -
16 comments
After the Storm Sometime this weekend, you may be able to hear one of the best expressions of New Orleans’ role in music and culture available in any mass media. It's American Routes, a weekly show carried on
many US public radio affiliates. Programmed and hosted by
folklorist and
UNO professor of folklore and culture Nick Spitzer, the show normally broadcasts from a studio in the heart of the French Quarter, but has found a temporary home on a
Creole/Cajun French/English public radio station in Lafayette. Spitzer
told the NYT that he began planning
the music for this week’s show as he was fleeing the flooding city in his car, playing Fats Domino’s
“Walking to New Orleans."
This week’s show highlights New Orleans’ recovery from disasters past, emphasizing the city’s role as the greatest single wellspring of American music. The Crescent City, after all, has either
birthed or nurtured everything from
jazz,
R & B,
cajun and the related black-influenced zydeco,
soul,
blues,
gospel, and
rock and roll.) With an encyclopedic knowledge of American vernacular music, an utterly democratic spirit, and an unmistakeable respect and love for American musical forms and the people who create them, Spitzer has
stepped forward several times this week to serve as a compassionate and optimistic spokesman for the irrepressible
creative spirit of a suffering city and a
culture in diaspora.
posted by Miko
on Sep 10, 2005 -
19 comments
There is a house in New Orleans... A recent archeological excavation in the French Quarter reveals that a hotel called the "Rising Sun" operating in the early 1800s may have been the ruin of many a poor girl. Clues include suggestive newspaper ads from the period and artifacts such as "a large number of liquor bottles... Alongside... an unusually dense collection of rouge pots".
[more...]
posted by taz
on Apr 4, 2005 -
34 comments
The story of "St. James Infirmary." You thought it was a piece of old New Orleans? Turns out St. James Hospital was in London (and treated lepers), and the song goes back at least to the 18th century (though it used to be sung to the tune of "Streets of Laredo"). Rob Walker's Letter From New Orleans #13 describes the results of his obsessive researches. If you have more info, he wants to hear from you! (Via
Wordorigins, a site any word lover should know.)
posted by languagehat
on Jun 11, 2004 -
9 comments
"Picasso of keyboard funk" -
Professor Longhair would be 84 today if he were still alive. His distinctive meld of boogie woogie, blues, funk and Latin makes for piano that is quintessentially New Orleans...
Tipitinas, one of the more famous local music bars, took its name from his signature song. "Fess" was a seminal influence on such musical greats as James Booker, Fats Domino, Allen Toussaint, Art Neville, Doctor John and
Marcia Ball, one of my current favorites. You can hear a few Fess samples from
Crawfish Fiesta, arguably his best recording, issued just after he died in 1980. He was inducted in the R&R Hall of Fame as an
early influencer in 1993. Happy birthday,
Professor!
posted by madamjujujive
on Dec 19, 2002 -
17 comments
