Brooklyn's Afropunk festival has gone from a small gathering of friends celebrating an underground documentary to a massive, celebrated boutique fashion and mainstream music cornucopia. Some say they have sold out. But in Pitchfork, author Hanif Abdurraqib, (previously) makes a case that it still represents something very real and important to black youth culture.
"The thing I find very exciting is waiting for the subway train and sometimes you'll get a glorious one that arrives decorated like a birthday cake!" Watching My Name Go By is a short 1976 BBC documentary about graffiti, artists, and graffiti artists in New York City. The film is based on Norman Mailer's 1974 essay for Esquire magazine, "The Faith of Grafitti." [via]
The much esteemed eight-part history of New York City "New York: A Documentary Film" is available. (approximate length 17 hrs. 30 min.) [more inside]
In June 2001, Estonian immigrant Konstantin Petrov got a job as an electrician for Windows on the World, the famous restaurant in the World Trade Center. The New Yorker has an article about the recent discovery of a trove of photographs he took during lulls in his shifts, an incredible record of the complex before the events of thirteen years ago. [more inside]
Note by Note: The Making of Steinway L1037, a documentary by Ben Niles. "Invention for 900 Hands", a nine-part series in The New York Times. "K 2571: The Making of a Steinway Grand", an article in The Atlantic Monthly. [more inside]
Rights And Reactions: Lesbian & Gay Rights On Trial is a 1987 documentary about the culmination in 1986 of the struggle to pass "Intro 2", the New York City "Gay Rights Bill", which prohibited discrimination based on sexual orientation in matters of housing, employment, and public accommodation. Made by Phil Zwickler and Jane Lippman, it is available in 3 Quicktime segments: Part 1 (22m), Part 2 (19m), Part 3 (16m). Total running time: 56m. [more inside]
"Toity poiple boids / Sittin on da koib / A-choipin an’ a-boipin / An’ eatin doity woims." From Atlantic Avenue to Zerega Avenue (map), the kinds of New York City accents made famous by the likes of Archie Bunker, Jimmy Breslin and Travis Bickle are disappearing. But though you may not often hear “foath floah” for "fourth floor" in Manhattan anymore, documentary filmmaker Heather Quinlan knows you can still hear strains of the old mellifluous tones in Brooklyn, Queens, Staten Island, and the Bronx, and that's exactly what she's setting out to document in her film If These Knishes Could Talk.
Uneven Terrain is a series of short documentaries about urban exploration, about 10-15 minutes long each. There are six so far, about monumental ruins in New York, Centralia, the Pennsylvania town where an underground coalseam has been on fire since the 1960s, abandoned missile silos in the US and how they're being turned into homes, oil drilling in Los Angeles, the Teufelberg listening station and the abandoned bunkers under Tempelhof Airport in Berlin and pirate radio in London and on the old Redsand sea forts. Each short doc has a different presenter. All have accompanying photo galleries. [These are produced for the bootmaker Palladium, but it's pretty low-key]
It's amazing how good religion is at mobilizing people to do awful, murderous things. There is this dark side to it, and anyone who loves religious experience, including me, better begin to own there
It's amazing how good religion is at mobilizing people to do awful, murderous things. There is this dark side to it, and anyone who loves religious experience, including me, better begin to own there - a profound admission - in very well produced piece about 9/11 -