Apparently there is an uncanny valley in Japan, too.

monju_bosatsu — Fri, 24 Mar 2006 10:55:11 -0800

The tradition of making Japanese dolls, called ningyo—meaning human figure—goes back as far as 10,000 years to clay figures made during the Jomon period. The more recent rise in popularity, though, is most often traced to Hina Matsuri--Girls' Day, or the Doll Festival, celebrated on March 3--originating during the Edo period. These antique ningyo are highly sought after by collectors, such as the American expert Alan Pate, who has written a number of articles on the subject. The modern Japanese doll culture, however, is anything but traditional. In the late 19th and early 20th centuries, the ningyo tradition was exported to make toys for the West (previously featured on MeFi), and has culminated in popular Barbie-type dolls such as Superdollfie and others. Contemporary artists have transformed the Japanese doll tradition into something else entirely: Simon Yotsuya, Ryo Yoshida, Koitsukihime, Yoko Ueno, Mario A., Etsuko Miura, and Kai Akemi. A number of these artists were featured in the Dolls of Innocence exhibit at the Museum of Contemporary Art Tokyo. Of course, notable artists outside Japan have worked with dolls before, including Hans Bellmer, who inspired much of the artwork in Innocence, the follow-up to Ghost in the Shell. Explore more: [1] [2] [3] [4] [5]. [Several links are nsfw.]

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Apparently there is an uncanny valley in Japan, too.