Arno the socialite stayed at the Ritz-Carlton until dawn, keeping Frazier company, and was captured in photos holding her hand while the 17-year-old looks utterly exhausted by the event. (She was.) Five nights earlier, Arno the satirist and his friends—publisher Condé Nast and George Balanchine among them—held a well-publicized debut at the nightclub Chez Firehouse for Miss Wilma Baard. A fashion model, Baard had spent much of her childhood on a Hoboken tugboat captained by her father, so reporters at the event dubbed it the debut of “Tugboat Minnie.” “I think most debutantes are dopes,” she told reporters. While Arno and his friends worked the receiving line in shifts, she stood there for hours, saying only of society that it made “my feet hurt.” - The Double Life of Peter Arno, The New Yorker's Most Influental Cartoonist by Ben Schwartz (NSFW warning: butts)
"Maybe the story is the difference between the writers on the panels and the writers in the audience. That story is the creation of a celebrity class. That story is the fine line between jealousy and envy: I want everything you have versus I want everything I can have. Or is the story simply vanity?" Choire Sicha of the Awl reports on (and attempts to schmooze through) the two-day New Yorker literary festival
Today, The New Yorker announces a redesign, temporary free access to their archives for all web visitors, and a soon-to-be implemented paywall, modelled on that of The New York Times. The New Yorker website--which now publishes 15 original stories a day--has been steadily expanding their offerings (and increasing their traffic) under online editor Nicholas Thompson. Perhaps TNY seeks to finally answer the question: what's an old magazine to do on the internet? Capital NY digs into the history of the relaunch and how striving for timeliness on the web may affect the publication. Others maintain that a remaining problem is Andy Borowitz, whose vague satire accounted for 6% of traffic to the website last year.
This was not the act of a fringe contingent. The letter—which, until now, has never been published in its entirety—is signed by 154 staffers, including J.D. Salinger, Calvin Trillin, John McPhee, Jamaica Kincaid, Saul Steinberg and Janet Malcolm. There are a few notable abstentions, including John Updike and Charles McGrath, who would soon be named Gottlieb's deputy. At the bottom, it reads "cc: S. I. Newhouse."The Letter: Robert Gottlieb's Tenure as the New Yorker's Managing Editor, Elon Green, The Awl (SLTheAwl)
"If Shirley Jackson’s intent was to symbolize into complete mystification, and at the same time be gratuitously disagreeable, she certainly succeeded" - The New Yorker takes a look at the over 300 letters in reaction to The Lottery
All told, Updike has published more than a million words on books. ... In Picked-up Pieces (1975), Updike’s second collection of essays, he lists his rules for reviewing... Without coyness, Updike renders a stern judgment based on telling quotation. He builds toward his findings in plain sight, earning him an authority that is based on his presentation of a plausible case. [more inside]
While the standard King James Bible remains huge business for publishers, in recent years a number of alternative formats have sprung up, hoping to capture the niche Christian dollar, or more charitably, to spread the good word to an audience that wouldn't find the tradtional bible all that relevant. Daniel Radosh's piece in the New Yorker examines the alterna-Bible publishing phenomenon, along with a great slideshow of several in-market concepts.