"Rankin/Bass made 18 specials, of varying length and ambition, between 1964 and 1985. Nearly all of these films revolve around the performance of some Christmas song or another. Nearly all of them deal with the crippling scars of childhood shame. And nearly all of them are completely off the rails insane." Vox's Todd VanDerWerff watches, and ranks, all 18 Rankin/Bass Christmas Specials.
“Je Suis La Jeune Fille.” “Yes, that’s French they’re speaking. But no, these children aren’t French – they’re American!” If you grew up in the late 1980s and early 1990s, or watched children's TV programming from that era in the US or UK, no doubt you saw that commercial for Muzzy (formally titled Muzzy in Gondoland). The show was first produced by the BBC in 1986 to teach English as a second language, as seen in this playlist of five videos, and later expanded with Muzzy Comes Back in 1989 (six episode playlist). The shows were both translated in to French, German (playlist), Spanish (and the Spanish vocabulary builder), and Italian (Muzzy in Gondoland, Muzzy Comes Back).
What do you need to be an international CONTROL super spy fighting the forces of KAOS? A Shoe-Phone. A Cone of Silence. A Bulletproof Invisible Wall and a Laser Blazer. Then, and only then, can you Get Smart. [more inside]
"I have a huge collection of fighting game backgrounds as gifs. Figured you guys might appreciate it."
I'd been searching for this for some time and recently discovered that someone had unearthed it. [more inside]
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
Toy Story 3 hits theaters today, and it's already winning universal acclaim as an enchanting and heartbreaking wonderwork, employing understated 3D and a "real-time" perspective that deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series. It has a strong pedigree, with 11-year-old predecessor Toy Story 2 the rare sequel to equal its forebear, 1995's Toy Story (itself the first CGI feature in history). And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of ten commercial and critical successes that have grossed over $5 billion worldwide and collected 24 Academy Awards (including the second-ever Best Picture nom for animation with Up), a legacy that rivals some of the greatest franchises in film history. But there's rumbling on the horizon. Although the studio has been hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and five of them were by Pixar), two of their upcoming projects are sequels, both of them based some of their least-acclaimed films (Cars 2 in 2011 and Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist [previously], fellow newcomer Newt has been canceled. With WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on his 2012 adaptation of John Carter of Mars and with forays into live-action already in development, does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece? [more inside]
Saturday morning cartoons were once a staple of American television, but by the year 2000 they had all but disappeared. Of course, the Internet never forgets. Case in point: Cartoon Network Video -- a free, searchable, ad-supported service that provides hundreds of full-length episodes of classic shows like Dexter's Laboratory, Cow and Chicken, Courage the Cowardly Dog, Johnny Bravo, Foster's Home for Imaginary Friends, and The Powerpuff Girls, as well as current offerings and scads of shorter material. Too recent for you? Then give Kids WB Video a whirl -- it does the same thing with the same interface, but for older programs like Looney Tunes, Tom and Jerry, The Flintstones, The Jetsons, The Smurfs, Scooby-Doo, Thundercats, and the original Space Ghost. If you're in the mood to learn (and don't mind some live-action), PBS Kids Video has educational fare such as Arthur, Wishbone, and Zoom. And don't forget about Sesame Street, The Electric Company, Mr. Rogers' Neighborhood, The Magic Schoolbus and Schoolhouse Rock! Now if only we had some Chocolate Frosted Sugar Bombs...
While Adult Swim is generally regarded as the pioneer of irreverent short-form animation -- especially for 'toons that reimagine past hits -- it wasn't always the king. In fact, the late-night programming block arguably found its birth in a series of short toons and interstitials that ran in the heyday of its daytime alter ego, the venerable Cartoon Network. The brainchild of C.N. Creative Director Michael Ouweleen and Hanna-Barbera chief Fred Seibert, these cartoons reinterpreted the network's properties through stock footage, indie music, and original animation in a wide variety of styles, as well as introducing prototypes of characters that would become some of the most famous in the history of American animation. (warning: monster post inside) [more inside]
1, 2, 3,4, 5,6,7, 8, 9,10, 11,12! Classic Sesame Street taught us Counting and other important stuff.
A collection of NFB Vignettes that taught a generation of Canadians about archetypal norsemen, hydraulic treeshears, birling, how to speak French without having to learn it, and more! (YouTubeorama) (Vignettes previously discussed on MeFi in this Hinterland Who's Who FPP)
Okaaaaaaaaaaaay Daaaaaaaaaavey! After a 31 year absence, Davey and Goliath are making their return to television. It's funny, I had no idea it was religious programming until years after I stopped watching it. Oh, and this news explains explains those great Mountain Dew ads...
Room-a-zoom-zoom! These cartoons were bad in a good way! When I was a wee lad, I loved cartoons like Blue Falcon/Dynomutt and Hong Kong Phooey. My gotta-watch cartoon was The Superfriends, which had some of the most unintentionally-hilarious dialogue ever. And can anyone for get The World of Sid and Marty Krofft? Anyone else get nostalgic over shows like this?
Skeletor and Gang: What is it about the combination of stop-motion animation, He-Man action figures, and sped-up heavy metal that makes me laugh until I hurt? "Skeletor, Mantenna and Grizzlor are having a party! Oh no! Moss-Man attacks! Defend us Squeeze!"