May I Meet My Accuser (AllMusic review by Thom Jurek) ~~ Magas has been hanging out making mischief on the fringes of noise and electronic music since the early 1990s, whether it was playing in Couch with Aaron Dilloway, being a member of Lake of Dracula, remixing [Bobby] Conn tracks, or just generally being gleefully obnoxious and participating in things that kept him amused. Then comes this slab. It's big-bottom beats, wild pitch-warped synths, distorted vocals, hammered loops, and wonk and whir come off as a new, (yes, new) electro-swamp music for the dawn of this final century... [more inside]
Depending on one's point of view, Orgasm (later reissued as Cave Rock) is either a ridiculously self-indulgent artifact of the '60s counterculture or an underground gem that was way ahead of its time -- and it's probably a little bit of both. The basic idea behind Cromagnon, an obscure East Coast group led by vocalists Austin Grasmere and Brian Elliot, was psychedelic rock combined with the sticks and stones of prehistoric cavemen, as well as with traces of folk-rock; it's a bizarre concept, certainly, but at times, it works. You can hear the whole crazy album on YouTube, or stick with the most song-like track (featuring bagpipes, tribal beats and some sort of scream-singing), Caledonia, seen here with an unofficial video. [more inside]
Kim Gordon talks to Elle magazine about her split from husband Thurston Moore and her life at age 59.
Although the ultra-mysterious and rumour-cloaked Les Rallizes Dénudés/Hadaka no Rallizes existed in various forms from November 1967 to their last gig in October 1996 they are practically unknown in - let alone out of - Japan. Their recorded output is incredibly rare and highly priced and interviews or articles in the music press virtually non-existent. Tie that in with links to radical left-wing politics, extreme sensory assault at live shows and a general revolutionary aura and you have what must be the ultimate cult group. [more inside]
"Dead, dead, dead, dead, dead, he’s fucking dead, the guy from Brainiac is fucking dead. I want this to mean something to every fucking one of you."
15 years ago Dayton, Ohio band Brainiac released their third, and final full-length album Hissing Prigs in Static Couture on Touch & Go records. Lead by Tim Taylor on vocals/keyboards the album perfected a brand of short-circuit robot rock that made dance music out of violent shrieks and spasms. The band has been credited by Trent Rezor in 'really inspiring to me from a sonic influence' and eulogized by Jeff Buckley at his last gig. [more inside]
If you have heard of the bands Lightning Bolt, Arab on Radar or Forcefield, chances are you've heard of the legendary space known as Fort Thunder - an artists collective in an otherwise neglected part of Providence known as Olneyville -where roughly 100 artists and musicians lived, worked, and held underground music shows. After the demolition of Fort Thunder in 2001, a number of those artists began again in a different space known simply as Oak & Troy. One year ago this month, on one of the coldest days on record, the residents of that fertile creative space were also evicted, this time with just two weeks' notice. But where there is innovative music there are dedicated audiophiles, and last week one of the former residents of Oak & Troy released a 10-CD compilation of some of the best music to happen in those amazing spaces. See if you can pick out the extracurricular projects of members (or former members) of AoR, ff, Dropdead, thee Hydrogen Terrors and Olneyville Sound Station.