“My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd. “And one of the women’s hair,” she instructed, brushing her hand lightly across her own woolly Afro, “is like mine.”
posted by ChuraChura
on Aug 6, 2014 -
"His work is rooted in the power of collaboration within systems: instructions, rules, and self-imposed limits. His methods are a rebuke to the assumption that a project can be powered by one person’s intent, or that intent is even worth worrying about. To this end, Eno has come up with words like “scenius,” which describes the power generated by a group of artists who gather in one place at one time. (“Genius is individual, scenius is communal,” Eno told the Guardian, in 2010.) It suggests that the quality of works produced in a certain time and place is more indebted to the friction between the people on hand than to the work of any single artist." The New Yorker'
s Sasha Frere-Jones on Brian Eno's career and new album High Life.
posted by porn in the woods
on Jun 30, 2014 -
The Mystery of Go, the Ancient Game That Computers Still Can’t Win
The challenge is daunting. In 1994, machines took the checkers crown, when a program called Chinook beat the top human. Then, three years later, they topped the chess world, IBM’s Deep Blue supercomputer besting world champion Garry Kasparov. Now, computers match or surpass top humans in a wide variety of games: Othello, Scrabble, backgammon, poker, even Jeopardy. But not Go. It’s the one classic game where wetware still dominates hardware. [more inside]
posted by the man of twists and turns
on May 26, 2014 -
When Christie was fourteen years old, he heard [now former NJ Governor Thomas] Kean, who was then a member of the state legislature, speak at his junior high school. He told his mother that he wanted to become a politician; she drove him to Kean’s house and told him to knock on the legislator’s door. “Sir, I heard you speak,” he told Kean. “I think I want to get into politics. How do I do it?”
Writing for The New Yorker, Ryan Lizza provides an account
of Chris Christie's political history from start to Bridgegate.
posted by Going To Maine
on Apr 8, 2014 -
This past October, just before the leaves changed, I went on a six-day hike through the mountains of Wakayama, in central Japan, tracing the path of an ancient imperial pilgrimage called the Kumano Kodo. I took along a powerful camera, believing, as I always have, that it would be an indispensable creative tool. But I returned with the unshakeable feeling that I’m done with cameras, and that most of us are, if we weren’t already.
Author and designer Craig Mod
asks if we're seeing the end of the non-networked, standalone camera
posted by Horace Rumpole
on Jan 3, 2014 -
The Men Who Leaked The Secrets
To the likes of Brooks, Snowden was a disconcerting mystery; Glenn Greenwald, though, got him right away. "He had no power, no prestige, he grew up in a lower-middle-class family, totally obscure, totally ordinary," Greenwald says. "He didn't even have a high school diploma. But he was going to change the world – and I knew that." And, Greenwald also believed, so would he. "In all kinds of ways, my whole life has been in preparation for this moment," he says. [more inside]
posted by the man of twists and turns
on Dec 10, 2013 -
Edmund Wilson was a friend [Vladimir] Nabokov shared with many people in American literary circles—including Dorothy Parker. Wilson had first learned about Nabokov's Lolita in the summer of 1953, when he was contemplating an article about Nabokov and asked the novelist whether he had a new project in the works.... A year later, Nabokov offered to let Wilson read his new novel, which he said he considered "to be my best thing in English."
In November, while in New York talking to Straus about his own projects, Wilson got the Lolita manuscript and was a bit less discreet than Nabokov would have wanted.
--How Edmund Wilson may have leaked the plot
of Nabokov's Lolita
to Dorothy Parker, who then published in the New Yorker
a story titled "Lolita," about a middle-aged man in love with a teenage girl, three weeks before the novel came out.
posted by Cash4Lead
on Nov 23, 2013 -