"In this excerpt from Keith Cameron's new biography Mudhoney: The Sound and the Fury from Seattle, spanning the end of grunge's golden era (Fall 1993 to Fall 1994), we have Mudhoney opening area tours first for Nirvana and then Pearl Jam - the latter of which is shattered by Kurt Cobain's suicide - and joining Vedder & co. for a tour of the White House, during which President Bill Clinton meets with Eddie Vedder to discuss whether or not he should address the nation about Cobain's suicide."
The first time they came and recorded with me—which was January 23, 1988—they didn't have a band name, and they just had a borrowed drummer, which was Dale from the Melvins. But, yeah, they came and recorded 10 songs with me in one afternoon. I was left going "God, who are these people?" The cassettes I gave out just said "Kurt Cobain and Company" on them, because that's all I knew. - Recording Nirvana Before They Were Nirvana. As Nirvanas first albulm hits 20 years old, with Sub Pop prepare to release a remastered anniversary edition, the Seattle Weekly takes a look back at the album that launched grunge.
The Sub Pop Singles Club began in 1988 with the release of Nirvana's Love Buzz single, and continued to offer subscribers new singles from popular and up-and-coming grunge bands for five years. In 1998 the label briefly resurrected the club, ultimately ending it three years ago. Featured bands ranged from the popular to the obscure. Earlier this year, the complete collection of singles was put for sale on ebay, cementing its status as a collector's item and making a generation of music geeks feel old.
Touch Me I'm Sick. Photographer Charles Peterson helped America see grunge from the inside out. His dramatic black-and-white images portrayed the energy of the music being performed in crowded basements and dingy dive bars featuring such bands as Nirvana, Mudhoney, Pearl Jam, Soundgarden, Hole, Black Flag, Fugazi, and Sonic Youth, among others. "Touch Me I’m Sick: Rock ‘n’ Roll Photographs by Charles Peterson" will be on view at the Chrysler Museum of Art through May 1. More inside.
"In late January 1994, Cobain, Novoselic, and Grohl entered Bob Lang's studio in Seattle for their final recording session. Following a long jam, they captured this powerful tune in one take, including the gut-wrenching vocal -- a spooky, ambient intro of echoed harmonics and a fractured guitar solo." --Jim DeRogatis